Ge6 Module Descriptions and Reading Lists

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1 Ge6 Module Descriptions and Reading Lists 1. Sexuality and the Unconscious The conflict between social norms and sexual desire became a salient public issue in the period around 1900, and it lies at the heart of Freud s project of psychoanalysis as well as the literary writing of that time. This module focuses on Wedekind s famous drama about adolescent sexuality, Frühlings Erwachen, and Schnitzler s equally well-known narrative representation of a young woman confronting a profound sexual dilemma, Fräulein Else. It also provides the opportunity to consider how Freud s ideas might help us understand these literary texts on the one hand, and the senses in which Freud s thinking should itself be viewed critically as a manifestation of the culture of his time on the other. Primary material Frank Wedekind, Frühlings Erwachen Arthur Schnitzler, Fräulein Else Sigmund Freud, Vorlesungen zur Einführung in die Psychoanalyse, lectures 5-7 and 9-11 (on the interpretation of dreams), 20 ( Das menschliche Sexualleben ), and 31 ( Die Zerlegung der psychischen Persönlichkeit ) Introductory reading Elizabeth Boa, The Sexual Circus (Oxford 1987), chapter 2 Elisabeth Bronfen, Over Her Dead Body: death, femininity and the aesthetic (Manchester University Press 1992), pp Anthony Storr, Freud, Oxford 1989 Freud, Drei Abhandlungen zur Sexualtheorie (1905), with one of the following: a) Wedekind, Erdgeist; David Midgley, Wedekind: Erdgeist, in Peter Hutchinson (ed.), Landmarks in German Drama (Oxford: Lang, 2002), pp ; Ruth Florack, Wedekinds Lulu : Zerrbild der Sinnlichkeit (Tübingen: Niemeyer, 1995) b) Arthur Schnitzler, Frau Beate und ihr Sohn ; Michael Titzmann, Normenkrise und Psychologie in der frühen Moderne: Zur Interpretation von Arthur Schnitzlers Frau Beate und ihr Sohn, Recherches Germaniques 28 (1998), ; Silvia Kronberger, Die unerhörten Töchter: Fräulein Else und Elektra und die gesellschaftliche Funktion der Hysterie (Innsbruck: Studien Verlag, 2002) c) Robert Musil, Die Verwirrungen des Zöglings Törleß; Andrew Webber, Robert Musil, Die Verwirrungen des Zöglings Törleß, in David Midgley (ed.), The German Novel in the Twentieth Century: Beyond Realism (Edinburgh: Edinburgh UP, 1993); Patrizia C. McBride, The Void of Ethics: Robert Musil and the experience of modernity (Evanston IL: Northwestern UP, 2006), chapter 1 Andrew Webber, Psychoanalysis, Homosexuality, and Modernism, in The Cambridge Companion to Gay and Lesbian Writing, ed. Hugh Stevens (Cambridge: CUP, 2011), pp Juliet Mitchell, Psychoanalysis and Feminism (London 1974) Malcolm Bowie, Freud and Art, in Psychoanalysis and the Future of Theory (Oxford: Blackwell, 1993)

