List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan).

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1 Defining Beauty: the body in ancient Greek art The British Museum, 26 March to 5 July 2015 Sainsbury Exhibition Gallery, World Conservation and Exhibitions Centre, The British Museum, London WC1B 3DG UK. Apoxyomenos (restored bronze statue of an athlete removing oil and sand from his body with a strigil or scraper (now lost)), 1st-2nd century AD (Hellenistic), Ancient Greek, bronze Height: 1920mm Lent by: Croatian Ministry of Culture, Runjaninova 2, Zagreb , Croatia Provenance: Found by a recreational diver in 1996 on the seabed off the islet of Vele Orjule, near Lošinj, Croatia. Reported to the Ministry of Culture of the Republic of Croatia in Raised from the sea on 27 April 1999 and acquired by the Ministry of Culture of the Republic of Croatia. M. Domijan, I. Karniš Hrvatski (ed.) Apoksiomen/The Croatian Apoxyomenos, exhibition catalogue, Zagreb, 2006, second revised edition (2008) Maurizio Michelucci (ed.) Apoxyomenos: The Athlete of Croatia/Apoxyomenos: l'atleta della Croazia, exhibition catalogue, Florence (2006), separate editions in Italian and English Block from the Telephos frieze - Herakels Discovers his son Telephos, 2nd century BC, origin modern day Turkey, marble T.I.17 Height: 1270 x Width 750 x Depth 445mm Lent by: Antikensammlung der Staatlichen Museen zu Berlin, Stiftung Preußischer Kulturbesitz, Stauffenbergstraße 41, Berlin 10785, Germany Provenance: In 1874 a firman was granted by the German embassy to excavate at Pergamon (venue of the Antikensammlung der Staatlichen Museen zu Berlin) which stipulated that onethird of the objects found belonged to the state, one-third to the finder, and one-third to the owner of the land. The freize was discovered in 1878 and acquired by the Antikensammlung der Staatlichen Museen zu Berlin around Ownership between : Antikensammlung der Staatlichen Museen zu Berlin -Bernard Andreae: Datierung und Bedeutung des Telephosfrieses im Zusammenhang mit den übrigen Stiftungen der Ataliden von Pergamon, in: Wolf-Dieter Heilmeyer (ed.): Der Pergamonaltar. Die neue Präsentation nach Restaurierung des Telephosfrieses, Wasmuth, Tübingen (1997) -Volker Kästner: Antikensammlung II. Der Altar von Pergamon. Hellenistische und römische Architektur, Henschelverlag, 2nd edition, Berlin (1990) -Wolf-Dieter Heilmeyer: Der Pergamonaltar. Die neue Präsentation nach Restaurierung des Telephosfrieses, Wasmuth, Tübingen (1997) -Max Kunze: Der Pergamonaltar. Seine Geschichte, Entdeckung und Rekonstruktion. von Zabern, Mainz (1995) -Staatliche Museen zu Berlin. Preußischer Kulturbesitz. Antikensammlung (ed.): Die Antikensammlung im Pergamonmuseum und in Charlottenburg. Auch Antikensammlung Berlin, von Zabern, Mainz (1992)

2 Block from the Telephos frieze - Carpenters build the boat in which Auge is cast out to sea, 2nd century BC, origin modern day Turkey, marble T.I.10 and T.I.11 T.I.10 Height 1650 x Width 780 x Depth 445mm T.I.11 Height 1760 x Width 760 x Depth 445mm Lent by: Antikensammlung der Staatlichen Museen zu Berlin, Stiftung Preußischer Kulturbesitz, Stauffenbergstraße 41, Berlin 10785, Germany Provenance: In 1874 a firman was granted by the German embassy to excavate at Pergamon (venue of the Antikensammlung der Staatlichen Museen zu Berlin) which stipulated that onethird of the objects found belonged to the state, one-third to the finder, and one-third to the owner of the land. The freize was discovered in 1878 and acquired by the Antikensammlung der Staatlichen Museen zu Berlin around Ownership between : Antikensammlung der Staatlichen Museen zu Berlin -Bernard Andreae: Datierung und Bedeutung des Telephosfrieses im Zusammenhang mit den übrigen Stiftungen der Ataliden von Pergamon, in: Wolf-Dieter Heilmeyer (ed.): Der Pergamonaltar. Die neue Präsentation nach Restaurierung des Telephosfrieses, Wasmuth, Tübingen (1997) -Volker Kästner: Antikensammlung II. Der Altar von Pergamon. Hellenistische und römische Architektur. Henschelverlag, 2nd edition, Berlin (1990) -Wolf-Dieter Heilmeyer: Der Pergamonaltar. Die neue Präsentation nach Restaurierung des Telephosfrieses, Wasmuth, Tübingen (1997) -Max Kunze: Der Pergamonaltar. Seine Geschichte, Entdeckung und Rekonstruktion. von Zabern, Mainz (1995) -Staatliche Museen zu Berlin. Preußischer Kulturbesitz. Antikensammlung (ed.): Die Antikensammlung im Pergamonmuseum und in Charlottenburg. Auch Antikensammlung Berlin, von Zabern, Mainz (1992) Reconstruction of statue of Athenia Lemnia, 1990s, Vinzenz Brinkmann and Ulrike Koch- Brinkmann, German, plaster N142 Height: c.1980mm without the spear, c.2500mm with the spear, Width helmet to elbow c. 1500mm Lent by: Museumslandschaft Hessen Kassel, Schloss Wilhelmshöhe, Kassel 34131, Germany Provenance: Polychrome cast of original statue Athenia Lemnia made in the 1990s by Vinzenz Brinkmann and Ulrike Koch-Brinkmann, representing the Stiftung Archaeologie. Cast with reconstructed paint of Persian archer from the West Pediment of the Aphaia temple at Aegina (original: Munich, Aegina pediment W2, figure W 11), 1990s, Vinzenz Brinkmann and Ulrike Koch-Brinkmann, German, artificial marble and natural pigment Height: 990 x Width 860 x Depth 480mm plus base: Height 890 x Width 800 x Depth 600mm Provenance: Polychrome cast of original Archer from the West Pediment of the Aphaia Temple made in the 1990s by Vinzenz Brinkmann and Ulrike Koch-Brinkmann, representing the Stiftung Archaeologie. 2

