Abdessemed, Adel; Frogier, Larys; La Criée, Centre d'art Contemporaine Rennes (Hg.) (2011): Adel Abdessemed. The power to act. Zürich: JRP Ringier.

Transkript

1 A+D Gallery (Hg.) (2007): Pandemic in print. African HIV/AIDS posters from the collection of the Melville J. Herskovits Library of African Studies, Northwestern University. Catalog of an exhibition held January 11 - February 17, 2007 and featuring sixty posters made in Africa to address the HIV/AIDS crisis. Chicago. Abdessemed, Adel; Bovier, Lionel (Hg.) (2007): À l'attaque - Adel Abdessemed. [à l'attaque est un livre conçu par Adel Abdessemed dans le cadre des Expositions 'Practice Zero Tolerance' qui se sont déroulées à la Criée Centre d'art Contemporain (30 juin - 27 août 2006), et au Plateau Frac Île-de-France (14 septembre - 20 novembre 2006)]. Zurich: JRP/Ringier. Abdessemed, Adel; Frogier, Larys; La Criée, Centre d'art Contemporaine Rennes (Hg.) (2011): Adel Abdessemed. The power to act. Zürich: JRP Ringier. Abiodun, Rowland (1994): The Yoruba artist. New theoretical perspectives on African arts ; [based on a 1992 symposium held at the Museum Rietberg Zürich]. Washington: Smithsonian Institution Press. Abiodun, Rowland; National Museum of African Art Washington, D. C. (1990): African art studies. The state of the discipline ; papers presented at a symposium organized by the National Museum of African Art, Smithsonian Institution, September 16, Washington, DC. Aboudramane.; Kingelez, Bodys Isek; Serageldin, Ismail, et al. (Hg.) (1993): Home and the world. Architectural sculpture by two contemporary African artists: Aboudramane and Bodys Isek Kingelez. München: Prestel (Focus on African art). Abramovic, Norman; Hergott, Fabrice; Léger, Fernand (Hg.) (2000): La création du monde. Fernand Léger et l'art africain dans les Collections Barbier-Mueller ; [publié à l'occasion de l'exposition la Création du Monde, Fernand Léger et l'art Africain dans les Collections Barbier-Mueller, présentée au Musée d'art et d'histoire de Genève du 25 octobre 2000 au 25 février 2001]. Paris: Biro. Abrous, Mansour (2011): Algérie, arts plastiques. Dictionnaire biographique ( ). Paris: L'Harmattan. Abusabib, Mohamed A. (1995): African art. An aesthetic inquiry. Univ., Diss.--Uppsala, Uppsala: Almqvist & Wiksell (Acta Universitatis Upsaliensis, 6). Achebe, Chinua (1971): Arrow of god. Reprinted. London [u.a.]: Heinemann (African writers series ; 16). Acte Sept (Hg.) (2010): Guide des artistes plasticiens du Mali. An overview about Malian creativity. Nancy: Dohr. Ådahl, Karin; Sahlström, Berit (1995): Islamic art and culture in Sub-Saharan Africa. [international conference held at Uppsala University in 1992]. Uppsala: Almqvist & Wiksell (Acta Universitatis Upsaliensis, N.S., 27). Adande, Alexis B. A.; Arinze, Emmanuel Nnakenyi (Hg.) (2002): Museums and urban culture in West Africa.

2 Oxford: Currey. Adéagbo, Georges (1997): La Mort et la Résurrection. (Ausst.-Kat., Galerie Nathalie Obadia, Paris). Paris. Adéagbo, Georges (1999): The Story of the Lion. Ein Buch zur Installation auf dem Campo dell Arsenale in Venedig für die 48. Biennale di Venezia Hamburg. Adéagbo, Georges; Bertola, Chiara; Bhabha, Homi (2008): Georges Adéagbo, Grand-Tour di un Africano. [in occasione della Mostra Georges Adéagbo. "La Rencontre"! Venise - Florence!, Frittelli arte contemporanea, Quartieri Monumentali del Museo di Palazzoin Vecchio, 29 marzo - 18 giugno 2008]. Firenze: Frittelli Arte Contemporanea [u.a.]. Adéagbo, Georges; Bloch, Muriel (Hg.) (1998, 1998): Georges Adéagbo - Conversations avec Muriel Bloch. Le present ouvrage a été édité à l'occasion de l'exposition Georges Adeagbo - la Rédemption, le Rédemteur au Quartier, Centre d'art contemporain de Quimper du 1er novembre 1997 au 18 janvier Paris: Éditions au figuré [u.a.]. Adéagbo, Georges; Eiblmayr, Silvia (2001): Georges Adéagbo. Archäologie der Motivationen ; Geschichte neu schreiben = Archeology of motivations - re-writing history ; [anlässlich der Ausstellung "Das Pythagoreische Zeitalter", Galerie im Taxispalais, Innsbruck, 11. August - 7. Oktober 2001]. Ostfildern-Ruit: Hatje Cantz. Adéagbo, Georges; Serpentine Gallery (1995): Big City. Artists from Africa. Georges Adéagbo, Benin -- Frédéric Bruly Bouabré, Ivory Coast -- Seydou Keita, Mali -- Bodys Isek Kingelez, Zaire -- Johannes Mashego Segogela, South Africa -- Cyprien Tokoudagba, Benin. Catalog of an exhibition held at the Serpentine Gallery, London, Sept Nov. 5, London: Serpentine Gallery. ADEC: Art contemporain du Sénégal. Exposition 18 septembre-28 octobre 1990 à La Grande Arche de la Fraternité (1990). Paris. Adeleke, Kazeem (Hg.) (2011): In a new light. Conversations with nine Nigerian artists and curators.?: Publishamerica Inc. Adeyemi, Ester (Hg.) (2005): Zeitgenössische Kunst, contemporary art, in Nigeria & Ghana Basel: Reinhardt. Adjaye, David; Allison, Peter (2011): Adjaye Africa architecture. A photographic survey of metropolitan architecture. London: Thames & Hudson. Adjaye, David; Allison, Peter (Hg.) (2011): African metropolitan architecture. 7 Bände. New York, NY: Rizzoli. Adler, Peter; Skelton, Ian (1992): Asafo! African flags of the Fante. London: Thames and Hudson.

