!"#$%&'()$ "* +,-./*
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- Johanna Gerhardt
- vor 9 Jahren
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14 18!. "#$% 3.!"#$%& '&()*+,-".#/&'01"/#1 -"2*)#/ *)/"2#/& 5)*6* -*.& & 5%"))* &'()*+)$$,'-./$0 ' -&7058)9: (&)-&: /"-&/3-)9: /"8")51: /* )*+ ;,*:5. <&)-&% 5 05/"-&/3-)9% /"8")51%,-5- #3=5 #'*5 :&-&2/"-)9",-".#/&'0")51 * /*%, 8/* 1'01"/#1 «#*>9/5+- )9%»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email protected],"-#*)&(&, %*("/ )" '97'&/$ 3.5'0")51 3 )&- 85/&))*6* 5,*.6*/*'0"))*6* 85/&/"01, *>0&.&@="6* 7)&)5"%,-"/"2#- /*'.?* 5 *>-&/)9+ ;AA"2/ )&>0@.&"/#1 2*6.& #*>9/5",-5*>-"/&"/ #*>9/5+)*#/$ /*0$2* )& A*)" 05/"-&/3-)*6* 2*)/"2#/&. E01,*#0".)"6*,*#%*/-5%,-5%"- 57 C3B25)&.! )*'"00" «F/&)45- *))9+ #%*/-5/"0$»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«C-5/8" * >03.)*% #9)"»,-"/"2#/", * 2*/*-*% ' )*- '"00" C3B25)& )&,*%5)&@/ 8"/9-" 500@#/-&455, 32-&B&@=5" #/")9 #2-*%)*+ *>5/"05 60&')*6* 6"-*1.!%"#/* /*6*, 8/*>9 /"-,"05'* (.&/$ #'*@, 2&2 "%3 2&("/#1, >03.)3@.*8$, */"4 '."+#/'5/"0$)*#/5 #&% >03-.e) 5 #,5'&"/#1. J&25% *>-&7*% %*()* #."0&/$ '9'*., 8/* 7)&)5" 05/"- -&/3-)*6*, 5)/"-/"2#/3&0$)*6* 2*)/"2#/& *>*6&=&"/ 505.&(" %")1"/,*)5%&)5" #*>9/5+)*#/5.&))*6*,-*57'".")51. F*60&#)*!52/*-3 11 «H@>*'$ #*>9/5" # /*825 7-")51 -*%&)&, )* )" 1'01"/#1 #*>9/5"% # /*825 7-")51 0"/*,5#5», 7'/#3( F/-32/3-& :3.*("#/'"))*6* /"2#/&. F. 285.
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29 !"#"$% %&'(")*+&%") ),)%-$.%+(/ 0&.1#2)) 33!"#$% $&'()*# &+,-(.,#)$/./#3)4#2)/*,)+#1)5/%-&6& 7&"/+2)#3# +/-.#8+&8/%+&* %)"$#2)). 0 &$1&.# $&'()*21&$)* 3)&4& 5&", &).#)$)-.#11&$)%.('&5,,6%)#51,)*.1&4& *1(7.&-7&81&$)/7 1,95,.6#1*/ (,))5,+)&5,), :)& 9&-.&6/#) ",11;< 1,55,)*.1;< 7&",6%1&$)% 1,-.,)% 93/-")8+&*, *6* #"".#-")8+&*. =)6*:*#,))5,+)*.1&2 $&'()*21&$)* &),.,1)<51&2 1# )&6%+&. )&7, :)& >#:&5*1 1# 95*-1,#) $. 3)*:#$+&2 &).#)$).#11&$)* -, «95&- *$?#$).*# 3)&4&.#:#5,» («+,+ ';")& &1 '#- 7#1/ 1# 7&4 1,2)* ;"&'1&4& $6;:,/»),,, 95#8"#.$#4&,. )&7, :)& '#- #4& ;:,$)*/. *45# 0;6*:, $& $7#5)%< 1*+,+&2 1&.#66*$)*:#$+&2 *$)&5**.&&'@# 1# '(6& '(. A&'(- )*21&$)% 8#.('&5, $& $)&5&1( &'B#+),,.,1)<5( (C5;?1*D+&4&). 9#- :&5*1$+&7 *-6&8#1** 5,"*+,6%1& &$6,'6#1,: «'&5%', $&.#$)* $ $,7&- 6<'*#7 '(6, 1#95&"&68*)#6%1,»; «$,7&6<'*# * $6,'&$)% E,5,+)#5, "&681( '(6* )&58#$).&.,)%» * ). 9. F4&D#1)5*-7 95&*-.&6, * 95&*--.&6%1&$)% $6;:,/ ".*8;@*# $*6(,.,1)<51&2 $&'()*21&$)*. &++,- -*&1,6%1&7 7*5#. G1,:# &'$)&*) "#6&, 1,95*7#5,. $&'()** 9&$6#"1#2.$)5#:* A.*"- 5*4,26&., * $#$)5( H,$+&6%1*+&.,.$)5#:*, &) +&)&5&2 ; ';";@#4& $,7&;'*2D( &$),#)$/ 5#.&6%.#5.!"#$% 7( *7##7 "#6& &)1<"% 1# $,.,1- )<51&2 $6;:,21&$)%<, 1& $ 95*1D*9*,6%1&.&-7&81(7*.,5*,1),7*.#).6#1*/ 1#5,.1&.#$1&2 $*);,D** )&4&, +,+ 4&.&5*) A.*"5*4,26&., «;4&6+,, +&)&5(2.$#4",.$#7; $.#); &$),#)$/ 1#*-.#$)#1 * +&)&5(2 *-.#$)#1 )&6%+& *7 ".&*7»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«I,7# $ $&',:+&2»: «>&"&?#6 +,+&2-)& :#6&.#+ "&681& '()%, $)&5&8, 9&$7&)5#6 1, 1*E * ;?#6. G 3), 9&- "5&'1&$)% 7&-#4#3#%: ),+&2 ),*1$).#11&2 * )&8# +5,$*.&2». ='$)&/- )#6%$)., -1,+&7$)., $ M11&2 A#54##.1&2 «)&:1& 9#5#5&"*6* #4&», &"1,- +& 1, $,7&7 "#6# 1*+,+&4& 95#&'5,8#1*/ 1# 95&*$E&"*). H,$$),.?*$% $ 4#5&*1#2, C;5&. «+,+ ';")& )&6%+& :)& 95&$1;6$/» * -,";7,6$/ & )&7, «:)&.&). #4& 8*-1* '(6& #@# &"1& 9&E&8"#1*# *6* 95*+6<:#1*#, * &1& )&8# ;8# +&1:*6&$%, * &$),6&$% )#9#5%.&$9&7*1,1*#». L&.&# 9&- E&8"#1*# 95*5,.1*.,#)$/ + 95#81*7, & '#$$&'()*21&$)* +&)&5(E :*),- )#6* ;8# &$.#"&76#1(.
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32 36!. "#$%!"##$%&' %$(#)#'*, $#) +,'#-'+')./#$ #"!0"%&'0)! +,"1".2 $1#$3$ %$(#)#'4 ',$51)"&%4! &$67" %$+,'7$%#$!"#'4,)(#28 %$(#)#'*»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
33 !"##$"% &'"()*!"##$%&"%'($) *%$+",'$#"# +,-.#$(/,%# ,5*%#1*//,( 6',)*: #$6,7,8$9 ** '")/,1$4/,%#*( $ **,#/,:*/$* ; <%#*#$=*%;,( >3/;?$$ /"''"#,7,8$$ %,-.#$(/,%#0 9179*#%9, /"'943 % #,=;,( )'*/$9,?*/#- '"70/,( ;"#*8,'$*( 1,6'*4*7*/$$ 6,1*%#1,1"#*70/,( 6',). (%'. Prince 1982, 148; Meister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b, ). 1. &,'C. %,-.#$(/,%#$ $ 63#$ ; ** #$6,7,8$)"?$$ H'$( I,#C"/ 1 %1,*( %#"#0* «D',$%2,54*/$* %B5*#" 1 #$6,7,8$=*%- ;,C,%1*A*/$$» '")7$="*# 41",%/,1/.2 #$6" 6,1*%#1,1"#*70/.2 #*;- %#,1 %B5*#/.* #*;%#., 1 ;,#,'.2 8*',( 6*'*%*;"*# 8'"/$?3 $ -*%%B- 5*#/.* #*;%#., 1 ;,#,'.2 8*',( 3#1*'54"*# 4"//.( C$'. E*'C$/,C «%B5*#» I,#C"/ 6,70)3*#%9 -,7** #'"4$?$,//, 6, %'"1/*/$B % >,'C"7$%#"C$, 3 ;,#,'.2 <#,# #*'C$/,-,)/"="*# 234,5*%#1*//3B ;,/- 1 Prince: «Narrative [ ] presents temporal sequences of states and actions», Meister: «/"''"-?$9 <#,,>,'C7*/$* %,-.#$(» (Narration ist Gestalten von Ereignissen), «/"''"#$1- /,%#0 <#,,6'*4*7*//"9 >,'C" %$C1,7$=*%;,8, 6'*4%#"17*/$9 %,-.#$(» (Narrativität ist eine spezielle Form der symbolischen Ereignisrepräsentation). 2 +'. GC$4 2008b, 22 27, $ /")1"//.* $C %#"#0$, 4$%;3%%$$ %,-.#$(/,%#$.