2 2. Transformations of the National Idea German national identity underwent profound changes between 1890 and Questions about the relationship between national identity and the state posed themselves with traumatic regularity: after 1888, with the accession of the impetuous Emperor Wilhelm II; in the Weimar Republic after 1918 and the Third Reich after 1933; after 1945 with the emergence of two German states; and in with the unification of the German Democratic Republic and the Federal Republic of Germany. Between 1890 and 1945 German nationalism became increasingly radical and xenophobic, shaped by the ideological conflict between Left and Right and by racial thinking. After the Second World War and the Holocaust the Germans had to redefine their relationship with their past and, in both East Germany and West Germany, they forged new ideas about their identity and their role in Europe. The selection of primary material will enable students to explore political, social and cultural-historical dimensions of the development of modern German national identity in its European context. Primary Material (Short texts to be made available as a pdf document via CamTools.) Selected extracts from Lesebuch zur deutschen Geschichte, vol. 3, ed. Bernhard Pollmann, (Dortmund: Chronik Verlag, 1984), pp , 41-6, 58-61, 63-9, 82-5, 120-9, 134-5, 150-3, , , 221-5, , , Selected extracts from Nürnberg Laws (1935) Preamble to the Grundgesetz fur die Bundesrepublik Deutschland ( ), also articles on Der Bund und die Länder, and 116 Preambles to Verfassung der Deutschen Demokratischen Republik of 7 October 1949 and 1974 Bundespräsident Horst Köhler, Ansprache 8.v.2005, Rede vor dem Bundestag zum 60. Jahrestag der deutschen Kapitulation 1945 (http://www.bundespraesident.de/shareddocs/reden/de/horst- Koehler/Reden/2005/05/ _Rede.html) Recommended reading Stefan Berger, Inventing the Nation: Germany (London: Bloomsbury, 2004), ch. 3-7 John Breuilly (ed.), The state of Germany: the national idea in the making, unmaking and remaking of a modern nation state (London: Longman, 1992), ch. 1, John Breuilly, The national idea in modern German history, in Mary Fulbrook (ed.), German History since 1800 (London: Hodder Arnold, 1997), pp William W. Hagen, German history in modern times: four lives of the nation (Cambridge CUP, 2012), Part III + IV. Helmut Walser Smith (ed.), Oxford Handbook of Modern German History (Oxford: OUP, 2011), ch. 22, 24, 31, 34, 35. Volker Kronenberg, Verfassungs-patriotismus im vereinten Deutschland, Aus Politik und Zeitgeschichte (28/2009) online at deutschland?p=0- Selected extracts from Peter Alter (ed.), Nationalismus: Dokumente zur

3 Geschichte und Gegenwart (Munich: Piper, 1994). Historikerstreit. Die Dokumentation der Kontroverse um die Einzigartigkeit der national-sozialistischen Judenvernichtung, 9th edn (Munich: Piper, 1995), pp , 62-76, Students are also advised to consult the website of the Deutsches Historisches Museum for an illustrated account of the period (including documents): David Blackbourn and James Retallack (ed.), Localism, landscape and the ambiguities of place: German-speaking central Europe, (Toronto: Toronto University Press, 2007), Introduction and chapter 6. Peter Blickle, Heimat: A critical theory of the German idea of homeland (Rochester: Camden House, 2002). Ian Buruma, The Wages of Guilt: Memories of War in Germany and Japan (1995), Introduction and pp , , Jane Caplan (ed.), Nazi Germany (Oxford: OUP, 2008), chapters 1, 4, 10. Norbert Frei, 1945 und wir: Das Dritte Reich im Bewußtsein der Deutschen (enlarged edition, Munich: dtv, 2009). Mary Fulbrook, German national identity after the holocaust (Cambridge: Polity, 1999). 3. Searching the City: Urban Culture in the Weimar Period This module is concerned with German urban culture in its heyday: the period of the Weimar Republic. While the burgeoning cities of the 1920s and early 1930s provide the environment for new forms of freedom and pleasure, they also become haunted by fears and subject to new forms of control and constraint. We will consider a range of classic works that concern themselves with the ambivalent character of urban culture, focusing on the themes of crime and punishment, surveillance and vigilance, capture and evasion. The key texts will be Fritz Lang s classic film M: Eine Stadt sucht einen Mörder and two works by Brecht, his musical drama (with Kurt Weill) Die Dreigroschenoper and the short poetry cycle, Aus einem Lesebuch für Städtebewohner. The module will also draw on the work of two pioneering theorists of urban culture in the Weimar period, Walter Benjamin and Siegfried Kracauer. Primary Material Fritz Lang, M eine Stadt sucht einen Mörder (1931) Bertolt Brecht, Die Dreigroschenoper (1928), Aus einem Lesebuch für Städtebewohner (1931) Extracts from: Siegfried Kracauer, Das Ornament der Masse, Der Detektiv- Roman; Walter Benjamin, Kommentare zu Gedichten von Brecht, Was ist das epische Theater?; Bertolt Brecht, Der Dreigroschenprozess (1931). Introductory reading Anton Kaes, M. (London: BFI, 2000). David Midgley, Writing Weimar: Critical Realism in German Literature, (Oxford: Oxford University Press, 2000), especially pp