3 Africa Centre; Cape Town City Hall.; MuseuMAfricA, et al. (Hg.) (2010): Spier Contemporary, Exhibition. Stellenbosch South Africa: Africa Centre. African American Institute New York, N. Y. (1980): Masterpieces of the People's Republic of the Congo. The African-American Institute, September 25, 1980-January 24, [New York]: African-American Institute. African Art Museum of the S.M.A. Fathers. (Hg.) (2006): African mud cloth. The Bogolanfini art tradition of Gneli Traoré of Mali. New York: Kilima House Publishers. Africa-Tervuren. Driemaandelijks tijdschrift / Africa - Tervuren (1991). Tervuren. Afrikanische Kunst. Reihe. 236 S., rund 400 farb. Abb. Broschur. In dt., engl., niederl. & span. Sprache (2010). Köln (Visual Encyclopedia of Art). Afrikanische Plastik (1951). Baden-Baden: Klein (Kunstwerk-Schriften ; 17). Agence Algérienne pour le Rayonnement Culturel (2012): Designers Algériens. Moblie Art. Alger: Imprimerie Ed-Diwan. Agthe, Johanna (Hg.) (1975): Kunst? Handwerk in Afrika im Wandel. Roter Faden zur Ausstellung. Ausstellung des Museums für Völkerkunde (Frankfurt M.). Frankfurt a.m. Agthe, Johanna (Hg.) (1990): Wegzeichen. Kunst aus Ostafrika = Signs. Frankfurt am Main (Sammlung / Museum für Völkerkunde, Frankfurt am Main Afrika, 5). Agthe, Johanna; Mundt, Christina (Hg.) (1991): Mit Pinsel und Meissel. Zeitgenössische afrikanische Kunst. Frankfurt am Main: Museum für Völkerkunde (Interim, 11). Agthe, Johanna; Oswaggo, Joel; Thiel, Josef F. (Hg.) (1991): Ich habe sie studiert. Joel Oswaggos Zeichnungen und Erzählungen über die Freikirchen bei den Luo (Kenya). Frankfurt am Main: Museum für Völkerkunde (Interim, 12). Ahluwalia, Pal (2011): Violence and non-violence in Africa. London: Routledge. Aigner, Anita (2010): Vernakulare Moderne. Grenzüberschreitungen in der Architektur um 1900 ; das Bauernhaus und seine Aneignung. Bielefeld: transcript-verl. (Architekturen, 6). Ajayi, Jacob F. Ade (1971): History of West Africa. 1. publ. London [u.a.]: Longman. Ajayi, Jacob F. Ade (1974): History of West Africa. 1. publ. London [u.a.]: Longman. Ajayi, Jacob F. Ade (1985): Historical atlas of Africa. Cambridge [u.a.]: Cambridge Univ. Pr.

4 Ajayi, Murphy (2004): African arts in the diaspora. an examination of common cultural and plastic essence in the visual arts. Ann Arbor: UMI Dissertation Service. Akou, Heather Marie (2011): The politics of dress in Somali culture. Bloomington: Indiana Univ. Press (African expressive cultures). Akron Art Museum. (Hg.) (2010): Pattern ID. Akron Ohio: Akron Art Museum. Alaoui, Brahim Ben Hossain (Hg.) ([1988], 1988): Art contemporain arabe. Collection du Musée, Institut du Monde arabe. [Paris]. Albuquerque, António Manuel da Silva e. Sousa de (1998): Arquitectura Moderna em Moçambique. Inquérito à Produção Arquitectónica em Moçambique nos Últimos Vinte e Cinco Anos do Império Colonial Português Dissertation. Betreut von Alexandre Alves Costa. Coimbra. Universidade de Coimbra, Faculdade de Ciências e Tecnologia. Alexander, Jane; Miki, Akiko; Njami, Simon (2002): Jane Alexander. DaimlerChrysler Award For South African Sculpture 2002 ; [anlässlich der Verleihung des DaimlerChrysler Award für südafrikanische Skulptur 2002 ; Ausstellungsdaten: DaimlerChrysler Konzernzentrale Forum Stuttgart-Möhringen 17. Mai Juni 2002, DaimlerChrysler Contemporary, Berlin, 26.Juli - 15.September 2002, National Gallery, Kapstadt 27. April Juli 2003]. Ostfildern-Ruit: Hatje Cantz. Ali, Wijdan; Bisharat, Suhail (Hg.) (1989): Contemporary art from the Islamic world. exhibition at the Barbican Concourse Gallery, London. London: Scorpion. Alimen, Henriette (1955): Préhistoire de l'afrique. Atlas de préhistoire. Paris: Boubée. Allara, Pamela; Martin, Marilyn; Mtshiza, Zola (Hg.) (2003, 2003): Coexistence. Contemporary cultural production in South Africa ; The Rose Art Museum, Brandeis University, Waltham, Massachusetts ; South African National Gallery, Iziko Museums of Cape Town, Cape Town, South Africa. Cape Town. Allen, Siemon (Hg.) (2010): Records. a collection project by Siemon Allen. Published by Flatinternational on the occasion of of the exhibition Records presented by the Gordonschachatcollection. South Africa: Flatinternational. Allen, Siemon; Kistler, Ashley; Kellner, Clive, et al. (Hg.) (2010): Imaging South Africa. Collection projects by Siemon Allen. This catalog was published in conjunction with the exhibition Imaging South Africa: Collection Projects by Siemon Allen, August 27-October 31, Richmond VA: Anderson Gallery School of the Arts Virginia Commonwealth University. Allman, Jean Marie (Hg.) (2004): Fashioning Africa. Power and the politics of dress. Bloomington: Indiana Univ.

5 Press (African expressive cultures). Al'Mata; Gampez, Sapi et al (2006): Africacomics. New York: The Studio Museum in Harlem. Almighty God; Marignoli, Duccio K; Mascelloni, Enrico, et al. (Hg.) (2007): Almighty God. Opere [Catalog of an exhibition held in Palazzo Pubblico, Siena, Mar. 31-June 3, 2007]: Silvana. Alter, Nora M. Schweizer Nicole (Hg.) (2009): Renée Green: Ongoing Becomings. Retrospective Zürich: JRP Ringier. Alvim, Fernando (Hg.) (2006): Observatorio - sd - observatory. 26 de julio - 10 de septiembre ; exposición organizada por el Instituto Valenciano de Arte Moderno Valencia: IVAM. Alvim, Fernando; Lorent, Claude; Espace Sussuta Boé (Hg.) (1995): Contaminas sankemente : intervention multimedia. Bruxelles, 25 novembre janvier Brussels: Espace Sussuta Boé; Actar. Alvim, Fernando et al (Hg.) (op 2005): Next flag. The African Sniper Reader. Zürich: Migros Museum für Gegenwartskunst; JRP/Ringier. Amaki, Amalia K. (Hg.) (2007): Hale Woodruff, Nancy Elizabeth Prophet, and the academy. Atlanta, Seattle: Spelman College Museum of Fine Art; In association with University of Washington Press. Amegatcher, Gilbert (1992): Vincent Kofi, a critical biography of an African artist. (Diplomarbeit/ Dissertation): Indiana University. Amrouche, Pierre (2008): Corps & décors. Statuaire Lamba et Losso du Togo / Corps et décors. Saint-Maur: Galerie Afrique [u.a.]. Amselle, Jean-Loup (Hg.) (2005, 2005): L' art de la friche. Essai sur l'art africain contemporain. [Paris]: Flammarion. Anatsui, El (Hg.) (2006): El Anatsui. Johannesburg, South Africa: David Krut Publishing. Anatsui, El; Stanislaus, Grace (Hg.) (1990): Contemporary African artists. Changing tradition. 1st. ed. New York, N.Y: Studio Museum in Harlem. Anders, Peter (Hg.) (2010): Zeitgenössische Künstler aus Südafrika. 1. Aufl. Göttingen: Steidl (Positionen, 2). Anders, Peter; Krouse, Matthew (Hg.) (2010): Positions. Contemporary artists in South Africa. Auckland Park South Africa: Jacana Media. Anderson, Bevan et al (Hg.) (2005): The black and white poster project. Unter Mitarbeit von Rory Palmer. Cape