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email protected]( 6*",*.-96 &9)#"1*.,/ 6"#'#.,. B9:%* &9=5-,$.5$ -,2 6.#C.#:9 2"9,&C#&-6,/ 29%?,./#-&/ 806,6*7#.-.9&-, 0*0 9&'5&7#.,D 65=9"*, &9=5-,$.5$ -,2 6.#C.#:9 &9=5-,/ 29%?,./#-&/ #.-.9&-, 0*0 9&'5&7#.,D 7,.#*",)*1,,, &9=5-,$.5$ -,2 6.3-"#..#:9 2"9,&C#&-6,/ 29%?,./#-&/,.-#"A#"#.-.9&-, 0*0 9&'5&7#.,D 2#"#&-*.960,,, &9=5-,$.5$ -,2 6.3-"#..#:9 &9=5-,/ 29%?,./#-&/ %,*79:,?.9&-, 0*0 9&'5&7#.,D 6#"=*7,)*1,,. E,-#"*-3"* ($)*+,!+)$+-! F"9=7#'5 298-,0, G9&-9#6&09:9. Böll Heinrich [Hë77@] Es wird etwas geschehen // H. Böll. Kölner Ausgabe. Bd /01*23+% 4' F&,(979:,/,&03&&-6*. I9&06*. 712*1'523+% "'81#!. 1876*. F97.9# &9="*.,# &9?,.#.,$. B. 13 («F9%"9&- -90»). E#.,.:"*%, b. F97.9# &9="*.,# &9?,.#.,$, («J"9-0*/»), E#.,.:"*% Grübel Rainer/Schmid Wolf [K"D=#7@/L',%] (Hgg.) Wortkunst, Erzählkunst, Bildkunst. Festschrift für Aage A. Hansen-Löve. München. Grübel Rainer [K"D=#7@] Performanzkunst, Erzählkunst und Wortkunst: die drei Medien der Literatur // Grübel/Schmid 2008, Hansen-Löve Aage A Intermedialität und Intertextualität. Probleme der Korrelation von Wort- und Bildkunst. Am Beispiel der russischen Moderne. // Dialog der Texte. Hamburger Kolloquium zur Intertextualität / Ed. W. Schmid; W.-D. Stempel. Wien $,2',-4'5' :. : M3&&0,$ A9"'*7,)'. I9&06*. Husserl Edmund [K3&&#"7] Vorlesungen zur Phänomenologie des inneren Zeitbewußtseins. Herausgegeben von Martin Heidegger. Halle. Zagajewski Adam [N*:*#6&0,] W cudzym pioknie. PoznaP. Kant Immanuel [J*.-] 1781/1787. Kritik der reinen Vernunft. Q,-*-5,) 2#"#69%* R. E9&&09:9. 41*;$, <#+%! F"9=7#'* (3%94#&-6#..9:9 2"9&-"*.&-6* 6 2"9)# K9:9-7/ // S?#.5# )*2,&0, B*"-3&09:9 K9&3%*"&-6#..9:9 S.,6#"&,-#-* 209, ;-"30-3"* (3%94#&-6#..9:9 -#0&-*. I9&06*.
53 !"#$%&'(")%* +,-."/0)%+0(("' 12" !"#$%&#'()*$) %+'),-.,$/#0#1$2)%3#4 #%.)5)*$$ // #,- 4-*. 9,-,:$ /#,$/#0#1$$ 3;0:,;"<. =-00$**, The origin of plot in the light of typology // Poetics Today. Vol. 1, 1 2, Meister J. C. [7->%,)"] 2002.,Narrativität und,ereignis. Ein Definitionsversuch. // URL: ( ). Prince Gerald [!"$*%] Narratology. The Form and Functioning of Narrative. Berlin; New York; Amsterdam. Schmid Wolf [?4$(] Die narrativen Ebenen Geschehen, Geschichte, Erzählung und Präsentation der Erzählung // Wiener Slawistischer Almanach. Bd. 9, «@"-,:A B-"-4-C#.<» *-("<. -.,#"-, $0$ "#4-* # (.;& 3#*D-& // E.,#" $,)3%, /!#( ")(. F "3#.$2-, F.?4$(-. 9-*3,-!),)"G;" H"*-4)*, /#IC$A 4$J /#(%#C*-*$) // F.?4$(:!"#C- 3-3 /#IC$A. 9-*3,-!),)"G;" b: H /"#G0)4-,$2*#4 %#G<,$$. /"#C) K)&#.- // F.?4$(:!"#C- 3-3 /#IC$A. 9-*3,-!),)"G;"1, L-""-,#0#1$A. 1-#) $C(-*$). 7#% Wortkunst und Erzählkunst im Lichte der Narratologie // Grübel/Schmid 2008, b. L-""-,#0#1$A. 2-#) $C(-*$). 7#% c. Elemente der Narratologie. 2. verbesserte Auflage. Berlin. 4"5)%"' B-C-3$ // 8. L. =#0%,#>.!99.,. 6. 7#%3.-/8)*$*1"-( $(8("+ 92&' HG #%*#.-& 3$*# //!#I,$3-3$*#. 7#% :1; <;502&' L-""-,#0#1$A 3-3 -*-0$,$3- /#.)%,.#.-,)0:*#1# ($%3;"%- («E"&$)")>» E.!. K)&#.-). =.)": $,)"-,;"- $ 4)*,-0:*#%,:. 7#%3.-. Frank Joseph [M"I*3] Spatial form in Modern Literature // J. Frank. The Widening Gyre: Crisis and Mastery in Modern Literature. New Brunswick Freise Matthias [M"->C)] Michail Bachtins philosophische Ästhetik der Literatur. Frankfurt/Main Die Prosa Anton Nechovs. Eine Untersuchung im Ausgang von Einzelanalysen. Amsterdam/Atlanta. Freise, Ulrike Katja [M"->C), B-,A] Vom tragischen zum mythischen Drama. Eine kulturtheoretische Untersuchung am Beispiel der Dramen Anton Nechovs // URL: ( ). =0,"+ >(%"(?.!#0*#) %#G"-*$) %#2$*)*$> $ /$%)4. = #*,-' -,,"-3D$#*#. // 8)J #*,-'. 7#%
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87 !"#$%&' & ("#$%&)*"(%+: *,#-./'*&0 & 1,23($ 91 van Baak Joost !"#$%$&'() ( *(+ // «,-+".."/» 0$12(/ ( «3-+".."/» 0+$- 2". 4(%$%$5(673'() 3#$+.(', 0$38/97..:) 100-%7-(; 3$ <./ +$=<7.(/ A 0$1-('7 07+8:B 07+7=(8".(). // Analysieren als Deuten. Wolf Schmid zum 60. Geburtstag / Ed. Lazar Fleishman, Christine Gölz, Aage A. Hansen-Löve. Hamburg, Das Haus als erreichbare Utopie? Eine mythematische Bildlektüre von Kustodievs Gemälde Goluboj Domik // Wortkunst Erzählkunst Bildkunst. Festschrift für Aage A. Hansen-Löve / Ed. Rainer Grübel und Wolf Schmid. Die Welt der Slaven. Band
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151 -,.. :. :,,,, ( )., ( 2008, 72 93): - XXIX - : ; ;. -, (, ) -., -,. -, - : «,» ( 1949, 421). - -, - 1 ;.
152 156. ( 2008)., - - -,, : «-» ( -, ) «-» ( ).,,, ,, - V, - ( á ) ,,,. -,, ,, - «,, -,» ( 2001, 301) ,, 1826.,, - - : 2 ( ) ( ), ( ) ( ).
153 :,, 157, («- /»).,,, : -.,.., «- -» ( 1998, 54)... ( 1998, 51):, -.. (VII XXXI),,,. -,,,, -., -, (I VI),, -, (XXXVIII XXXIX, XL XLI). ( , 112), - :, «.,, -,» ( , 52)., -, ,,, ,, , 23.
154 158. «,,, [ ] -» ( 1977, 113). -,,. : «-» ( 1910, 396).. 4,, -,, - - (, ) XX -.,.. : (.. ) [ ],,., - ( 1970, 34)...,..,.., , - -.,,. 5 -, «-» ( ). «-» -, :,., -. 4.: 1929, 18 19; 1981, (1981, 132)., ( ) «. : t 1 : t 2 : t 3» (, 1979, 25).
155 :,, 159 ( - ) ( 2000) - : ( ) S, ; ( ). i- (2-, 4-.) -, - S i (), - B i () T i (): i = 0,087 / = 0,087 / ( Si / Bi Bi / Ti ), (1) 0,087 0 = 1 ( 2000, 57). i - -,, -. i = Oi = 1 + ln( i) (2) ( ) , Oi: (i) = (ABS(Oi Oi-1) / (xi xi-1)) / 0, (3) (xi xi-1) ( ) -, ABS -, 0 = 0,034, - ( 2007, 15)., - ( 4-, 8-, ); 216 (54 ), 160 (40 ), 187 (41 6 ) (41, ) 20 ( ) 5 ( )., -,, ( 4-3- ).
156 160., -. -,, -, 1,618 ( = 3,14 ). - = 1,618 (!), -. -, - :, (34=21+13) =(34/21 21/13) ( ) - 0,004, (34=21,1+12,9) 6,6. -, S=34 0,1 ( 0,3%) 6,6 ( 660%)! -,,, «-», -., -,.. ( ),., - ( ) -, - - ( ). -,. - ( ) V «:?» (. 1 2). -, -
157 :,, 161 (.. : ) - ( ) -,, ( 2006, 48) IIIIIIII III III III III III ( ; ) 3 V (3, V, 4) 7, - (2, XXIX, 4), (.. 3). - :,.,, ( ) ( ) «-1»,, «-2» (3, VIII, 2), «-3» (3, XXI, 14) «- -4» (3, ). 7, -,, ( ).
158 IIIIIIII III III III III III ( ; ), (2, XXIV XXIX) ( 2008, 26 27), - 4- XXIX - : ; ;. (.., ),... : «-,» ( )..., -
159 :,, 163,,,, XXIV,,, XXVIII ( 1999, 117, 147)..,,,, :! ,. 2 ; :!, ,...!? »»»» : (1) «-1», (2), (3) «-2», (4) «-», (5) «-3», (6) «-4»; ( ; ). (3, V, 4), - (. 3). - : = 10,4 4,17 -, = 46,9 15,3., -, - (,, - ) (, -, ): -,,, - ( XXXVIII, «-»).
160 164. : 4- V, - - ( ), ( II ) : - V - (. 3), -, 14,3 3, V ( 1998, 291)... () - :,,, (, 1998, 289). - : ( -. 2) 4- V, -,, -, ( , 40 45; 2007, 15 20),., (3, V, 4) - - -,,., -,,! ,,.., «-,,», «, -» ( 1998, 295). VII VIII :
161 :,, 165 -, (VII, 14) ; :! (VIII) VII - = 10,5 (. 3). -, : 4- VIII - : = 5,24 = 21,5.,, -,., -,. «-», «-» ( 2001, 222), -. ( 4- VIII ),, - VIII - : «!..» (VIII, 3) «-» VIII = 3,9 - :,. «,,.,» ( 2001, 222). -, -, : IX «-»,. - ( 4-, ), IX, - (. 1 2).