4 Peter Thompson and Glendyr Sacks (eds.), The Cambridge Companion to Bertolt Brecht (Cambridge: CUP, 1994), especially pp , Janet Ward, Weimar Surfaces: Urban Visual Culture in 1920s Germany (Berkeley: University of California Press, 2001), especially pp Bertolt Brecht, Anmerkungen zur Dreigroschenoper, Aufstieg und Fall der Stadt Mahagonny (1930), Anmerkungen zur Oper, Aufstieg und Fall der Stadt Mahagonny ; Alfred Döblin, Berlin Alexanderplatz (1928, and film version by Phil Jutzi (1931)); Joe May, Asphalt (1929); G. W. Pabst s film version of Die Dreigroschenoper (1931); Fritz Lang, Das Testament des Dr. Mabuse (1933); Erich Kästner, Emil und die Detektive (1929, and film version by Gerhard Lamprecht (1931)); Irmgard Keun, Das kunstseidene Mädchen (1932). P. V. Brady, Aus einem Lesebuch für Städtebewohner: On a Brecht essay in Obliqueness, German Life and Letters 26.2 (January 1973), Todd Herzog, Criminalistic Fantasy and the Culture of Crisis in Weimar Germany (Berghahn, 2009), especially pp Helmut Lethen, Cool Conduct: The Culture of Distance in Weimar Germany (Berkeley: University of California Press, 2002), especially pp Carlo Salzani, The City as Crime Scene: Walter Benjamin and the Traces of the Detective, New German Critique, 100 (Winter 2007), Lies, Secrets and Narrative Although, as the social and aesthetic philosopher T. W. Adorno says in Standort des Erzählers im zeitgenössischen Roman (1954), Kafka may not be a good model, it is hard to think of serious European literature since the Second World War without his presence. Adorno s radio essay was broadcast at the time of Ingeborg Bachmann s first fame as a lyric poet, and this module aims to focus study upon the responses of Modernist prose in German to the rhetorical challenge facing the realist novel, a challenge described in Adorno s essay in characteristically idiosyncratic intellectual style. Bachmann s own turn to prose in Das dreißigste Jahr (1961, the title of a collection of short stories, of which the eponymous Das dreißigste Jahr is the longest) implies a dialogue with Kafka s most famous novel, Der Proceß (written , published 1925), as well as with other examples of his fiction, such as Die Verwandlung. In both texts narrative fiction forges a path between the Lüge der Darstellung, as Adorno puts it, and the secret of what might lie beyond the exhausted cultural discourses of the twentieth century. Primary Material Franz Kafka, Der Proceß Ingeborg Bachmann, Das dreißigste Jahr T. W. Adorno, Standort des Erzählers im zeitgenössischen Roman