6 Town: Bell-Roberts. Anderson, Jaynie (Hg.) (2009): Crossing cultures. Conflict, migration and convergence ; the proceedings of the 32nd International Congress in the History of Art, the University of Melbourne, January Carlton VIC, Australia: Miegunyah Press. Anderson, Martha G.; Peek, Philip M. (Hg.) (2002): Ways of the rivers. Arts and environment of the Niger Delta. Los Angeles: UCLA Fowler Museum of Cultural History. Andrewes, Janet (2005): Bodywork, dress as cultural tool. Dress and demeanor in the south of Senegal. Leiden, Boston: Brill (African social studies series, v. 7). Aniakor, Chike Cyril (Hg.) (2000, 2000): Crossroads : Africa in the twilight. Afrika heritage 2000, the 3d Biennale of the Pan-African Circle of Artists ; National Museum Enugu, August 26-31, 2000 ; Didi Museum, Lagos, September 7-16, Enugu: Pan-African Circle of Artists. Annas, Max (2003): absolute Black Beats. Freiburg: Orange-Press (absolute). Annequin, Guy; Marty, Charles (Hg.) (1992): Le roi Salomon et les maîtres du regard. Art et médecine en Éthiopie ; Musée National des Arts d'afrique et d'océanie 20 octobre janvier Paris: Édition de la Réunion des Musées Nationaux. Annuß, Evelyn (Hg.) (2009): Stagings made in Namibia. Postkoloniale Fotografie ; [anlässlich der Ausstellung Stagings Made in Namibia. Postkoloniale Fotografie, Bethanien Berlin, ehemalige Kapelle in Kooperation mit dem Kunstraum Kreuzberg, Bethanien, März - April 2009, Folgeausstellung National Art Gallery of Namibia, Windhoek, August - September 2009]. 1. Aufl. Berlin: b_books Verl. Ansell, Gwen (2004): Soweto blues. Jazz, polular [sic.] music, and politics in South Africa. New York: Continuum. Anspach, Ernst; Museum of Primitive Art New York, N. Y. (1967): African tribal sculpture from the collection of Ernst and Ruth Anspach. New York: Museum of Primitive Art. Anton, Ferdinand (1989): Sacred gold of an eternal king. München: Anton [u.a.]. Apollinaire, Guillaume (Hg.) (1972 ershienen 1973): Sculptures nègres. 24 photographies. New York, NY: Hacker Art Books. App, Urs (2010): The Birth of Orientalism. Philadelphia: University of Pennsylvania Press. Appadurai, Arjun (2009): The social life of things. Commodities in cultural perspective. 7. pr. Cambridge: Cambridge Univ. Press.

7 Appiah, Anthony; Wilson, Fred (2006): Fred Wilson. A conversation with K. Anthony Appiah ; March 11 - April 16, 2006, PaceWildenstein New York. New York, NY: PaceWildenstein. Appiah, Kwame Anthony (2006): Cosmopolitanism. Ethics in a world of strangers. 1. Ausgabe. New York: Norton. Apter, Andrew; Derby, Lauren (Hg.) (2010): Activating the past. History and memory in the black Atlantic world. Newcastle upon Tyne: Cambridge Scholars. Apter, Andrew Herman (2005): The Pan-African nation. Oil and the spectacle of culture in Nigeria. Chicago: University of Chicago Press. Araeen, Rasheed (Hg.) (1989): The other story. Afro-Asian artists in post-war Britain ; [exhibition showings: Hayward Gallery, London, 29 November 1989 to 4 February 1990 ; Wolverhampton Art Gallery, 10 March to 22 April 1990 ]. London: South Bank Centre. Araeen, Rasheed (Hg.) (2002): The Third Text reader. On art, culture and theory. London: Continuum. Arana, R. Victoria (Hg.) (2007): "Black" British aesthetics today. Newcastle: Cambridge Scholars. Arcade Gallery <London> (1975): African tribal sculpture. Spring 1975 [catalogue]. London: Arcade Gallery. Archer Straw, Petrine; Robinson, Kim (Hg.) (1990): Jamaican art. An overview--with a focus on fifty artists. 1st ed. Kingston Jamaica: Kingston Publishers Ltd. Ardalan, Ziba; Abdessemed, Adel (Hg.) (2010): Adel Abdessemed. Silent warriors London: Koeing Books. Ardouin, Claude Daniel; Arinze, Emmanuel (Hg.) (2000): Museums and History in West Africa. Washington: Smithsonian Institution Press [u.a.] (Museums & archaeology in West Africa). Arero, Hassan; Zachary, Kingdon (Hg.) (op 2005): East african contours. Texte imprimé. London: Horniman Museum (Critical museology and material culture, 9). Arkell, Anthony J. (1961): A history of the Sudan. From the earliest times to ed., rev. London: University of London [u.a.]. Armes, Roy (1987): Third World film making and the West. Berkeley: Univ. of California Pr. Armes, Roy (2006): African filmmaking. North and South of the Sahara. Bloomington, Indianapolis: Indiana university press.

8 Armes, Roy (Hg.) (2008): Dictionary of African filmmakers. Bloomington: Indiana Univ. Press. Arndt, Susan (2006): AfrikaBilder. Studien zu Rassismus in Deutschland. Studienausg. Münster: Unrast. Arneson, Jeanette Jensen; E.B.Crocker Art Gallery Sacramento, Calif (1974): Tradition and change in Yoruba art. [E. B. Crocker Art Gallery, March 9 - April 14, 1974]. Sacramento, Calif.: E. B. Crocker Art Gallery. Arnold, Marion (1996, 1996): Women and art in South Africa. New York: St. Martin's Press [u.a.]. Arnold, Marion (Hg.) (2008): Art in Eastern Africa. Dar es Salaam Tanzania: Mkuki Na Nyota Publ. [u.a.]. Arnold, Marion; Picton, John (1997): Image and form. prints, drawings and sculpture from Southern Africa and Nigeria. 21st March - 25th July 1997, Brunei Gallery ; 10th August - 30th August 1997, Edinburgh College of Art. London: London School of Oriental and African Studies. Arnold, Marion I.; Schmahmann, Brenda (Hg.) (2005): Between Union and liberation. Women artists in South Africa ed. Aldershot: Ashgate. Arnoldi, Mary Jo (1995): Playing with time. Art and performance in central Mali. Bloomington: Indiana Univ. Press (Traditional arts of Africa). Arnoldi, Mary Jo (Hg.) (1996): African material culture ; [conference and the workshop took place may 19-27, 1988 at the Rockefeller Study and Conference Center in Bellagio, Italy]. Bloomington, Ind.: Indiana Univ. Press (African systems of thought). Arnoldi, Mary Jo; Kreamer, Christine Mullen (Hg.) (1995): Crowning achievements. African Arts of Dressing the Head. Los Angeles, Calif: Fowler Museum of Cultural History. Aronson, Lisa (Hg.) (2007): Threads of time : African textiles from the traditional to the contemporary. Published for the exhibition at Hillwood Art Museum, Brookville, N.Y., 22 January - 14 April Brookville: Hillwood Art Museum. Aronson, Lisa; Weber, John S. (Hg.) (2011): Environment and object. Recent African art. Saratoga Springs NY: Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. Arrowsmith, Rupert Richard (Hg.) (2011): Modernism and the museum. Asian, African, and Pacific art and the London avant-garde. Oxford: Oxford Univ. Press (Oxford English monographs). Arsenault, Michele (1972): Afro-portuguese ivories. New York. Art ancien du Tchad. Bronzes et céramiques ; Grand Palais, 18 mars - 21 mai 1962 (1962). Paris: Ministère