162 166., - («-1» ) «-2» (. 3), «-1»,,. ( XIV)... : XIV -, -. -,, -,, -, N. ( 1995, 616)., ( ) - XIII XIV,.. -, ( , 53, 310; 1950, ).,,,.. -,, ( ) -.,, - - (. 1 2).,, XIII, XIV ( = 2,08; XXIX!):, 4- XIII ( 5,71 0,23 XIV ): - ( ),,., -, XIII XIV
163 :,, , - (3, XIII) -, : «-1» (2, XXIX), «-» (3, V) «-2» (3, VIII). - XXI,, -,, :,...!? (3, XXI, 13 14) ( XXI ) -, -, : - ( = 6,55 = 12,27). («-4») XXXI XXXII. 4-79,. «,..,» ( 1987, 385),, (1948, 147) -, «,.». :., 9.. (1974, 75)., X - :,,, (X) 8. : 1974, : 1998, 332.
164 168. (!),. (, - XI XIV), ( XV XVI),, - (XVII XX) XXI, ( ), «,» ( 1998, 53),,., V, ( á - )., «,..,, -», - «-» ( 1983, 36, 38). -, -, - XXXIII.. ( 2004, 172),. V - - :,,,.. «- ( ) ( )» ( , 21 22) :,..,,,. - (.. ), - -
165 :,, ( - ), - ( X XIV). XIII:,?,,,. - - :,,, - (.1 2). XXIV :?,? XXV :,. ().,,, - - : : -,. ( ) - :, - : - (38- ):,, = 6,65, ( = 0,79), - :,,, :! 46- = 7,88 = 38,12, -
166 170.,, («-4»,. 3). 4. -, - ( 118 )., 41 (79-4- ) (18 3- ) 47,35., («-4») 34-, ( ), -., - ( ) -. : «55»,,,, - ( )., -, : -. -., -, ( ),,. -,, - XIII ( - ):, ;,,. XIII -,
167 :,, 171, -., - ( - ),.,, -,,,,, -., -.,, - ( ) - ( )., , «-» ( 2004, 30) : «,» ( 1961, 101)., - - -,.,., «-»,. -,,,,.., : «, -,», «-» ( 1982, 156). - ( 2001, 38),, - (. )... : «,» ( 1988, 97).
168 , (, - ). - ( - ),. («-») ( V), - - («:!») ( VIII, «-2»), («:!») - (, «-3»). - ( ) - -, - : - -, (. 1)., - ( - )! ( ).. : «-,» ( 1988, 457).,. - :, - ( ). ( - )., - ( ). :. -,.,,,. : «
169 :,, 173, -»., «-» (. 2009, 27), -,,. ( - ),.,,, -, -,,. - -, - «,.., -» ( 1970, 67), «, -,» ( 1929, 60).. - ( ), - -., -,,.,. -, - -, - - ( ). -,,. ( ),, -.,,. -, «-».,.. : «-»..
170 174., :.. // :... -, , : : ,. 1929: : // - / , : :..,..,.., : :. -., : - - // : :,,.., : : - : : ( - ). // : : :,... // Respectus Philologicus. Nr. 15 (20) , : // - XIX XX.., : : :,.., : :.., :... -., :..., : : 16. ;.. XI., : :.., :, 835 ( ) //.... XI., : :, «-»,..,. 2001: // -, 1999: /... -, , :..
171 :,, / XXIX - - / -., «-» (.. - ); - - ; = 10,40 = 46, V? «,» - ; (.. ); ; = 3,10 = 14,80
172 VIII ; :! - ; «- c -» (. ); - = 5,24 = 21, XIII XIV,?, - ; - = 2,08 ( = 3,02) XXI,,,.,!? - ; - = 6,55 ( = 12,27) (XXXIV*) :! -, 46; - = 7,88 = 38,12.
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187 !"#$%&' ( )&*"+")&& & ( *&%',-%.,' 193!"#!.3 $% &%'()*+!, -(!+. / )+*"0!%*,#% 1.*%/.#, +-% 2*3 &%2%-4% %-0%2+'% 4"0%2+!,)3 &%!6 )!%7%46 )68.9% ()!"!,!7"4):.42.4!- 4(' /)3#%5 )7.2. %-+!"4+3). ;%-(!+. /(/%2+! 4") <" 97"4, -(!+3, 92. '( %#"<(/".')3 16=+'+ +'#'. «>)!7.1"» )?769+' &7%+)0%2+! / )"'%)-!+, " 4. /4.... ;%-(!+54%)!, +''"4.4!4" *@-%'6 1.*%/.#6. A/46! "3, %4" 4"2.*3.! 4") )"'%)%<4"4+.',!... 9%!%/4%)!,@ -(!, "/!%#%4-!7"&%<+!+/4('+ (&.7./%2+!, )6-B.#!4%. «3» / %-B.#!4%., %!7+:"!, ).-3 + /'.)!. ) )%-%5 %-)!6&"@8+. 4") 2"44%)!+). ;%-(!+. +4%-(!+54% /% '4., % /+26"*,4% +, <4"1+!, %-8.1.*%/.14%, " 4. )%:+"*,4%. A4% &7.)68.)!/6.! )%-(!+3', &7%+)0%238+' / '.=*+14%)!4%' &7%- )!7"4)!/.-/7.'.4+. ;"'%%!16= *%/.#" / "#!. "/!%7.C*.#)++, / &.7.=+/"4++ /46!7.44.9% )%-(!+3, %)4%/(/".! +)!%7+@. D"4-E@# $"4)+ &%)!"7"*)3 )/.)!+.. # )696-%'6 «&7.<.4!+<'6», # )%-(!+3', %!%7/"44(' %! &7%F- *%9% %,!... # %!7+:"4+3' /-) *3-).-3. ;%-(!+., +)1.7- &(/".'%. 4")!%38+', /(3/*3.! 6 $"4)+ «4+1!%»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negatio negationis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ean-Pierre Changeux. The Physiology of Truth. Neuroscience and Human Knowledge (L Homme de vérité. Paris, 2002). Cambridge, Mass.; London, )*. 4 / &. L(! %. + '4%=.)!/.44%. (Jean-Luc Nancy, Être singulier pluriel, 1996). M+4)#, C
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191 !"#$%&' ( )&*"+")&& & ( *&%',-%.,' 197!"#$%$"&%!'()!*+,%#"". -.%/0() "1 2$"3!4*&5%0 67$"% 07!$*.5%$ 0 0",% 0!%%,"#!$05 (84($"#, -4. 9(4(0:%0 ",/.),.(4#($7 «./%,*!$5#(0-4%##(; <5/)(#""» (=%;6#">), $0(/?@%;./"/(,7 (9."#(15) " '/%5$"0#(- <( «+"1#%##(<(.(/705»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«Le concept, le temps et le discours. Introduction au système du savoir», 1956). D5./504%##(% #5!(>"('*4:$*/#(% /510"$"%, G"4(!(G!'(%!(1#5#"% 0%,5%$,( '(#>5 "!$(/"&%!'";!(67$";#7;.*$:,!(!$(?@"; $( 4" 0./(- </%!!% ' <#(!%(4(<"&%!'()* " $%3#(4(<"&%!'()*!(0%/E%#!$0* (H(#,(/-!%), $( 4" 0 (6ó+%#"" &%4(0%'5 (!4*&5B@%)!? 0 L5/!$0% I*35 M(53")5 C4(/!'(<(, 0.*#'$% N O%;?/5,% P5/,%#5 " $...). D( " 6%1 (6/5@%#"? ' "!$(/"" G"4(!(G"? 0 07!E%;!$%.%#" "!$(/" (&$(.(,&%/'"054 K5;-,%<<%/ 0 6/(EB/% «Was ist das die Philosophie?»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«)*,/(!$:» ('(#G*>"5#!'(% *&%#"% (!.5!%#"" 0!(>"54:#( /%4%05#$#().(0%,%#"", 6*,,"!$!'(% ($/%&%#"% ($ "44B1(/#(!$" 67$"?), "!$(/"&#(!$: ("*,%(-5#$"&#(-3/"!$"5#!'(%?04%#"%)!('/5@%#5 " ")"$5$"0#5. 4 ="$%/5$*/#(%!(67$"%, 0/51/%1! G"4(!(G!'"), #5&"#5$%4:#(. R#( /51- )7'5%$ "#(67$"%, 0.*!'5%$ #5! 0 #%<(, 5 #%.(,7$(+"05%$ 67$"%. O%-.%/:.(#?$#(,.(&%)* ")%##( G"4(!(G"? " 4"$%/5$*/5 )5/'"/*B$ </5#"-
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«=#'.!.», + $&0&5&1 D&"(0/5 4&"/1!2!5&+#" * «E/&.!%//7» F/7,'!%#,!"! «=5#0$#> 4&+/*0( &, #'0!A5!*0/», + $&0&5&7 D". G&"&+(/+ &*4#5!+#" <6/'!/ F(+# E&"*0&)&). H&.0&6/''8/ ;!"&*&;*$!/ <0+/5-./'!> *&)"#*<- 90*> * "!0/5#0<5'&*0(9. D *+&/7,&5(,/ * 1/0#;!2!$&7, 45&)5/**!21&1, $#50/2!#'*$!1 cogito! 45&6!1!.&)1#1! /+5&4/7*$&)& <1&25/'!> I#7./))/5 (+4&"'/ 2#$&- '&1/5'& + *+/0/ 0&"($& 60& *$#2#''&)&)!*4&.+&"( 4&.6!'!" ;!"&*&;- *$&/ 183"/'!/ C*0/0!6/*$&1< ('/*45&*0# **8"#>*( 0&!./"& '#!*0!'< 4&C2!!! -!+&4!*!). J!"&*&;!>."> I#7./))/5# /*0( «+/6'&/ +&2+5#:/- '!/» $ '#6#"<, $&0&5&/, &.'#$&, '/ *!')<">5'&, $#$ + "!0/5#0<5/, #,/2- "!6'&! <'!+/5*#"('&: «Der Anfang ist das Seyn selbst als Ereignis» [4&.6/5$'<- 0& + &5!)!'#"/].9 K*0/0!2!5<> ;!"&*&;!9, I#7./))/5 *#"(0&&,5#2'& &'- 0&"&)!2!5&+#" *&,80!7'&*0(, 45!*<:<9 A<.&-/*0+/''81 0/$*0#1, <$&- 5/'!" //, '/.&&,&*'&+#''<9, + +8*3/7 *0/4/'! '/28,"/1&7 4&6+/,8-0!>.10 D &0+/0 '# «L0& 0#$&/ ;!"&*&;!>?» I#7./))/5# M!"( N/"O2! J/- "!$* P+#00#5! &0'>"! < ;!"&*&;!! <0+/5-.#+3!7*>!A 45/.3/*0+/''!- $&1 C**/'%!#"!21. G&,80!/1 + ;!"&*&;*$&1.!*$<5*/ +8*0<4#/0, 4&!A 1'/'!9, 4&'>0!/, '/ *0&"($& 5#*$58+#9:// *<:'&*0( +/:/7, *$&"($& +0>)!+#/1&/ + $&1,!'!5&+#'!/ *.5<)!1! -/ (+ 0&1 6!*"/ "!0/5#0<5#) &4/5!5</0 #;;/$0#1!, +8*05#!+#/0 $&14&2!%!! 9 Martin Heidegger. Gesamtausgabe. Bd. 65. Beiträge zur Philosophie (Vom Ereignis) ( ) / Hg. F.-W. von Herrmann. Frankfurt am Main, S. 58; *5. /:/: Martin Heidegger. Gesamtausgabe. Bd. 70. Über den Anfang (1941) / Hg. P.-L. Coriando. Frankfurt am Main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rthur!. Danto. The Philosophical Disenfranchisement of Art. New York, 1986.