5 Introductory reading Frank Pilipp, Ingeborg Bachmanns Das dreißigste Jahr: Kritischer Kommentar und Deutung (Würzburg: Königshausen und Neumann, 2001) Julian Preece (ed.), The Cambridge Companion to Kafka (Cambridge: CUP, 2002) Ritchie Robertson, Kafka: A Very Short Introduction (Oxford: OUP, 2004) H. Scott Porter, The Cambridge Introduction to Narrative (Cambridge: CUP, 2008) Sigrid Weigel, Ingeborg Bachmann: Hinterlassenschaften unter Wahrung des Briefgeheimnissess (Munich: DTV, 2003), 28-46; Bachmann, Literatur als Utopie, the other stories from Das dreißigste Jahr; Kafka, Aphorisms, Der Verschollene Giorgio Agamben, Homo Sacer: Sovereign Power and Bare Life, trans. D. Heller- Roazen (Stanford: Stanford UP, 1998), Monika Albrecht & Dirk Göttsche, eds., Bachmann-Handbuch: Leben, Werk, Wirkung (Stuttgart/Weimar: Metzler), 2002 Jean Améry, Die Tortur and Wieviel Heimat braucht der Mensch?, in Jenseits von Schuld und Sühne: Bewältigungsversuche eines Überwältigten (Stuttgart: Klett-Cotta, 1977), Mathias Mayer, Werke von Ingeborg Bachmann (Stuttgart: Reclam, 2002), Frank Pilipp, Der Wahrheitsbegriff bei Kafka und Bachmann, Modern Austrian Literature, 24, 1 (1991), Ritchie Robertson, Kafka: Judaism, Politics, and Literature (Oxford: OUP, 1985), Ursula Töller, Erinnern und Erzählen: Studie zu Ingeborg Bachmanns Erzählband Das dreißigste Jahr (Berlin: Erich Schmidt Verlag, 1998) Sigrid Weigel, Stadt ohne Gewähr : Topographie der Erinnerung in der Intertextualität von Bachmann und Benjamin, in Dirk Göttsche & Hubert Ohl, eds, Ingeborg Bachmann: Neue Beiträge zu ihrem Werk (Würzburg: Königshausen & Neumann, 1993), Theodore Ziolkowski, The Novel of the Thirty-Year-Old, in Dimensions of the Modern European Novel: German Texts and European Contexts (Princeton: Princeton UP, 1969) Living between the cultures in Germany Many ethnic communities have settled in Germany during the last fifty years, since migrant labourers were first formally encouraged to come to the Federal Republic to assist in Germany s economic development. Public attention tends to focus on those of Turkish descent, not least because of the concerns about the compatibility of Christian and Moslem cultures that flare up from time to time. This module focuses on a well-known book Özdamar s Mutterzunge that evokes the experiences of social and linguistic adaptation in particularly vivid ways, and a recent film Akin s Auf der anderen Seite which explores the complex nature of relations between the generations and the sexes as well as between ethnic backgrounds. These works are studied in the light of theoretical perspectives on cultural identity in a global society that have been developed in recent decades, to which Robert Young provides an excellent initial guide.

6 Primary Material Emine Sevgi Özdamar, Mutterzunge (1990) Fatih Akın, Auf der anderen Seite (2007) Robert Young, Colonial Desire (London: Routledge, 1995), chap. 1, and Leslie A. Adelson, Against Between (in New German Critique 80 (2000), , and reprinted in S. Hassan and I. Dadi (eds), Unpacking Europe, Rotterdam 2001, pp ; T. Cheesman and K. Yeşilada (eds), Zafer Şenocak, Cardiff 2003, pp ; Text + Kritik, Sonderband IX/06: Literatur und Migration, 2006, 36-46) Introductory reading Deniz Göktürk, David Gramling, Anton Kaes (eds), Germany in Transit: Nation and Migration (Berkley: University of California Press, 2007). This is a documentary volume; the introduction to each chapter provides a concise guide to the aspect in question, including literary writing and film. Moray McGowan, Turkish-German fiction since the mid 1990s, in Stuart Taberner (ed.), Contemporary German Fiction. Writing in the Berlin Republic (Cambridge: Cambridge University Press, 2007) Leslie A. Adelson, The Turkish Turn in Contemporary German Literature: toward a new critical grammar of migration (New York: Palgrave Macmillan, 2005), with one or two of the following: a) Feridun Zaimoğlu, Kanak Sprak (1995) b) Thomas Arslan, Geschwister (1997) c) Emine Sevgi Özdamar, Die Brücke vom goldenen Horn (1998) Helmut Schmitz, Von der nationalen zur internationalen Literatur: Transkulturelle deutschsprachige Literatur und Kultur im Zeitalter globaler Migration (Amsterdam: Rodopi, 2009), Introduction and section III (Deutsch-türkische Literatur und Film) Tom Cheesman, Novels of Turkish German settlement: cosmopolite fictions (Rochester, N.Y.: Camden House 2007) Margaret Littler, Diasporic Identity in Emine Sevgi Özdamar s Mutterzunge, in S. Taberner and F. Finlay (eds), Recasting German Identity: Culture, Politics and Literature in the Berlin Republic, Rochester 2002, pp Yasemin Yildiz, Political Trauma and Literal Translation: Emine Sevgi Özdamar s Mutterzunge, Gegenwartsliteratur: ein germanistisches Jahrbuch 7 (2008), Özkan Ezli (ed.), Kultur als Ereignis. Fatih Akıns Film "Auf der anderen Seite" als transkulturelle Narration, Bielefeld 2010, contributions by Levent Tezcan and Valentin Rauer Tom Cheesman, Talking Kanak : Zaimoğlu contra Leitkultur, New German Critique 92 (2004), Thomas Ernst, Kanak Sprak and Union Suspecte: scandals around hybrid and multilingual literature in Germany and Belgium, in Mirjam Gebauer, Pia Schwarz Lausten (eds), Migration and Literature in Contemporary Europe, Munich 2010, Maria Mayr, 'Among and Between: alterity in Emine Sevgi Özdamar's Die Brücke vom Goldenen Horn, in Mirjam Gebauer, Pia Schwarz Lausten (eds), Migration and Literature in Contemporary Europe, Munich 2010,