9 d'etat, Affaires Culturelles. Art from the frontline: contemporary art from Southern Africa: Angola, Botswana, Mozambique, Tanzania, Zambia, Zimbabwe (1990). London: Frontline States/Karia Press. Art in Aktion (Organization) (Hg.) (2005): Recycling art, recup' art : international workshop, Accra, March nd [Accra?]: Art in Aktion. Art Nègre: sources, evolution, expansion,. Premier Festival Mondial des Arts Negres (FESMAN), Dakar (1966). Paris, Dakar. Art Services International. (Hg.) (1995): Caribbean visions. Contemporary painting and sculpture. Alexandria Va.: Art Services International. Arthur, Kojo (2001): Cloth as metaphor. (re)reading the Adinkra cloth symbols of the Akan of Ghana. Legon, Ghana: Centre for Indigenous Knowledge Systems. Arts Association Heritage Trust. (Hg.) (2010): John Ndevasia Muafangejo ( ). Etchings, woodcuts, and linocuts from the collection of the Arts Association Heritage Trust. Windhoek Namibia: Arts Association Heritage Trust. ARTTHROB. The archive, contemporary art in South Africa (2003?). South Africa: Double Storey. Ashcroft, Bill (Hg.) (2009): The post-colonial studies reader. 2. ed., Reprinted. London: Routledge. Asihene, Ernest V. (2005): A brief history of art. With special reference to West Africa. Accra: Woeli Pub. Services. Askew, Kelly; Wilk, Richard R. (Hg.) (2006): The anthropology of media. A reader. [Nachdr.]. Malden, Mass.: Blackwell (Blackwell readers in anthropology, 2). Askew, Kelly Michelle (2002): Performing the nation. Swahili music and cultural politics in Tanzania. Chicago, Ill., London: Univ. of Chicago Press (Chicago studies in ethnomusicology). Association Française d'action Artistique: Design made in Africa (2004). Paris: J. M. Place. Association Française d'action Artistique; France: Art makondé. Tradition et modernité (1989). Paris. Atawodi, Ebi (Hg.) (2011): Nigerians behind the lens. Adolphus Opara, Amaize Ojeikere, Andrew Esiebo, Emeka Okereke, George Osodi, Jide Alakija, Ty Bello, Uche Okpa-Iroha,Yetunde Ayeni-Babaeko. [o. O.]: inden. Ater, Renée; Fuller, Meta Warrick (Hg.) (2011): Remaking race and history. The sculpture of Meta Warrick

10 Fuller. Berkeley, Calif.: University of California Press. Äthiopien in der volkstümlichen Malerei. [exhibition] IFA Galerie, Stuttgart, 1993 (1993). Stuttgart: Institut für Auslandsbeziehungen. Atkinson, Brenda (Hg.) (1999, 1999): Grey areas. Representation, identity and politics in contemporary South African art. Johannesburg: Hill. Atmore, Anthony; Stacey, Gillian; Forman, Werner (1988): Schwarze Königreiche. Das Kulturerbe Westafrikas. Black kingdoms - black peoples dt. Luzern, Herrsching: Atlantis-Verl. (Atlantis - Alte Kulturen). Attenborough, David (1981): Tribal encounters. An exhibition of ethnic objects. Leicester: Leicestershire Museum (Leicestershire Museums publication ; 29). Attia, Kader; Botha, Andries; Cissé, Soly, et al. (Hg.) (2008): Travesía. Kader Attia, Andries Botha, Soly Cissé, Hassan Darsi, Mamary Diallo, Viyé Diba, El Loko, Mounir Fatmi, Hobbs/Neustetter, Uchechukwu James Iroha, Jems Robert Koko Bi, Abdoulaye Konaté, Myriam Mihindou, Tiécoura n'daou, Ndary Lô, Jummy Ogonga, António Ole, Berni Searle, Barthélémy Toguo, Yonamine ; Centro Atlántico de Arte Moderno CAAM, Las Palmas de Gran Canaria del 17 de octubre de 2008 al 4 de enero de Las Palmas. Attia, Kader; Collectif (Hg.) (2009): Kader Attia: Blackjack Eds. Attia, Kader; Pradel, Jean-Louis; Aupetitallot, Yves (Hg.) (2006): Kader Attia. [publié à l'occasion de l'exposition Kader Attia, conçue en deux parties et réalisées par le Musée d'art Contemporain de Lyon ; l'exposition s'est déroulée à Lyon du 15 juin au 13 août 2006, puis à Grenoble du 21 octobre 2006 au 7 janvier 2007]. Zurich: JRP Ringier. Avedissian, Chant; Issa, Rose (Hg.) (2006): Chant Avedissian. Cairo stencils. London: Saqi. Avermaete, Tom; Karakayali, Serhat; Osten, Marion von (Hg.) (2010): Colonial modern. Aesthetics of the past, rebellions for the future. London: Black Dog Publ. Avorgbedor, Daniel K. (Hg.) (2003): The interrelatedness of music, religion and ritual in African performance practice. Lewiston, NY: Mellen (African studies, 68). Axt, Friedrich (Hg.) (1989): Bildende Kunst der Gegenwart in Senegal. Anthologie des arts plastiques contemporains au Sénégal = Anthology of contemporary fine arts in Senegal. Frankfurt am Main (Sammlung / Museum für Völkerkunde, Frankfurt am Main Afrika, 4). Azikiwe, Nnamdi (1969): Renascent Africa. New York: Negro Universities Press. Baaz, Maria Eriksson; Palmberg, Mai (Hg.) (2001): Same and other. Negotiating African identity in cultural