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196 202!. "#$%&'(!"##$ %# $&'()& *+,+)$#, &$-#'(%&.& /,&!01#0$2!3, %&! &4'+-+#$ 5%!- 2#,0+'(%6" 7%+8#%!#". 92&-%+3 $+4'!:+!0/&'(7&2+%%6* /&%3$!; I. versus 9&46$!# 2 46$!! (= 46$) /#,#*&- 5'!:6: <! Y 9&46$!#!%&46$!3 +2$&"&4!'( 04!2+#$ /#1#*&-+: non-x " non-y II. 9&46$!#!%&46$!3 )&%$,+/&7!$!2%+3 %#462+'&0$( versus =!&>!7!8#0)+3 )+$+0$,&>+ +)$5+'!7+:!3 %#.+$!2%&; 2&7"&?%&0$! &-%&;!7 +'($#,%+$!2%6*: X! (Y vs. non-y) 0&46$!# #0'! non-x " non-y, $&! non-x, non-y (non 2 -X! non 2 -Y) versus 9&46$!3-!"/'!)+$6 #0'! non-x " non-y, $&! non-x, non-y (x 1, x 2 x i! y 1, y 2 y i ) IV. A4B#7%+8!"&# 0&46$!#!%&46$!3 >!'&0&>!3: #0'! X! Y, $&! x,y (non-x " non-y) versus C+0$%&7%+8!"&# 0&46$!#!%&46$!3 '!$#,+$5,+: #0'! X! Y, $& " x,y (non-x " non-y)
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210 216!. "#$%&'()&*! "#$% #$&'( )*+,(-,.+,#/01,/- 2$34#(%,$2#1 5(0$2$52'$6$ #+'2#/ 7+%2#8(#+01,$ 2.+9+,/ ' :$0;2< /7*+2/#/,,$,+ 28$7(./ ' :*$+'#(*$- 8/,(; 6$#$8$6$ *+)<01#/#/.420( 8 +6$ 2$),/,((, ' «84'0/7'+» (0( «*/)8+*#'+»40,+'$#$*$6$ #+)(2/, / '$,2#(#<(*<+#2-30/6$7/*- +6$ 6+*-.+,+8#(&+2'$% /'#(8,$2#( ( /'#</01,$ :+*+=(8/+#2- '/' $:4#. >?+0$2#,$2#1, ( 5*/6.+,#/*,$2#1 5(0$2$52'$% 7(2'<*2(( :*$#(8$- :$2#/80-;# $,( 7/=+ */)0(&,4 :$ 28$+% 7(2'<*2(8,$% :*(*$7+: 7+0$ 8 #$., &#$ :+*84% :*$- ()*/2#/+# 8 3$01A+% 2#+:+,( () 7+'0/*/#(8/, 8#$*$% () (#+*/#(8/. B20( (,#+,?(-,/<&,$-#+$*+#(&+2'$6$ #+'2#/ )/'0;&/+#2-8 :$,(./;- 9+. «2C8/#48/,((»,+'$#$*$% )/'$,$.+*,$2#( (/ (#+*/#(8, 2$60/2,$ D. D+,+##<, *+:*+)+,#(*<+#,+ :*$2#$ :$8#$*-;9(+2-2$34#(-, :*$-?+224 (0( 2$2#$-,(-,,$ 7+0/+# "#$ 2 :$.$91; «<2(0(- /32#*/'?(( ( 2(,#+)/»41), #$ 7+'0/*/#(8, 8$-:+*84C, 2$7+*=(# *'$ 84*/=+,-,<; $?+,'<, / 8$-8#$*4C,,+2+# 2 2$3$% 7+%2#8+,,$-:*/'#(&+2'$+,/&/- 0$, 2'*4#<; :+*5$*./#(8,$2#142 ( 7/=+ (.:+*/#(8,$2#1, '$67/ #+ (0( (,4+ 28$%2#8/ $3E+'#/.420( 2'$*++ :*(:(248/;#2- (( #+. 2/.4. '/' 34 :*+7:(248/;#2-) +.<,,+=+0( ()80+'/;#2- (),/30;7+,(% )/,(.. > 7+%2#8(#+01,$, 5(0$2$52'(% 7(2'<*2,+*+7'$ 20<=(#?+0-. "#(&+2'$% (0( "2#+#(&+2'$% $?+,'(, / #/'=+ $3+2:+&(8/+# '$,?+:#</01,<; 2#$*$-,< #/'(C «:*/'#('»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«./#+./»), (2'<22#8$ («:$"-./»), :$0(#('/ ( 0;3$81. F#$# :+*+&+,1 2(.:#$./#(&+, 8 28+#+ #$6$, &#$.4 2'/)/0( $ :*+$30/7/,(( 8 5(0$2$5(( $:4#/,/7 :$),/,(+.: <20$8(% «:*/'#(&+2'(C» ((2'<22#- 8$, :$0(#('/ ( 0;3$81 "#$, '$,+&,$, :*/'#('() < J/71; 3$01A+ 7/=+ :$ '$0(&+2#- 8<.
211 !"#$%#" &'()*'+$,"!"#$%&'%()$* +%$,'-($.'. -".$)*'(/ 0*12.(/, 3(4*0*305*6 "7.'*8*4*)(( )).: :"9.(7 ( ;"6#$))$' < =*$6 0.".+$ / 9*.$4" 12 *0."7*,(.+,7(="7($ 7" #,>9 =204(.$4/9,?+$.,*'?$0.,* 124* 7"(1*4$$ 8*5"@".$4+72= #4/ #(05>'0" * 0*12.(( ;;,$5",**1A$ ( )).,?"0.7*0.(. B$?+ 8*6#$. * C(9"(4$ :"9.(7$, 5*.*'26 8*0.",(4 5".$)*'(D 0*12.(/, E$7.' 0,*$6 F.(5*- F0.$.(?$05*6 0(0.$=2,1 0*,=$A"DA$6 *7.*4*)(D ( "7.'*8*4*)(D, ( * C"'.(7$ ;"6#$))$'$, 5*.*'26, 0$'$#(7$ )). 8'$#4*%(4 3(4*0*- 3(D «0*12.(/»:2 8'$%#$,0$)*,, 0,*(9 «G'(,7$0$7(/9, 3(4*0*3(D», (=$DA(9 8*#@")*4*,*5 «H 0*12.((» (Beiträge zur Philosophie. Vom Ereignis; ), "."5%$, '"1*.$ «H 7"?"4$» (Über den Anfang; 1941). -".$)*'(( 0*12.(/ > ;"6#$))$'" 8*0,/A$7" #*0.".*?7* *1I('7"/ (0.*'(5*-3(4*0*305"/ 4(.$'".>'" 7" 7$=$E5*= ( "7)4(605*= /@25"9. «Ereignis».*45*,"4( 5"5,(@>"4+7*$ 8*.'/0$7($ (Ullrich 1996), 7$)".(,- 7>D.$*4*)(D (Hermann 1994; Ullrich 1996), )$7$.(?$05*$ =2I4$7($ (Hermann 1994; Coriando 1998) (.. #. <0$ F.( (7.$'8'$."E(( ( 0*8*0.",- 4$7(/,$'72 8* 1*4+I$6?"0.( *7( 0*#$'%".0/ >%$ > 0"=*)* ;"6#$)- )$'", 7* (004$#*,".$4(, 82."DA($0/,*08'*(@,$0.( ( «8$'$,$0.(» 7" /@25 (0.*'(( 9"6#$))$'*,05($ 08$5>4/E(( * 0*12.((, >8>05"D. (@,(#> #*,*4+7* 0>A$0.,$7726 =*=$7.: (0.*'(?$0-5(6 5*7.$50.,, 5*.*'*= 3*'=('*,"4"0+ =204+ ",.*'". G*9*%"/ 0(.>"- E(/, 5"5 8'$#0.",4/$.0/, 054"#2,"$.0/ (, (004$#*,"7(/9 * :"9.(7$: 9*-./ $)*.,*'?$0.,*, E$4*=?"0.* "7"4(@('>$.0/, 0'",7(.$4+7*6 8$'- 1 H 3>75E(( 0*12.(/ > :"9.(7" 0=.: J(.E*," K$7.'"4+7"/ '*4+ 0*12.(/, 5*7E$8E(( ;"6#$))$'" 8'*/,4/4"0+,.*=,?.* 5".$)*'(/ 0*1*6,0$ >'*,7( 3(4*0*30.,*,"7(/: «:2.($ 12.>$. 5"5 0*12.($» (Das Seyn west als das Ereignis; Heidegger 1989, 30); «G'$12,"7($ (=$$. 0,*(= (0.*?- 7(5*= 0*12.($ ( $)* *1'"A$7($» (Das Dasein hat den Ursprung im Ereignis und dessen Kehre; 1989, 31); «< 12.*,"7(( (0.(72 :2.(/ )/) 0*12.(/ (, 0*12.((."(.0/ 8*04$#- 7(6 :*)» (In der Wesung der Wahrheit des Seyns, im Ereignis und als Ereignis, verbirgt sich der letzte Gott; 1989, 24). L#$0+ ( #"4$$, $04( 7$ >5"@"7* *0*1*, 8$'$,*# =*6, 0. 1.