7 6. Contemporary German Memory Work: Text and Image The contemporary culture of the German-speaking countries is intensely concerned with the imperatives and problems of the work of memory, and this module will explore these concerns through a combination of textual and visual material. When cultural memory work is under greatest pressure to create appropriate archives and achieve adequate testimony, it reaches for varied combinations of material and of media, and not least for combinations of pictures and words. The module will consider issues of contemporary memory culture through the work of a writer who is also profoundly concerned with images W. G. Sebald, and two artists who are also profoundly concerned with words and texts Anselm Kiefer and Gerhard Richter. Through the complex historical layering that they achieve in their works, we will see both the possibilities and the limitations of memory culture in the shadow zone after dark times. Primary Material W. G. Sebald, Die Ausgewanderten (1992) Anselm Kiefer, e.g. Besetzungen; Mohn und Gedächtnis; Shulamith and Margarete images; Volkszählung Gerhard Richter, e.g. Reichstag; October 18, 1977 (see Introductory reading / viewing Aleida Assmann, Four Formats of Memory: From Individual to Collective Constructions of the Past, in David Midgley and Christian Emden (eds), Cultural Memory and Historical Consciousness in the German-speaking World since 1500, pp Corinna Belz, Gerhard Richter Painting (documentary film, 2011, available in Faculty Library) J. J. Long, W. G. Sebald: Image, Archive, Modernity (New York: Columbia University Press, 2010), especially pp Andrea Lauterwein, Anselm Kiefer/Paul Celan: Myth, Mourning and Memory (London: Thames and Hudson, 2007), especially pp W. G. Sebald, Die Ringe des Saturn (1995), Luftkrieg und Literatur (2003); Paul Celan, Mohn und Gedächtnis (1952), especially Todesfuge ; images by Thomas Demand ( Herta Müller, Atemschaukel (2009) Further reading / viewing Anne Fuchs and J. J. Long (ed.), W. G. Sebald and the Writing of History (Würzburg: Königshausen & Neumann, 2007), especially pp (Carolin Duttlinger, A Lineage of Destruction ). Scott Denham and Mark McCulloh (eds.), W. G. Sebald: History, Memory, Trauma (Berlin: de Gruyter, 2005), especially pp (Maya Barzilai, On Exposure ). Sophie Fiennes, Over Your Cities Grass Will Grow (documentary film on Kiefer, 2010, available in Faculty Library) Martin Henatsch, Gerhard Richter, 18. Oktober 1977: Das verwischte Bild der Geschichte (Frankfurt a. M.: Fischer, 1998) Linda Hutcheon, Irony and the Power of the Unsaid [on Anselm Kiefer]

8 (Newfoundland: Memorial University, 1993), available in the West Room of the University Library, classmark Anselm Kiefer, with texts by Werner Spies (Künzelsau: Swiridoff, 2004) Lise Patt and Christel Dillbohner (eds), Searching for Sebald: Photography after W. G. Sebald (London: Institute of Cultural Inquiry, 2007) Gerhard Richter: Editions (Ostfildern-Ruit: Hatje Cantz, 2004) Lisa Saltzman, Anselm Kiefer and Art after Auschwitz (Cambridge: Cambridge University Press, 1999) David C. Ward, Ghost Worlds of the Ordinary: W. G. Sebald and Gerhard Richter, PN Review 152, 29.6 (July/August 2003),

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