11 production. Uppsala: Nordiska Afrikainstitutet. Bacot, Yolande; Archambault, Claude; Coq, Christian (Hg.) (2009): Kréyol factory. Des artistes interrogent les identités créoles. Paris: Gallimard. Bacquart, Jean-Baptiste (1998): The tribal arts of Africa. London: Thames and Hudson. Bahgory, Georges (Hg.) (2008): Bahgory. An egyptian artist's words and pictures. Cairo: The American University in Cairo Pr. Bailey, David A (2005): Shades of black. Assembling black arts in 1980s Britain. Durham: Duke Univ. Press [u.a.]. Bailey, David A.; Tawadros, Gilane (Hg.) (2003): Veil. Veiling, representation and contemporary art. [published on the occasion of the exhibition "Veil", The New Art Gallery, Walsall, UK, 14 February - 27 April 2003, Bluecoat Gallery and Open Eye Gallery, Liverpool, UK, 5 July - 16 August 2003, Modern Art, Oxford, UK, 22 November Janauary 2004]. 1. Mit Press ed. Cambridge, Mass.: MIT Press [u.a.]. Baiocchi, Gianni; Arnold, Sally (ca. 1995): From tradition to modernism. A handbook of 20th century black art in Africa. o.o. Baker, Charlotte (2009): Expressions of the body. Representations in African text and image. Oxford: Lang. Balandier, Georges (1963): Afrique ambigue. Nouveau tirage. Paris: Plon (<<Le>> monde en 10/18 ; 24/25). Balandier, Georges (1968): Dictionnaire des civilisations Africaines. Paris: Hazan. Baleva, Martina (Hg.) (2012): Image match. Visueller Transfer, 'imagescapes' und Intervisualität in globalen Bildkulturen. Paderborn: Fink. Ballatyne, Tammy; et al. (Hg.) (2011): Arts and Culture information directory Cape Town: Arterial Network. Ballen, Roger (Hg.) (2001): Outland. Erscheint zur Wanderausstellung Salzburg: Rupertinum , Frankfurt, Main: Fotografie Forum International, Stuttgart: Württembergischer Kunstverein London: Phaidon. Baloji, Sammy; Jewsiewicki, Bogumil (Hg.) (2010): The Beautiful Time. Photography by Sammy Baloji. New York: Museum for African Art. Balseiro, Isabel; Masilela, Ntongnela (Hg.) (2003): To change reels. Film and culture in South Africa. Detroit, Mich.: Wayne State Univ. Press (Contemporary film and television series).

12 Bamgboyé, Oladélé Ajiboyé (Hg.) (2000): Writings on technology and culture. Rotterdam: Witte de With Center for Contemporary Art. Bancaud, Henri; Bourgeot, André (1984): Die Tuareg. Volk aus d. Wüste. Le désert des Kel Ahaggar dt. 1. Aufl. München: Dianus-Trikont-Buchverl. Banes, Sally; Lepecki, André (Hg.) (2007): The senses in performance. New York: Routledge (Worlds of performance). Bangma, Anke; Rushton, Steve; Wüst, Florian (Hg.) (2005): Experience, memory, re-enactment. Frankfurt am Main: Revolver Archiv für Aktuelle Kunst. Banks, Patricia Ann (2007): Art, identity, and the new black middle class. how elite blacks construct their identity through the consumption of visual art. Ann Arbor: UMI Dissertation Service. Bann, Stephen; Camnitzer, Luis; Beke, László (Hg.) (1999): Global conceptualism. Points of origin, 1950s s. New York, N.Y. Barber, Karin (Hg.) (1997, 1997): Readings in African popular culture. Bloomington: Indiana Univ. Press. Barber, Karin; Collins, John; Ricard, Alain (Hg.) (1997): West African popular theatre. Bloomington: Indiana Univ. Press [u.a.] (Drama and performance studies). Barbier, Jean Paul; Fasel, Françoise; Musée Barbier-Mueller <Genève> (1990): Art pictural des Pygmées. Musée Barbier-Mueller [Genève, ]. Genève: Musée Barbier-Mueller. Barcelo, Miquel (Hg.) (2008): Miquel Barceló. the African work. A conversation with Miquel Barceló / Enrique Juncosa -- A House in Africa / José Carlos llop -- Barceló: Farrutx, Paris, Geneva / Colm Tóbín. Madrid: Turner. Bargna, Ivan (Hg.) (2000): African art. Woodbridge: Antique Collectors' Club. Bargna, Ivan (2008): Afrika. Kunst und Architektur. Petersberg: Imhof (Imhof-Weltgeschichte der Kunst). Bargna, Ivan; Pierallini, Sibilla (Hg.) (2008): Afrika, der schwarze Kontinent. Berlin: Parthas (Bildlexikon der Völker und Kulturen, 6). Barker, Wayne (2006): Land & desire tour South Africa: Alliance Francaise. Barker, Wayne; Blignaut, Charl; Atkinson, Brenda (2000): Wayne Barker. Artist's monograph. Rivonia Johannesburg South Africa, Johannesburg: Chalkham Hill Press; Thorold's Africana Books [distributor]. Barlet, Olivier (2002): Afrikanische Kinowelten. Die Dekolonisierung des Blicks. Dt. Orig.-Ausg. Bad Honnef:

13 Horlemann (Arte Edition). Barley, Nigel (1988): Foreheads of the dead. An anthropological view of Kalabari ancestral screens. Washington, D.C. [u.a.]: Smithsonian Institution Pr. Barley, Nigel; Lovelock, Kevin; Row, Michael (Hg.) (2010): The art of Benin. London: British Museum. Barlow, Martin; Anatsui, El (2003): El Anatsui. Gawu. [published to accaompany the Oriel Mostyn touring Exhibition El Anatsui Gawu, Oriel Mostyn Gallery, Llandudno, Wales, 22 November January 2004 ; Model Arts and Niland Gallery, Sligo, Ireland, 13 August - 19 September 2004 ; The October Gallery, London, England, 9 February - 19 March 2005 Llandudno: Oriel Mostyn Gallery. Barnard, Malcolm (Hg.) (2007): Fashion theory. A reader. London: Routledge (Routledge student readers). Barnard, Malcolm (2008): Fashion as communication. 2. ed., repr. London: Routledge. Barrada, Yto (Hg.) (2011): Yto Barrada. Riffs ; artist of the year 2011 ; [begleitend zur Ausstellung Yto Barrada. Riffs Deutsche Guggenheim, Berlin 15. April bis 19. Juni 2011]. dt. Ausg. Ostfildern: Hatje Cantz. Barringer, Tim (Hg.) (2007): Art and the British empire. Manchester: Manchester Univ. Press. Barrow, A. H. (1900): Fifty Years in Western Africa. Being a record of the work of the West Indian Church on the banks of the Rio Pongo. London: Soc. for Promot. Christ. Knowl. Barson, Tanya; Gorschlüter, Peter; Archer, Petrine (2010): Afro modern. Journeys through the Black Atlantic ; [on the occasion of the exhibition "Afro Modern. Journeys through the Black Atlantic" at Tate Liverpool, 29 January until 25 April 2010]. Paul Gilroy; Romare Bearden; Constantin Brancusi; Paul Colin; Renée Cox; Aaron Douglas; Walker Evans; Coco Fusco; Glenn Ligon; Ana Mendieta; Peter Moore; Wangechi Mutu; Chris Ofili; Gordon Parks; Adam Pendleton; Marta María Pérez Bravo; Arthur Bispo do Rosario; Lorna Simpson; James Van Der Zee. Liverpool: Tate Liverpool. Barthes, Roland (2004): Die Sprache der Mode. 1. Aufl., [Nachdr.]. Frankfurt am Main: Suhrkamp (Edition Suhrkamp, 1318 = N.F., 318). Bartolomucci, Adolfo; Tagliaferri, Aldo; Callegari, Giulio; African Art Gallery <Milano> (2009): Dalla terra fino all'arte. Arte figurativa e cultura materiale dell'africa occidentale. Milano. Bartsch, Ernst (1965): Afrika. Leipzig: Brockhaus. Baschet, Eric (1978): Südafrika - Schwarzafrika Eine hist. Foto-Reportage. Kehl am Rhein: Swan (Historische Foto-Reportagen. ; 2.).