212 218!. "#$%&#'()*!"#$%&'#, #() $)*+#"+&,!)-.%&, -./0 *#1)!%0%)2*) &342#*0! $)5"060- %&'&!%!$)7 %)2$& 36#*&,.3 8), !)!%)&% 31#!9 *# %)/9$) ' %)5, 2%)-. 30")/*&%9 *03'0**4: /0$4*4, *) & ' %)5, 2%)-. 60!!5)%6#%9 $0%#- ()6&:!)-.%&, ' $)*%#$!%# «0*%6)")/)(&2#!$)() ")')6)%0» 1920-; ((., ")'/&,'<#() $0$ *0 =0;%&*0, %0$ & *0 >071#((#60.?. *. «0*%6)")/)(&2#!$&7 ")')6)%»!#6#1&* ; ((. -./ '.3'0* "#6#)+#*$)7!05)() A&/)!)A&&: $6&3&! 5#%0A&3&$& -./ $)5"#*!&6)'0* ")!%0*)'$)7 0*%6)")/)(&2#!$&; ')"6)!)'. B%60%&', $0$ $030/)!9, 5#%0A&3&2*)!%9, A&/)!)A&,!)!6#1)%)2&/0!9 *0 ")!:!%)6)*- *#5 *0 2#/)'#$#. C*%#6#! $ conditio humana!)"6)')@10/!, ')36)@- 1#* (#(#/9,*!%'0: '.;)1)5 &3 $6&3&!0 5#%0A&3&$&!%0*)'&%!, *# %)/9$) 0*%6)")/)(&30+&,, *) & &!%)6&30+&, A&/)!)A!$)() 5.</#*&,. D)!$)/9$4 (#(#5)*&, 0*%6)")/)(&350 )$030/0!9 *#6036.'*)!',30*0! &!%)6&30+, ' )-E#$%&' A&/)!)A!$)-0*%6)")/)(&2#!$)() 1&!$46!0 ")"010#% ")*,%&#!)-.%&,. F A&/)!)A!$)7 0*%6)")/)(&& $)*%&*#*%0/9*)7 G'6)" ; 1930-; ((. $0%#()6&,!)-.%&, "6&)-6#%0#% *# "6)!%) )!)-4: 3*02&- 5)!%9, *) &!05.# 603*.# 3*02#*&,. H)-.%&# "6#1!%0#% & $0$ '!%6#20 2#/)'#$0! =)()5 (Begegnung) ' 6#/&(&)3*)7 A&/)!)A&& =4-#60, & $0$ «!)-.%&# -.%&,» ' A&/)!)A!$)7 0*%6)")/)(&& (I!%#%&$#) =0;%&*0, & $0$ «das Wesen des Seyns»4 ' )*%)/)(&& >071#((#60, & $0$ "4%#<#!%'&# *0 $607 ')35)@*)() ' A&/)!)A&& =0%0,. F0@*)!%9 $0%#()6&&!)-.%&, 1/, A&/)!)A!$)() 1&!$46!0 I%)() "#6&)10!',30*0! %,()%#* /:1# ; ((. $ I$!%6#50/9*)!%& $ "#6#!#2#*&: (60*&+ ' 26#3'.207*)7!&%40+&&. J0!%) ")1)-*0, «I$!%6#50/9*0, %60*!(6#!!&,» 3*05#*)'0/0!)-)7 "6#-.'0*&# 2#/)'#$0 *0 (60*&+# &!5#6%9:, $0$ I%) 1#5)*!%6&64:%!:@#%. /&%#60%46*.; %#$!%)' 4 0'0*(061&!%)' «'%)6)() "6&3.'0». K&/)!)A!$&# & /&%#60%46*.# %#$!%. I%)7 I");&!*&50/& 603*&+4 5#@14 I$!%6#50/9*.5 & ")'!#1*#'*.5, $)*!%64&64, %0$4: A)654!4L#!%')'0*&,, ' $)%)6)7 2#/)'#$ 5)( -. #@#5&*4%*) 1#- /0%9 )L4%&5.5!)-!%'#**)# M64()#. N!)-.%&& 6#29 </0 10@# %05, (1# )*) *# &5#*)'0/)!9 %0$)'.5: 806%&* =4-#6 "&<#% ) '!%6#2# 2#/)'#$0! =)()5, "60$%&2#!$& *# 4")%6#-/,,!/)'0 «Ereignis», *),'*) ")160345#- '0, #(); >071#((#6 "6&10#% ")'!#1*#'*)!%& I$!%6#50/9*.7!%0%4! 4@# '!')#7 $*&(# «=.%&# & '6#5,» (1927), *) %05 *# '!"/.'0#% %#65&* «Ereignis»!)-!%'#**) A&/)!)A&:!)-.%&, )* *02*#% %.'0%9 %)/9- $) '!#6#1&*# 1930-; ((. 3 D)1!%4". $ I%)7 "6)-/#5# *05#2#*. ' $*&(# «Memento nasci: H))-L#!%') & (#*#60%&'*.7 )".%» (O&%+)'0 2004), (1# 60!!50%6&'0:%!,, ' 20!%*)!%&, ")*,%&,!)-.%&, 4 P4!!#6/,, >071#((#60, =0;%&*0 & Q#'&*0!0. 4?) #!%9 «-.%&#!4L*)!%*)»,!4L#!%'4#%-'-!4L#!%'#**)!%&. H6.: «Das Seyn west; das Seiende ist. / Das Seyn west als das Ereignis» (Heidegger 1989, 260).
213 !"#$%&'() *&+,#() y -".#(/" ( 0"12$%%$'" 219!"#$ % &'()"*%) «+),%-"-./*$0»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«ereignen» (+,-$"6-8$*3) %-"6-8$* D*$2-#-7$()"&$ & «eräugen» (;%$8)*3) *'&$2 -.,'=-2, % ";."*'1*$% «Ereignis» ='&#'8/%')*"0 &-11-*'9$0 %$=;- '# *,0")1$0.6 F- 21)1$> A'1"'-@-.),*' G;""', -**)1-& «1)- +,)8%$8)11-7-» "-8),?$*"0 $ %- 5,'19;="&-2 "#-%) événement (Jauss 1973, ). H*- &'"')*"0,;""&-7- "#-%' «"-./*$)», *- % 1)2 -*";*- "*%;>* %$=;'#31/) &-11-*'9$$, 1- "-8),?$*"0 2-*$% +,$"-)8$1)1$0 & I,;7-2; "--./*$0. B D*-2 '"+)&*),;""&-) +-10*$) %")?) "-+,$&'- "')*"0 " 1)2)9&$2: "#-%- Er-eignis, D*$2-#-7$> &-*-,-7- %"&,/%')* A'<8)77),, -"1-%'1-, +-2$2- %")7- +,-()7-, 1' 7#'7-#) «eignen», -.-- =1'('>C)2 +,-9)"" "--*%)*"*%$0 I,;7-2;: «7-8$*3"0», «+,$1'8#)-?'*3», «./*3 +,$";C$2». J'& ")2'1*$()"&$< -**)1-& "--./*-%'1$0, "--+,$1'8#)?1-"*$ ()2;- *- (E/*$>) $#$ &-2;-*- (E-7;, I,;7-2;) -&'=/%')*"0 -.C$2 %,;""&$6 $ 1)2)9&$6,'"";?8)1$06 - "-./*$$. B,'.-*) «K 5$#-"-5$$ +-"*;+- &'» E'6*$1-9)1$%'# D"*)*$()"&-) *%-,()"*%- +- "*)+)1$ )7- "--+,$1'8- #)?1-"*$,'=1/2 2$,'2 +- "+-"-.1-"*$ *%-,9' &;,"$,-%'*3 2)?8; «2$,-2 &;#3*;,/» $ «2$,-2?$=1$». «L-./*$)./*$0» -=1'('#- % D*-2 &-1*)&"*) «*%-,0C$< 1-%-) '&*-+-"*;+-&» «%?$%'1$)» % I,;7-7- (E'6*$1 2003, 19).!C) -81' 5-,2' «+,$('"*1-"*$» '1'#$=$,;)*"0 E'6- *$1/2 % 8-&#'8) «F,-.#)2' -.-"1-%' &-0», 78),)(3 $8)* - "--./*$$,)#$7$-=1-7- +,$-.C)1$0 I,;7-2;: M-,2', % &-*-,-<?$%)*,)#$7$-=1-) "-=1'1$), )"*3 "-./*$); D*- +),%/< :'7 ;"*'1-%&$,)#$7$-=1-7- "-=1'1$0. N- 8%-<"*%)11-"*3 +-10*$0 «"-./- *$)» %/0"10)*"0 $= ",'%1)1$0 "-./*$0, 1'+,$2),, $"*-,$()"&-7-, " "-./*$- )2 #$(1/2 $ $1*$21/2; % "-./*$$ $1*$21-2 7#'%1/2 0%#0)*"0 +,$('"*- 1-"* O %-*,)#$7$-=1-) "-./*$) 0%1- +,$1'8#)?$* D*-< &'*)7-,$$ +,$('"*1-"*$. G 1'6-?;"3 %./*$$, &'& % "-./*$$; 0 +,$('"*)1 % )8$1"*%)1-1-< *-(&) "%),:)1$0. (E'6*$1 2003, 328) 5 F-8,-.1)) - «*)-#-7$$» "-./*$0 $ )) +','8-&"'#31-2 6','&*),) "2.: Solla 2003, P1'#$= +-10*$0 «Eräugnis» "2. %: Ullrich 1996, 91.