3 Cast with reconstructed paint of Athena from the West Pediment of the Aphaia temple at Aegina, 1990s, Vinzenz Brinkmann and Ulrike Koch-Brinkmann, German, artificial marble and natural pigment Height: 1800 x Width 850 x Depth 75mm plus base: Height 880 x Width 640 x Depth 420mm Provenance: Polychrome cast of original Athena from the West Pediment of the Aphaia Temple made in the 1990s by Vinzenz Brinkmann and Ulrike Koch-Brinkmann, representing the Stiftung Archaeologie. Cast with reconstructed paint of Aristion stele from the West Pediment of the Aphaia temple at Aegina, 1990s, Vinzenz Brinkmann and Ulrike Koch-Brinkmann, German, artificial marble and natural pigment Height: 1840 x Width 450 x Depth 60mm plus base: Height 250 x Width 645 x Depth 300mm Provenance: Polychrome cast of original Aristion stele from the West Pediment of the Aphaia Temple made in the 1990s by Vinzenz Brinkmann and Ulrike Koch-Brinkmann, representing the Stiftung Archaeologie. Cast of Kouros from Tenea, 2015, Vinzenz Brinkmann and Ulrike Koch-Brinkmann, German, artificial marble and natural pigment Height: 1530mm Lent by: Stiftung Archäologie, Sparkasse Landsberg-Dießen, Germany Provenance: Cast of original Kouros from Tenea made in 2015 by Vinzenz Brinkmann and Ulrike Koch-Brinkmann, representing the Stiftung Archaeologie. Unpublished at present new construction Bronze reconstruction of spear-bearer (Doryphoros), , Georg Römer, German, bronze Height: 2120 mm Lent by: Ludwig-Maximilians-Universität, Geschwister-Scholl-Platz 1, Munich, Germany Provenance: Commissioned by Ludwig-Maximilians-Universität for their WWI memorial in 1920; completed and acquired in Ownership between : Ludwig-Maximilians-Universität, Munich Rolf Michael Schneider, Verehrt verdrängt vergessen? Der Speerträger der Münchner Universtität, in Aviso. Zeitschrift fürwissenschaft und Kunst in Bayern (2004) p Warren G. Moon (ed.), Polykleitos, the Doryphoros, and Tradition (1995), p.247 Martin Kemp (ed.), The Oxford History of Western Art (2000), p.17 3