14 Bascom, William Russell (1973): African art in cultural perspective. An introduction. [1st ed.]. New York: Norton. Bassani, Ezio (2005): Arts of Africa years of African art ; [Grimaldi Forum Monaco, July 16 - September 4]. Milan: Skira [u.a.]. Bassani, Ezio (Hg.) (2008): Ivoires d'afrique dans les anciennes collections françaises. [cet ouvrage est publié à l'occasion Exposition Ivoires d'afrique présentée dans la Galerie Suspendue est du Musée du Quai Branly du 19 février au 11 mai 2008]. Arles: Actes Sud [u.a.]. Bassani, Ezio; Fagg, William Buller (1988): Africa and the Renaissance: art in ivory. New York: Center for African Art. Bassani, Ezio; Horstmann, Udo; Horstmann, Wally (Hg.) (2007): Masters of African art =. Maestri di arte africana : forms and styles; eighty-four sculptures from the Horstmann Collection; Mendrisio Museo d'arte, 29 aprile - 22 luglio Mendrisio: Museo d'arte. Bassani, Ezio; McLeod, Malcolm (2000): African art and artefacts in European collections London: British Museum Press. Bassett, Stephen Townley (2001): Rock paintings of South Africa. Revealing a legacy. Cape Town: David Philip. Bassong, Mbog (2007): Esthétique de l'art africain. Symbolique et complexité. Paris: Harmattan (Etudes africaines). Bastin, Marie-Louise (Hg.) (2003): A antropologia dos Tshokwe e povos aparentados. colóquio em homenagem a Marie-Louise Bastin, Porto, Porto: Universidade do Porto. Faculdade de Letras. Bastin, Marie-Louise; Herreman, Frank (Hg.) (1993): Face of the spirits. Masks from the Zaire Basin ; [the exhibition takes places in the Ethnographic Museum, Antwerp, from September 18 to December 31, 1993 and the National Museum of African Art, Smithsonian Institution, Washington, DC, from April 20 to September 25, 1994]. Gent: Snoeck-Ducaju & Zoon (Annalen / Koninklijk Museum voor Midden-AfrikaMenswetenschappen, 140). Bateman, Genevieve (2006): Creative Misreadings: Allegory in Tracey Rose's Ciao Bella. M.A. Thesis. Grahamstown, South Africa. Rhodes University. Battista, Emiliano; Adjaye, David (Hg.) (2010): David Adjaye's Geo-graphics. A map of art practices in Africa, past and present ; [ published on the occasion of the Exhibition GEO-graphics, a Map of Art Practices in Africa, Past and Present, Centre for Fine Arts, Brussels, 9 June September 2010]. Cinisello Balsamo (Milano): Silvana. Baud, Michel; Sackho-Autissier, Aminata; Labbé-Toutée, Sophie (Hg.) (2010): Méroé. Un empire sur le Nil ;

15 [accompagne l'exposition Méroé. Un Empire sur le Nil présentée à Paris au Musée du Louvre du 26 mars au 6 septembre 2010]. Paris: Musée du Louvre Éd. Baud, Michel; Sackho-Autissier, Aminata; Labbé-Toutée, Sophie (2010): Méroé. Un empire sur le Nil ; [accompagne l'exposition Méroé. Un Empire sur le Nil présentée à Paris au Musée du Louvre du 26 mars au 6 septembre 2010]. Paris: Musée du Louvre Éd. Bauer, Kerstin (2001): African styles. Kleidung und Textilien aus Afrika ; die Sammlung des Iwalewa-Hauses. Köln: Köppe. Baum, Peter; Fenzl, Kristian (2001): Gold aus Afrika. Aus der Privatsammlung von René und Denise David, Zürich ; Neue Galerie der Stadt Linz, 15. Februar bis 27. Mai Linz. Baumann, Hermann; Westermann, Diedrich (1948): Les peuples et les civilisations de l'afrique. Suivi de les langues et l'éducation. Paris: Payot (Bibliothèque scientifique). Baumgartner, Michael; Klee, Pau (Hg.) (2009): Auf der Suche nach dem Orient, Paul Klee - Teppich der Erinnerung ; [erscheint anlässlich der Ausstellungen "Auf der Suche nach dem Orient". Von Bellini bis Klee", 7. Februar Mai 2009 ; Paul Klee. Teppich der Erinnerung, 30. Mai August 2009, Zentrum Paul Klee, Bern]. Ostfildern: Hatje Cantz. Baur, Joachim (2009): Die Musealisierung der Migration. Einwanderungsmuseen und die Inszenierung der multikulturellen Nation. Bielefeld: transcript (Kultur- und Museumsmanagement). Baur, Joachim (2010): Museumsanalyse. Methoden und Konturen eines neuen Forschungsfeldes. Bielefeld: transcript-verl. (Kultur- und MuseumsmanagementIntro). Bautz, Karin; Blesse, Giselher (1999): Die vergessene Expedition. Auf den Spuren der Leipziger Moçambique- Expedition Spannaus/Stülpner (1931). Begleitbuch zur gleichnamigen Ausstellung vom bis Leipzig: Museum für Völkerkunde. Bay, Edna G. (2008): Asen, ancestors, and vodun. Tracing change in African art. Urbana: Univ. of Illinois Press. Beard, Peter H.; Tunney, Peter T. (1998): Beyond the end of the world. Photographs, diaries, notes, sketches, and collagesphantasmagoria, metamorphoses, natural horrors, and prehistoric memories--last voices of a lost Africa. New York: Universe Publishing :; distributed by St. Martin's Press. Bearth, Thomas (Hg.) (2007): Afrika im Wandel. Zürich: vdf Hochsch.-Verl. an der ETH (Reihe Zürcher Hochschulforum, 40). Beattie, John; Middleton, John (1969): Spirit mediumship and society in Africa. London: Routledge & Paul.