214 220!. "#$%&#'()*!"#$%&'( )*+"&,--*#$.+-/ - ("&%-0-#12#0#) 3-(%#0( $.%( 4#*+()%&2( 4"(5+-,&*5- #32#)"&'&22# * 6(7+-2.'7 8("+-2#' 69$&"#' - :"(2;&' <#1&2;)&=0#', ( 4#132&& "(1)-+( ) >-%#*#>--?''(29@%/ A&)-2(*(, 5#- +#".= +(5B& 9*'(+"-)(% )#1'#B2#*+C *#$.+-/ ) #+2#D&2-- 5 E"90#- '9.8 F*%&3 1( 69$&"#' - <#1&2;)&=0#' - *7#32# * 6(7+-2.' G(=- 3&00&" *)/1.)(&+ *#$.+-& * 5(+&0#"-&= )*+"&,- - 5(+&0#"-&= E"90#0#. F «!"-)2&*&2-/7 ) >-%#*#>-H» G(=3&00&" 4-D&+,,+# *#$.+-& '#B&+ *#- *+#/+C*/ +#%C5#,&"&1 #+2#D&2-& 5 E"90#'9 «durch den Bezug zum Anderen» (Heidegger 1989, 254).9 I*#$#& 12(,&2-& 4"#$%&'( «4"-#$J&2-/» - «4"-,(*+2#*+-» 4"-#- $"&+(&+ ) D&*+#=,(* «I *#$.+--», 2(1)(22#= «!#*%&32-= 6#0» (Der letzte Gott).?+(,(*+C 2(4#'-2(%( $. I+5"#)&2-& K#(22( 6#0#*%#- )( # *5#2,(2-- )"&'&2 - F+#"#' 4"-D&*+)--, &*%- $. 2& $.%( 2(;&%&2( 2( *#13(2-& 2#)#= "&%-0--, (%C+&"2(+-)2#= 7"-*+-(2*+)9. G(=3&00&" *%#)2# *#)'&J(&+ 13&*C 7"-*+-(2*5#& I+5"#)&2-& * *HB&+#' «0-$&%- $#0#)». «L#$.+-&» +�#2-,&*5#= >-%#*#>-- G(=3&00&"( *#- *+#-+ ) +#',,+# $.)D-& $#0- $& *)#-7 )%(3&2-=, 4#+#'9,+# 2#- ).= 4#*%&32-= 6#010 3#%B&2 4"#")(+C*/ ) 6.+-&11 (4"-,&' Sein G(=3&00&" 4-D&+ ) ("7(-1-"9HJ&= '(2&"&,&"&1-4*-%#2: Seyn). L#$.+-=2(/ >-%#*#>-/ G(=3&00&"( -2+&"+&5*+9(%C2# *##+2#*-+*/ * 52-0#= 2&'&;5#-&)"&=*5#0# '.*%-+&%/ :"(2;( <#1&2;)&=0( «M)&13( *4(*&2-/» (Der Stern der Erlösung; 1921).12 F *)#&' 0%()2#' >-%#*#>- *5#' 4"#-1)&3&2-- <#1&2;)&=0 #4"&3&%/&+ $#B&*+)&22#& #+5"#)&2-& 7 F +&5*+& «N '&+#3#%#0-- 09'(2-+("2.7 2(95» 6(7+-2 ).5(1.)(&+ 12(5#'*+)# * +&#"-- &= 3-(%#0( 69$&"(, #$2("9B-)(/ *#$.+-=2#*+C ) 3-(%#0& - )*+"&,&: «L#$.+-=2#*+C 3-(%#0-,&*5#0# 4#12(2-/. F*+"&,(» (6( , 384). L". +(' B&: «L#$.+-& ) '-"& - 4"-,(*+2#*+C 5 2&'9. 8-" 5(5 *#$.+-& (( 2& 5(5 $.+-& ) &0# 0#+#)#*+-)». 8 L'., 5 4"-'&"9, +(5-& "($#+. A&)-2(*( 5(5 «O#+(%C2#*+C - $&*5#2&,2#&» (A&)-2(* 2000 [1961], 183) - «F"&'/ - E"90#=» (A&)-2(* 1998 [1947], 77). 9 «das Seyn braucht das Da-sein, west gar nicht ohne diese Ereignung. So befremdlich ist das Er-eignis, dass es durch den Bezug zum Anderen erst er-gänzt zu werden scheint». 10 F&"#/+2#, 4"- "(1"($#+5& 4"#$%&'. «4#*%&32&0# 6#0(» G(=3&00&" #"-&2+-"#)(%*/ 2( PQ%C3&"%-2( (#$ #+2#D&2-/7 +&5*+#) G(=3&00&"( - PQ%C3&"%-2( *'.: Trawny 2004). I 4"#$%&'& «4#*%&32&0# 6#0(» ) 4#@1-- PQ%C3&"%-2( - ) *#,-2&2-/7 2&'&;5-7 "#'(2- +-5#) *'.: Frank 1982, 263 ff. 11 «Das Ereignis ist so die höchste Herrschaft als Widerkehre über Zukehr und Flucht der gewesenen Götter. Der äußerste Gott bedarf des Seyns» (Heidegger 1989, 408).!"-D&*+- )-& 4#*%&32&0# 6#0( 4#30#+#)%&2# "&)#%H;-#22#= *-+9(;-&= ) $ *'&J&2-&', $&0*+)#' $.)D-7 $#0#) (der Flucht der gewesenen Götter; Heidegger 1989, 409). R-*7#B3&2-& 4#*%&32&0# 6#0( *#4"#)#B3(H+ (4#5(%-4+-,&*5-& +#2( (1989, 410). 12!# *)-3&+&%C*+)9 6&"2("3( N(*4&"(, G(=3&00&" #+"-;(% 12(5#'*+)# * "($#+('- <#- 1&2;)&=0( (Casper 2002, VI).?+# 5(B&+*/ 93-)-+&%C2.', 9,-+.)(/ +#+ >(5+,,+# <#1&2;)&=0 "($#+(% 2(3 «M)&13#= *4(*&2-/» )# :"(=$9"0& ) : #$( >-%#*#- >(, - <#1&2;)&=0, - G(=3&00&", )&"29%-*C 0#"#3 4#*%&!&")#= '-"#)#= )#=2..!"#$%&'& *#4#*+()%&2-/ >-%#*#>-- G(=3&00&"( - <#1&2;)&=0( 4#*)/J&2. *%&39H- J-& 2(9,2.& +"93.: Löwith 1984, ; Casper 2001,
215 !"#$%&'() *&+,#() y -".#(/" ( 0"12$%%$'" 221!"! «#$%&'()*$+ #$%&'(+» (ereignetes Ereignis).,$-$%*$+.+/(0($1*$+ #$%&'(+, 2$ 3$1+*45+)06, $*'$/$0(7*$ $*$ +#'8 $'!.$5+*(+ %&'(9, 2.+'+.2+5":;+0$ $#$%&), «#6-8%$*$#*&)» 2$5$.$': <5$%$-" -+9*(9 $'!.&/"#8 5$ 5/"#'( '5$.4"!"! #6;+#'5+**$+,!"7+#'5+**$+ %&'(+; '+2+.8 #591"**$+ # #6-8%$) %&'(+ -$/=*$ $'!.&'8#9 5 #$$'5+'#'56:- ;+> 2$5$.$'+!"! 2.$(#?$-9;++ (1 >$>+*'",!"! #$%&'()*$+ #$%&'(+.13 <$2.9=+*(+ #$%&'(9, %&'(9, 2$5$.$'" ( $'!.$5+*(9, $#6;+#'5/9+>$+ 3$1+*45+)0$>,?"."!'+.*&), *+$-*$!."'*$ 5!*(0+ «A #$%&'((». A'!.$5+*(+ %&'(9 3$- 1+*45+)0 $2.+-+/9+'!"! #$%&'(+, 2.$(#?$-9;++ 3$425 B$0$> ( 7+/$- 5+!$>: «ein lebendiges Ereignis zwischen Gott und Mensch» (Rosenzweig 2002, 186). C$ +#/( 3$1+*45+)0 D(/$#$D#'56+' 5 (6-+$-?.(#'("*#!$) '."-(4((, 2.+-/"0"+' *$56:.+/(0(: ( 2$-0$'"5/(5"+' ++ 2$95/+*(+ 5 #5$+> D(/$#$D#!$> -(#!6.#+, 2.+5.";"9 0$5$.+*(+ $ #$- %&'(( >+=-6 B$0$> ( 7+/$5+!$> 5 /('"*(:,!"! %& «1"0$5".(5"9» ;++ B$0$95/+*(+.14 E+*'."/8*$+ >+#'$ 5 D(/$#$D#!$) "*'.$2$/$0(( B6%+." ( 3$1+*- 45+)0" 1"*(>"+'!"'+0$.(9 «2.$>+=6'!"» (Zwischen),15 5$1*(!":;+0$ >+=-6 F ( G.60(>, F ( B$0$>. 3$1+*45+)0 -+/"+' 2$*9'(+ «2.$>+=6'-!"» $*'$/$0(7*&>, 0$5$.9 $ «2.$>+=6'$7*&? 2.$#'."*#'5"? 2.+%&5"- *(9» (Zwischenräume des Daseins), ( #591&5"+' +0$ # 2.$%/+>$) #$%&'(9 5."##6=-+*(9? $% (#'$.((: «<$%&'(9 62."5/9:' 1-+#8 5.+>+*+>, -+)- #'569 1"$-*$. A-*"!$ #$%&'(+ #6;+#'56+' '$/8!$ 5*6'.( H2$?(, #$%&- '(+ #'$(' >+=-6 G$ (,$#/+.,$-$%*&) 2.$>+=6'$! 5$1>$=+* '$/8!$ 5 2.$I/$>. J#/( *"#'$9;++ '$=+?$7+' #'"'8 0$#2$-(*$> 5.+>+*(, $*$ -$/=*$ 2.+5."'('8#9 5 #'$/8 =+ "!'(5*$ 2$/816+'#9 2$*9'(+> «2.$>+=6'!"», 62$'.+%/99 +0$ 5.+/(0($1*$> ( (#'$.(7+#!$>!$*'+!#'"?. K"!, «2.$- >+=6'$!» %&'()*$ 2.(#6'#'56+' 5 $'*$I+*(9? B$0$5 ( %&'6:;(?,17 " '"!=+ 5 $'*$I+*(9? B$0" ( 7+/$5+!".18 «,.$>+=6'$!» 13 «Als wesenhaftes, eigenschaftliches Sein war die Tatfreiheit in der Schöpfermacht offenbar geworden; jetzt muss das schicksalgebundene Sein in entsprechender Umkehr sich offenbaren als augenblicksentsprungenes Geschehen, als ereignetes Ereignis» (Rosenzweig 2002, 178). 14 <.. #/+-6:;() *+2+.+5$-(>&) *".6##!() 91&! D."0>+*': «Das Er-eignis übereignet den Gott an den Menschen, indem es diesen dem Gott zueignet» (Heidegger 1989, 280). 15 <.. «?("'6#» «1(9*(+» 5 D(/$#$D#!$) "*'.$2$/$0(( L.*$/8-" M+/+*". 16 «Die Ereignisse regieren hier die Zeit, indem sie ihre Kerben in sie schlagen. Ereignis aber ist nur innerhalb der Epoche, Ereignis steht zwischen Vor und Nach. Und stehendes Zwischen gibt es nur in der Vergangenheit. Sollte auch die Gegenwart also zur Freiherrin der Zeit erhoben werden, so müsste auch sie ein Zwischen sein» (Rosenzweig 2002, 375). 17 «Das Seyn ist das Zwischen inmitten des Seienden und der Götter» (Heidegger 1989, 244). 18 «Das Seyn west als das Zwischen für den Gott und den Menschen» (Heidegger 1989, 476).