4 Marcia Furnilla as Venus (statue of a nude female figure with a Trajanic hairstyle), 1 st century AD, origin Rome, marble I.N.711 Height: 1910mm (2040mm including plinth and filling material in the gap between the sculpture and the plinth), Width 670mm, Depth 442mm Lent by: Ny Carlsberg Glyptotek, Dantes Plads 7, Copenhagen DK-1556, Denmark Provenance: Sculpture was allegedly found in The Flavians Villa near Frattocchia below Albano It was acquired by the Ny Carlsberg Glyptotek from Casa Vitali in Marino in Ownership between : Ny Carlsberg Glyptotek F. Poulsen (1951); V. Poulsen (1974), Cat. 14; M.Bergmann, Gnomon 53 (1981) 178; D.E.E. Kleiner, Roman Sculpture (1992) 178, fig. 146; F. Johansen, Catalogue Roman Portraits II NY Carlsberg Glyptotek (1995), cat.14 Statuette of Attis, wearing an oriental costume with a modern head and right hand (probably added before 1684), 1 st -2 nd century AD, bronze copper and silver inlays No. 64 Br 35 Height: 542 x Width 250 x Depth 150mm Lent by: Musée du Louvre, Paris 75058, France Provenance: Formerly in the Crown Collection - according to the general inventory of the Royal Furniture Repository, where it appears as no. 64, this bronze statuette entered the Crown collection before It has therefore remained in the collection of the Musée du Louvre since at least 1684 onwards. Ownership between : Musée du Louvre Collectif; Les bronzes de la Couronne, Musée du Louvre, Paris (1999) n 64, p Belvedere torso (unrestored fragment of a seated heroic figure), 1st century BC, Apollonios, Ancient Greek, marble Inv 1192 Height: 1565 x Width 875 x Depth 880mm Lent by: Vatican Museums, Viale Vaticano, Rome 00165, Italy Provenance: Acquired between 1530 and 1536 by Papal authority statue has remain in collection of Vatican Museums since. Ownership between : Vatican Museums Francis Haskell and Nicholas Penny, Taste and the Antique, Yale (1981) Walther Amerlung, Skulpturen des Vatikanischen Museums, (1908), Vol. II, no. 3, pl.2 Cesnola Kouros (Cypriot male figure in Egyptian dress), mid-6th century B.C., Cypriot, limestone Height: 1048mm Lent by: The Metropolitan Museum of Art, 1000 Fifth Avenue, New York , U.S.A. Provenance: Found c.1870 in sanctuary of Golgoi Ayios Photios Larnaca, Cyprus. Purchased by subscription by the Metropolitan Museum of Art as part of the Cesnola Collection acquisition. Ownership between : The Metropolitan Museum of Art John L. Myres, Handbook of the Cesnola Collection of Antiquities from Cyprus. no. 1356, New York: The Metropolitan Museum of Art (1914) Antoine and Joan R. Mertens Hermary, The Cesnola Collection: Stone Sculpture. no. 59, Myres 1356, New York: The Metropolitan Museum of Art (2013) 4

5 Baker Dancer (statuette of a veiled and masked dancer), 3rd 2nd century B.C., Ancient Greek, bronze Height: 205mm Lent by: The Metropolitan Museum of Art, 1000 Fifth Avenue, New York , United States of America Provenance: Said to be from Alexandria find date unknown. It came into the collection of art collector Joseph Brummer ( April 1947) and remained in his collection until It was then purchased by Walter C. Baker from the estate of Joseph Brummer on 14 Sept It remained in his collection until the Metropolitan Museum of Art acquired the statuette on 23 June 1972 as a part of the bequest by Walter C. Baker. Ownership between : The collection of Joseph Brummer, U.S.A. Dietrich and René d'harnoncourt von Bothmer, Greek, Etruscan, and Roman Antiquities: An Exhibition from the Collection of Walter Cummings Baker, Esq. no. 46, p. 9, pl. 12, New York: Walter Cummings Baker (1950) Dietrich von Bothmer, Ancient Art from New York Private Collections: Catalogue of an Exhibition Held at the Metropolitan Museum of Art, December, 17, 1959-February 28, 1960 no. 144, pp , pls. 44, 50-51, New York: The Metropolitan Museum of Art (1961) Martin Robertson and Cambridge University Press A History of Greek Art, Vols. 1 and 2. p. 564, pl. 179c, Cambridge, England (1975) Dietrich von Bothmer, The Metropolitan Museum of Art: Notable Acquisitions, , : p. 120 (1975) Carlos A. Picón, Recent Acquisitions, A Selection: , The Metropolitan Museum of Art Bulletin, 50(2): no. 237, pp (1992) Philippe De Montebello, Metropolitan Museum of Art Guide: Works of Art Selected by Philippe De Montebello. New York: The Metropolitan Museum of Art (1994) Musée du Petit Palais. La Gloire d'alexandrie. no. 206, p. 265, Paris: Musée du Petit Palais (1997) Carlos A. Picón, Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 237, pp , 451, New York: The Metropolitan Museum of Art (2007) Metropolitan Museum of Art, The Metropolitan Museum of Art Guide. p. 72, New York: The Metropolitan Museum of Art (2012) Statue of Wounded Amazon signed by Sosikles, 2 century AD, Roman, marble MC 651 /S Height: 2020mm Lent by: Musei Capitolini, Piazza del Campidoglio 1, Rome 00186, Italy Provenance: Acquired in 1733 by Clement XII from his nephew Cardinal Albani then deposited, in the Musei Capitolini in the same year, forming part of the Albani collection Ownership between : Musei Capitolini Hans von Steuben, Die Amazone des Polyklet, in: Polykletforschungen, ed. by Herbert Beck and Dieter Bol, Berlin, pp (1993) Hans von Steuben, Der Kanon des Polyklet : Doryphoros und Amazone p.59, pl LIMC, Vol. 1, p.625, no. 602 (1973) Marble statue of a reclining Hermaphrodite (Sleeping Hermaphroditus), Roman 1-2 nd century (head, mattress and sheets sculpted by Bergondi in mid 18 th century), marble Inv 749 Height: c.890 x Width c.1690mm Lent by: Galleria Borghese, Villa Borghese Piazzale del Museo Borghese 5, Rome 00197, Italy Provenance: Acquired by Galleria Borghese before 1764 and it has remained in the collection ever since then. Ownership between : Galleria Borghese, Italy - Francis Haskell and Nicholas Penny, Taste and the Antique: The Lure of Classical Sculpture , Yale University Press, p 235 (1991) -Helbig 4 II, no