16 Bechhaus-Gerst, Marianne (2006): Koloniale und postkoloniale Konstruktionen von Afrika und Menschen afrikanischer Herkunft in der deutschen Alltagskultur. [internationale Konferenz vom 13. bis 17. Oktober 2004 in Königswinter bei Bonn]. Frankfurt am Main: Lang (Afrika und Europa, 1). Beck, Rose-Marie (2001): Ambiguous signs. the role of the kanga as a medium of communication. Köln: Afrikanistische Arbeitspapiere. Becker, Carol (2002): Surpassing the spectacle. Global transformations and the changing politics of art. Lanham Md.: Rowman & Littlefield (Culture and politics series). Becker, Cynthia J. (2006): Amazigh arts in Morocco. Women shaping Berber identity. 1st ed. Austin: University of Texas Press. Becker, Rayda (2000): Art routes. A guide to South African art collections. Johannesburg, South Africa: Witwatersrand Univ. Press. Becker, Wolfgang; Jansen, Gregor (Hg.) (2000): Continental shift - eine Reise zwischen den Kulturen ; an Exhibition of Contemporary Art ; [ein Gemeinschaftsprojekt von Ludwig-Forum, Aachen ] = Continental shift - een reis tussen culturen. 1. Aufl. Freiburg: Modo. Bedaux, R.; Diaby, B. (2003): L'architecture de Djenné, Mali. La pérennité d'un patrimoine mondial. Gand: Ed. Snoeck. Bedaux, R.; van der Waals, J. D. (Hg.) (2003): Regards sur les Dogon du Mali. Gand: Ed. Snoeck. Bedford, Emma (Hg.) (1996): Contemporary South African Art from the South African National Gallery permanent collection. Cape Town. Bedford, Emma (Hg.) (2003): Berni Searle. Cape Town: South African National Gallery. Bedford, Emma (Hg.) (2004): A decade of democracy. South African art ; from the permanent collection of Iziko: South African National Gallery. Lannsdowne u,a: Double Storey. Bedford, Emma (Hg.) (2004): Tremor. Contemporary South African art = art sud-africain contemporain. Bruxelles, S.l.: Centre d'art Contemporain; Iziko Museums of Cape Town. Bedford, Emma; Rhode, Robin (Hg.) (2001): Robin Rhode. Exhibition catalog. Includes introduction by Emma Bedford and essay by Stephen Hobbs. Cape Town: South African National Gallery. Behn, Friedrich; Wölfel, Dominik Josef (1960): L' art préhistorique en Europe. Paris: Payot (Histoire de l'art Payot, 1).

17 Behrend, Heike (Hg.) (1989): Afrikaner schreiben zurück. Texte und Bilder afrikanischer Ethnographen. Köln: Köppe. Behrend, Heike (2011): Resurrecting cannibals. The Catholic Church, witch-hunts and the production of pagans in Western Uganda. Woodbridge: Currey (Eastern Africa series). Beier, Ulli (1968): Contemporary art in Africa. London: Pall Mall Press. Beier, Ulli (1981): Neue Kunst aus Indien. Katalog zur gleichnamigen Ausstellung am Iwalewa-Haus Bayreuth. 145 S. Bände. Bremen: Con Verlag. Beier, Ulli (1991): Yoruba - das Überleben einer westafrikanischen Kultur. Eine Ausstellung des Historischen Museums Bamberg, Neue Residenz Bamberg, ; Kongresshalle Augsburg, Bamberg (Schriften des Historischen Museums Bamberg, 21). Beier, Ulli (Hg.) (1994): The Return of Shango. The Theatre of Duro Ladipo. 223 S Bände. Bayreuth: Iwalewa- Haus. Beier Ulli (Hg.): Neue Kunst aus Australien, Fidschi, Indien, Japan, Nigeria, Papua-Neuguinea und Tonga. Katalog Sammlung der SchmidtBank in Martredwitz. 138 S. Bände. Nürnberg: Verlag für moderne Kunst. Beinroth, Silke; Althöfer, Heinz (2008): Gesichter. München: Hirmer (Galerie EXPOCA <München>: EXPOCA Katalog). Bekers, Elisabeth (Hg.) (2009): Transcultural modernities. Narrating Africa in Europe. Amsterdam: Rodopi (Matatu, 36). Bell, Brendan; Clark, Bryony (Hg.) (2009): Storm in the wheatfield. The Tatham Art gallery collection 1903 to 1974 [text: Brendan Bell. Ed.: Bryony Clark]. Pietermaritzburg: Tatham Art Gallery. Bellakhdar, Jamal; Tréal, Cécile; Ruiz, Jean-Michel (2002): Maghreb. Artisans de la terre. Paris: Hazan. Below, Irene; Bismarck, Beatrice von (Hg.) (2005): Globalisierung - Hierarchisierung. Kulturelle Dominanzen in Kunst und Kunstgeschichte. Marburg: Jonas-Verl. (Schriftenreihe des Ulmer Vereins, Verband für Kunst- und Kulturwissenschaften e.v., N.F. 1). Belting, Hans; Buddensieg, Andrea; Araújo, Emanoel (Hg.) (2009): The global art world. Audiences, markets, and museums ; [ papers prepared by participants of the various GAM conferences ; the first conference was held at the IFK (International Research Institute for Cultural Science) in Vienna bearing the title "The interplay of art and globalization", in January 2007 ; the second, entitled "Where is art contemporary?", took place at the ZKM Karlsruhe, in October 2007]. Ostfildern: Hatje Cantz (A ZKM book).

18 Ben Achour, Bouziane (Hg.) (2009): PANAF : Alger Festival Culturel Panafricain d'alger; Panafrican Cutural Festival of Algiers; Festival Cultural Panafricano de Argel alger: Pixal communication. Ben Cheikh, Naceur (2006): Peindre à Tunis. Pratique artistique maghrébine et histoire. Paris France: Harmattan (Ouverture philosophique). Ben-Amos, Paula Girshick (1980): The art of Benin. 1. publ. London: Thames and Hudson. Benanteur, Abdallah (Hg.) (1989): Abdallah Benanteur: gravures. textes de Rabah Belamri, Michel-Georges Bernard, Monique Boucher, Rachid Boudjedra, Mohamed Khadda, Henri Kréa, Jean Pélégri, Hamid Tibouchi. Algiers: ENAG; Éditions AEFAB. Bender, Wolfgang (1987): Enjoy yourself: populare Malerei aus Sierra Leone, Westafrika. München: Trickster Verlag. Bender, Wolfgang (1992, 1992): Rastafari. Kunst aus Jamaika. Bremen: Ed. CON. Bender, Wolfgang (2000): Sweet mother. Moderne afrikanische Musik. Wuppertal: Hammer (Edition Trickster im Peter-Hammer-Verlag). Bender, Wolfgang (2006): Der nigerianische Highlife. Musik und Kunst in der populären Kultur der 50er und 60er Jahre. Univ., Habil.-Schrift--Wien, Wuppertal: Hammer. Benin/Benin tussen gisteren/morgen: Calixte Dakpogan, Théodore Dakpogan, Amidou, Kifouli & Lassi Dossou, Romuald Hazoumé, Cyprien Tokoudagba, Zinsou. [exhibition, Van Reekum Museum, Apeldoorn, Netherlands, 1998] (1998). Apeldoorn: Van Reekum Museum. Benitez-Johannot, Purissima; Barbier, Jean Paul; Boyer, Alain-Michel; Radzinowicz Howell, David; La Exposition Boucliers dans Collection Musée Barbier-Mueller , Paris u. a. (2000): Shields. Africa, Southeast Asia and Oceania ; from the collections of the Barbier-Mueller Museum ; [on the occasion of the Exhibition "Shields from Africa, Southeast Asia and Oceania in the Barbier-Mueller Museum", Mona Bismarck Foundation, Paris, 10. September November 1998 Haus der Kunst, Munich Autumn 2001 ; Royal Albert Memorial Museum and Art Gallery, Exeter March - May 2002 ]. Munich, London, New York: Prestel. Benjamin, Roger (2003): Orientalist aesthetics. Art, colonialism, and French North Africa, Berkeley, Calif.: Univ. of California Press. Bennett, Jill (2005): Empathic vision. Affect, trauma, and contemporary art. Stanford, Calif.: Univ. Press (Cultural memory in the present). Bennett, Jill (Hg.) (2012): Practical Aesthetics: Events, Affect and Art After 9/11: I.B. Tauris (Radical Aesthetics Radical Art Series).