216 222!. "#$%&#'()*!"#$%&'() *+,&-. /(%!0!$1&-. 2-&34!.: $& #/!$56+() #/(57*+&!( 3 8$0-;!9(&&$ * «#/$9(,-)3(» :(%+()"' '*&79 "$-57)!( 8$0+! ;(%$- *(3+.19 <:&+3$ =+>:(00(/ #(/($"97"%'() 2!%$"$2!. :!+%$0+ 8-5(/+!?$- 1(&4*(>0+, )/+&"2$/9!/-' #$&')!( «*")/(;!» ("@$,:(&!', Begegnung)20 ;(%$*(3+ " 8$0$9 * «/+"@$,:(&!(» (Entgegnung).21 «?+"@$,:(&!(», #/$- )!*$")$'&!( ;(%$*(3+! 8$0+!9(() - =+>:(00(/+ 3$&")!)-)!*&7> :%' *"(> (0$ 3&!0! "97"% * «#/$9(,-)3(» #/$)!*$")$'&!' /$,:+()"' «:/-0$( &+;+%$». A/$)!*$")$'&!( 8$0-1&+9(&-() :%' ;(%$*(3+ (0$ «*7-5/$B(&&$")C»!1 #/$B%$0$! &+;+%$ &$*$>!")$/!!.22 D$57)!( 3+3 &+;+%$ <:&+!1 $5E(:!&'.6!@ =+>:(00(/+! 8+@)!- &+, "$")$!) * )$9, ;)$ $5+ $&! ")+/+.)"' #/!:+)C "$57)!. «&+;!&+)(%C- F 1+9()3+@ «< "$57)!!» =+>:(00(/ )/+&"2$/9!/-() "*$. $&)$%$0!. G#$@! «87)!'! */(9(&!», **$:' 3+)(0$/!. «Ereignis», 1&+9(&-.6-. «:/-0$( &+;+%$»,! )(9 " :)$ #/(:% %C)(/&+)!*- «57)!.-3-"9(/)!». H 8+@)!&+ «"$57)!( 57)!'» 9$,() "$- ")$')C"' )$%C3$ 3+3 #/$)!*$")$'&!( 2!&+%C&$")! * )$9 "%-;+(, 3$0:+ #/$!"@$:'6(( %!B(&$ 3+;(")*+ 1+*(/B(&&$")!. F$#/$" * )$9, &+"3$%C- 3$ #$"%(:$*+)(%C&$ 57% /(+%!1$*+& «"$57- )!'» * 3$&4(#4!'@ 8+@)!&+! =+>:(00(/+? D$0%+"&$ =+>:(00(/-,!")$/!' «#(/*$0$ &+;+%+» 1+#+:&$(*/$#(>- "3$> 9()+2!1!3! 1+3$&;!%+"C,! 1+ (( 3$&4$9 :$%,&$ #$"%(:$*+)C &+;+- %$ &$*$0$ 97B%(&!', $"&$*&$> *$#/$" 3$)$/$0$: * ;(9 "$")$!)!")!&+ 87)!'? <) *$#/$"+ $ 57)!!, "2$/9-%!/$*+&&$0$ * /+93+@ 2-&:+9(&- )+%C&$> $&)$%$0!!, =+>:(00(/ #(/(@$:!) 3 #$")+&$*3( *$#/$"+ $ 87)!! * ). &. «!")$/!3$-57)!>&$> 2!%$"$2!!». F 4(&)/( G)$> &$*$> 2!%$"$- 19 «Das Land, das durch den Weg und als Weg des Er-denkens des Seyns wird, ist das Zwischen, das er-eignet das Da-sein dem Gott, in welcher Er-eignung erst der Mensch und der Gott sich erkennbar werden, zugehörig in der Wächterschaft und Notschaft des Seyns» (Heidegger 1989, 86 87). 20 =+>:(00(/ "$*9(6+() * "*$(> 3&!0( «< "$57)!!» )(/9!&$%$0!! 8-5(/+!?$- 1(&4*(>0+: $) 8-5(/+ $& 5(/() #$&')!( «*")/(;!», + $)?$1(&4*(>0+ #$&')!( «"$57- )!'». =+/+3)(/&$, ;)$ 8-5(/ * "*$(9 )(3")( «Ich und Du» -#$)/(5!% "%$*$ «"$57)!(» %!BC $:&+,:7, )$0:+ 3+3?$1(&4*(>0, * "*$. $;(/(:C, -#$)/(5%'() "%$*$ «Begegnung» *"(0$ 6 /+1 * &(1&+;!)(%C&7@ 3$&)(3")+@. 21 «Die Geschichte ist kein Vorrecht des Menschen, sondern ist das Wesen des Seyns selbst. Geschichte spielt allein im Zwischen der Entgegnung der Götter und Menschen als dem Grund des Streites von Welt und Erde; die ist nichts anderes als die Ereignung dieses Zwischen» (Heidegger 1989, 479). 22 «Indem aber die Götter und der Mensch in der Not des Seyns zur Ent-gegnung kommen, wird der Mensch aus seiner bisherigen, neuzeitlich abendländischen Stellung geworfen, hinter sich selbst zurückgestellt in völlig andere Bestimmungsräume» ()+9,().
217 !"#$%&'() *&+,#() y -".#(/" ( 0"12$%%$'" 223!"" #$%&'(%)*+, -#.,*") +#/'*",, *)+.# +(,&%..#) + -#.,*")0 «#/1%- 2).",», «-#(#1#*%» (Kehre),23 +#()13%42)5#+, ( 6'*"". 6'*") $%$ +#- /'*") #$%&'(%)*+, "+*#1")7 (Das Seyn als Er-eignis ist die Geschichte; Heidegger 1989, 494), -1"8)0 -)1(#.%8%9:.#7 "+*#1")7: «;#-/'*") +%0% -)1(#.%8%9:.%, "+*#1",, " <*# 0#59# /' #&.%8%*:, 8*# +=2.#+*.#) +=2)+*(#(%.") 6'*", #-1)>)9).# &>)+: «"+*#1"8)+$"»».24 69%5#>%1,.%8".%*)9:.#+*" ".)&%()13)..#+*" «+#/'*")» =?%7>)5-5)1% =+$#9:&%)* #* 94/#5# #$#.8%*)9:.#5# #-1)>)9).",: «@#+9)>."7 6#5 <*#.) $#.)A, % =+*%.#(9).") ( +)/).%8%9% ", *%$"0 #/1%�, ('+3%,!#10% #*$%&%, "/# -)1(#.%8%9:.#+*: "&/)5%)* (+)5#!"$+"1#- (%..#5#».25?%7>)55)1 -'*%)*+, -1#*"(#-#+*%("*: B1"+*"%.+$#7 0#>)- 9" "+*#1"".#('7 *"- "+*#1"8)+$#5# 1%&("*",, $#*#1'7 +*1)0"*+,.) $ %/+#94*.#0= $#.A=,.# +#+1)>#*#8"(%)*+, (.#(#0.%8%9). «C)9"8%7-3)) +#/'*") (+)5>%.%8%9#, /=>: <*# ".%8%9#0 -#+9)>.)5# 6#5%».26 D"9#+#!", «>1=5#5#.%8%9%».)(#9:.# +/9"E%)*?%7>)55)1% + $#.- *)$+*#0 )5# <-#B", $#*#1#0= #. -'*%9+, +)/, -1#*"(#-#+*%("*:. F-#B= (*#1#5# %(%.5%1>% #*9"8%)* +*1)09).") ()1.=*: )>".+*(# 1%+-%(3)0=+, -1#+*1%.+*(= «+"0(#9"8)+$#5# -#1,>$%» -1#()+*" (*#1"8.=4 +%$1%- 9"&%A"4 0"1%.27 G%&0'39,, # «>1=5#0».%8%9),?%7>)55)1 (-"+'(%)*+, ( *).>).A"4 +(#)5# (1)0).", "/# )5# +#(1)0).."$".% 1%&.') 9%>' -'- *%9"+:.%7*" +-#+#/' (#+-1#"&()>).",.%8%9% ( +#(1)0)..#0 0"1). C $#.A) 1930-B 55. H%7=% (">)9 *%$#7 +-#+#/ ( -)1(#/'*.#0-1%&>."$) ($#*#1'7 =E).)(#&0#E).) "9" ( (#7.) ($#*#1%, (#&0#E.%). 6%B*". -"- +%9 ( >"++)1*%A"" «G%/9) ( "+*#1"" 1)%9"&0%», 8*# «C+,$"7 >)7+*("- *)9:.# +=2)+*()..'7 3%5 (-)1)> +#-1#(#E>%)*+, (#&(1%*#0 $.%8%9= ( "&.%8%9:.#+*: ), *#8.)), $ #/.#(9)."4.%8%9%» (6%B*". 1975, 492). 23 H%$ +8"*%)* ;%!1%.+$",?%7>)55)1 1%++0%*1"(%9.%A"#.%9-+#A"%9"+*"8)+$=4 1)(#- 94A"4 0)*%!"&"8)+$": $%$ «-#9.#) -1)#/1%&#(%.")» (.)0)A$#5#) /'*", (;%!1%.+$" 2005, 319).?%7>)55)1 /'9 ( #-1)>)9)..#7 +*)-)." (>#B.#(9). "+*#1"8)+$"0 -#(#1#- *#0, -1#")>3"0 ( , " 5#*#( /'9-1"."0%*: =8%+*") ( -#+*1#7$).) *#9:$#.#(#5# 0'39).",,.# ".#(#5# 5#+=>%1+*()..#5# 1)E"0%. I)=>%8% 1)$*#1+*(% (# D1%7/=15+$#0 =."()1+"*)*) ".*1%()1*"1#(%9% <*" -#0'+9',.#.) =."8*#E"9% "B ># $#.A%: &%-"+$" +)1)>".' 1930-B 55. +(">)*)9:+*(=4* # -#+*1#).""?%7>)55)1#0!"9#+#!"".#(#5#.%8%9%. J>.%$# <*% 1)(#94A"#..#+*: «(*#1#5# -#1,>$%»: #.% 9"3).% -#&"*"(.#7 A)9" " >%E) -#&"*"(.#7-1#51%00':?%7>)55)1 -'*%)*+, #+.#- (%*: 1)9"5"4,.) "0)42=4 $#.$1)*.#--#9#E"*)9:.#5# +#>)1E%.", (+0. #/ <*#0 ;%!1%.+$" 2005, 410). 24 «Das Er-eignis ist die ursprüngliche Geschichte selbst, womit angedeutet sein könnte, dass hier überhaupt das Wesen des Seyns geschichtlich begriffen wird» (Heidegger 1989, 32). 25 «Der letzte Gott ist kein Ende, sondern das Insicheinschwingen des Anfangs und somit die höchste Gestalt der Verweigerung, da Anfängliches allem Festhalten sich entzieht» (Heidegger 1989, 416). 26 «Das größte Ereignis [ist] immer der Anfang, und sei es der Anfang des letzten Gottes» (Heidegger 1989, 57). 27 ;0. #/ <*#0: K1"5#1:)(% 2008.