19 Bercht, Fatima; Alegria, Ricardo (Hg.) (1997): Taíno. Pre-Columbian art and culture from the Caribbean. New York, El Museo del Barrio: Monacelli Press. Berg, Clive van den (Hg.) (1995, 1995): Panoramas of passage. Changing landscapes of South Africa. Washington D.C.: Meridian International Center [u.a.]. Berger, Maurice; Wilson, Fred; González, Jennifer A. (2001): Fred Wilson objects and installations, No. 4. Baltimore MD: Fine Arts Gallery University of MD Baltimore County (Issues in cultural theory, No. 4). Berger, Ursel; Laukötter, Anja (Hg.) (2010): Wilde Welten. Aneignung des Fremden in der Moderne ; [anlässlich der Ausstellung: Wilde Welten - Aneignung des Fremden in der Moderne, im Georg- Kolbe-Museum, Berlin ; Katalog]. Leipzig: Koehler & Amelang. Berjonneau, Gérald (1987): Rediscovered masterpieces of African art. De luxe ed. Boulogne: Art 135 (Rediscovered masterpieces). Berman, Esme; Standard Bank Centre Art Gallery. (Hg.) (2009): Alexis Preller. Africa, the sun and shadows - A visual biography Alexis Preller retrospective exhibition, "Alexis Preller: Africa, the sun and shadows" at the Standard Bank Gallery. Saxonwold: Shelf Pub. Berman, Esmé (Hg.) (1993): Art & artists of South Africa. An illustrated biographical dictionary and historical survey of painters, sculptors & graphic artists since Halfway House: Southern Book Publ. Berman, Esmé (1993): Painting in South Africa. 1st ed. Johannesburg: Southern Book Publishers. Bernasek, Lisa Marie (2007): Representation and the republic : North African art and material culture in Paris. Thesis submitted to the Dept. of Anthropology and the Committee on Middle Eastern Studies. Ann Arbor: UMI Dissertation Service. Bernatzik, Hugo Adolf; Anchieri, Ettore (1951): Afrika. Handbuch der angewandten Völkerkunde. München: Bruckmann. Bernatzik, Hugo Adolf; Anchieri, Ettore (1951): Afrika. Handbuch der angewandten Völkerkunde. München: Bruckmann. Berner, Margit; Hoffmann, Anette; Lange, Britta (2011): Sensible Sammlungen. Aus dem anthropologischen Depot. Hamburg: Philo Fine Arts (Ilinx-Kollaborationen, 210). Bernier, Celeste-Marie (Hg.) (2008): African American visual arts. Edinburgh: Edinburgh Univ. Press (BAAS paperbacks).

20 Berns, Marla; Fardon, Richard; Kasfir, Sidney Littlefield, et al. (Hg.) (2011): Central Nigeria unmasked. Arts of the Benue River valley. Los Angeles: Fowler Museum at UCLA. Berrar, Francis; Uthemann, Ernest W. (2003): Francis Berrar. Urban camping ; [anlässlich der Ausstellung Francis Berrar. Urban Camping in der Stadtgalerie Saarbrücken vom 9. Mai bis 29. Juni 2003 und im Heidelberger Kunstverein vom 25. Mai bis 27. Juli 2003]. Saarbrücken: Stadtgalerie. Bertiers, Joseph; Patchett, Thomas; Wolfe, Ernie (Hg.) (1998): Dateline Kenya. The Media Paintings of Joseph Bertiers. [Catalog of an exhibition February 28-April 24, 1998, Track 16 Gallery, Santa Monica.]. New York. Bertola, Chiara (2008): Georges Adéagbo. La rencontre! Venise- Florence! Pistoia: Gli ori. Berzock, Kathleen Bickford; Clarke, Christa (Hg.) (2011): Representing Africa in American art museums. A century of collecting and display. Seattle: University of Washington Press (A McLellan book). Bessire, Aimée (2000): Negotiating cultural icons. Sukuma art, history and colonial encounter in Tanzania. Ann Arbor: UMI Dissertation Services. Bessire, Mark H. C.; Udé, Iké (2000): Beyond decorum. The photography of Iké Udé. Cambridge, Mass.: MIT Press. Bester, Rory; Schreuders, Claudette; Hirsch, Faye; Krog, Antjie (2011): Claudette Schreuders. Munich, New York: Prestel Art. Bester, Rory; Seippel, Ralf-Peter; Nunn, Cedric (Hg.) (2012): Cedric Nunn, Call and response. On the occasion of the Exhibition Cedric Nunn: Call and Response ; exhibition venues August 27 - October Galerie Seippel Cologne Germany November January Pretoria Art Museum Pretoria South Africa. Johannesburg, South Africa: Hatje Cantz; Fourthwall Books. Bester, Willie; House, Gloria (2007, 2007): Willie Bester - apartheid laboratory. Catalogue for the exhibition held at the Art Gallery of Windsor, Feb, 24 - Jun. 17, Windsor Ontario: Art Gallery of Windsor. Bester, Willie; Klopper, Sandra (2003): Willie Bester. art as a social document. Trento: Studio d'arte Raffaelli. Bethencourt, Francisco (Hg.) (2000): Último império e recentramento ( ). Lisboa: Temas e Debates (História da expansão portuguesa, / dir. Francisco Bethencourt ; Vol. 5). Bethenod, Martin (2003): Jacques Kerchache, portraits croisés. Paris: Gallimard :; Musée du quai Branly. Beumers, Erna; Exhibition Kings of Africa 1992, Maastricht (1992): Kings of Africa. Art and authority in Central Africa ; Collection Museum für Völkerkunde Berlin. publ. in cunjunction with the exhibition Kings of Africa at MECC, June 26 to August 27, 1992, Maastricht, the Netherlands. Maastricht: Foundation Kings of Africa.