218 224!. "#$%&#'()*!"#$%&'#(' #)*)&) +),-(# %(.'& % #)/$.#$0 12',$%$0 34&5-4/', 6/'7-.' %1'8$, % 3)/#)%)&'.!.#)3$ /)1*'- #) %$9%/):'#(' $"#$%&'##$8$ 1)3- /)&(9$%)##$8$ ";-(< #' 1";&1<: = +),-(#, ( >)04), % 14:#$1-(, #' 2$8- &( $-&(*(-5 #)*)&) $- 3$#?), 7(9#( $- 12'/-(, 1)3/)&5#$' $- 6/$@)#- #$8$.!#( (13)&( «6'/%$#)*)&5#$' %/'2<», #$ -'34:)<.'01-%(-'&5- #$1-5 <%(&) 1$"$0 6'/%'/1(A #)*)&): (, 6$#<-(< 6/)9.#(3) ( 3)/#)%)&) $3)9)&(15 *4.$%(:#;2 $"/)9$2 6/(2'#(2; 3 1$%/'2'##$1-(, $6(1;%)< &("$ -$-)&(-)/#;' $"/)9$%)#(<, &("$ 3$B2)/ 2(/$%$0 %$0#;. C42)'-- 1<, 6$6;-3( D)0.'88'/) 6$2;1&(-5 «%-$/$' #)*)&$» ";&( 1-$&5 7'.%4-12;1&'##;. E/(,$. 6$1&'.#'8$ +$8) $9#)*)'- 4 #'8$ #' 3$#'?, #$./4-8$' #)*)&$: «E$1&'.#(0 +$8 #' 3$#'?, #$./48$' #)*)&$ "'1*(1&'##;, %$92$7#$1-'0 #)B'0 (1-$/((».28. F$ 3)3 #' 9)2'-(-5, *-$ +$8--$ 6$- 1&'.#(0?! >#(8) D)0.'88'/) «! 1$";-((», 1 $.#$0 1-$/$#;, 6$%'1-%4'- $ «./4-8$2 #)*)&'» 3)3 $ 6/(B'1-%(( «6$1&'.#'8$ +$8)», ) 1./48$0 1-$/$#;, 1)2) <%&<'-1< 1)3/)&5#;2 -'31-$2 7'1-$2 7/'?)-@(&$1$@), 9)3&(- #)A:'8$ +;-('. G 3#(8' %1-/'*)A-1< (./48(' )16'3-; (%-$/(*#$0) 1)3/)&(9)?(( 2(/). >)3 ( '8$ /).(3)&5- (9 >$&&'7) H$?($&$8(( D)0.'88'/ $6(1;%)'- $"I'3- -;, 16$1$"#;' %;9;%)-5 $.#$%/'2'##$ %&'*'#(' ( $-%/):'#(', 6/(-<- 7'#(' ( $--)&3(%)#(' (Entrückung und Berückung): (2'##$ J-( 1%$01-%) <%&<A-1<,)/)3-'/#;2( 6/(9#)3)2(.%$01-%'##;, 1)3/)&5#;, $"I- '3-$%.29 E$13$&534 %1' 6/'.B'1-%4A:('?'/3%( ( /'&(8(( #' 2$84-6$.8$-$- %(-5 *'&$%'3) 3 %1-/'*' 1 +$8$2 %?'#-/' +;-(<30, D)0.'88'/ 6/$-(%$- 28 «Der letzte Gott ist nicht das Ende, sondern der andere Anfang unermesslicher Möglichkeiten unserer Geschichte» (Heidegger 1989, 411). 29 «Woher also die Geschiednis in Zeitigung und Räumung? Aus der Entrückung und Berückung, die grundverschieden sich fordern, aus der Einheit der zögernden Versagung. Woher die Geschiedenheit von Entrückung und Berückung? Aus der zögernden Versagung, und diese das Erwinken als das anfängliche Wesen des Ereignisses, anfänglich im anderen Anfang» (-)2 7', ). E/$"&'2' «%&'*'#(< ( $-%/):'#(<» 6$1%<:'#; ( -'31-; K$/7) +)-)< %-$/$0 6$&$%(#; 1930-, 88. C$3&).; #) 9)1'.)#(<, >$&&'7) H$?($&$- 8(( 3)1)&(15 -'2; "(6$&</#$8$ 1)3/)&5#$8$ <./): /)9&(*(' 2'7.4 6/)%;2 ( &'%;2 1)3/)&5#;2 1$1-$(- % -$2, *-$ '1&( 6/)%$' 1)3/)&5#$' 6/(-<8(%)'-, -$ &'%$' 1)3/)&5- #$' $--)&3(%)'-. L)3(2 $"/)9$2, 4*)1-#(3( >$&&'7) %(.'&( #' -$&53$ 6$9(-(%#4A 1-$/$#4 1)3/)&(9)?((, #$ ( $6)1#$1-5, %$9#(3)A:4A % 1%<9( 1 /'8'#'/)?('0 1)3/)&5- #$8$ % 1$%/'2'##$1-(. G /)"$-' «E1(,$&$8(*'13)< (La structure psychologique du fascisme, ) +)-)0 8'-'- /$8'##$8$ (Bataille 1978, 21), -$-)&5#$0 3$#?'#-/)?('0 1%<:'##$0 %&)1-(, 134A )/2(A $6/'.'&(& 3)3 «1$%'/B'##$ =#$'» $":'1-%), % 3$-$/$2 (26&(?(/$%)#$ 48/$7)A:'' 9#)*'#(' (Bataille 1978, 30). 30 «Alle bisherigen Kulte und Kirchen und solches überhaupt kann nicht die wesentliche Bereitung des Zusammenstoßes des Gottes und des Menschen in der Mitte des Seyns
219 !"#$%&'() *&+,#() y -".#(/" ( 0"12$%%$'" 225!"#$%&'()$ #*+)#$&*,+-. /"01)##-(. #&")2" 3"4% 3)'-2-"50*, "0$"- '"2-, «0"&") 0%6%'"» 4"'70" #"#$"($8 &!3-"9+)0-- 6)'"&)/% / :;$-,31. <%=4)22)3 4)'%)$!"!;$/*!)3)=$- "$ 1*04%.)0$%'80"= "0$"- '"2-- «:;$-( - &3).)0-» / "0$"'"2-- 3)'-2-"50"=, 0" 0)!3)4'%2%)$!"5-$-&0"= 3)'-2-"50"=!3"23%..;. >0 "!-#;&%)$!3-?"4 «!"#')40)2" :"2%»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«> #"9;$--» <%=4)22)3 3%5'-6%)$ 4&% &-4% -#$"3--: Geschichte - Historie. F#$"3-( /%/ Historie /%7)$#( <%=4)22)3* 3*4-.)0$"..)$%- 1-5-/-, )= #&"=#$&)00; 5%&)3@)00"#$8 - #-#$).%$-60"#$8, "0% 1-/#-- 3*)$!3"-#?"4(+)) # B)'8, )2" *&)/"&)6-&%0-(.34 D3- G$". <%=4)22)3 "$3-B%)$ &"5."70"#$8 «"9H)/$-&0"= -#$"3--», -9" -#$"3-(-Historie "3-)0$-3*)$#(, & /"0)60". -$"2), 0% #*9H)/$%, 3)5*'8$-3*(#8 & "40". - $". 7) «%0$3"!"'"2-6)#/--!#-?"'"2-6)#/". 9-"23%1-5.)» ($%. 7), 494). I)74* $). -#$"3---Geschichte #&"=#$&)00% 0)5%&)3@)00"#$8, "3-)0$%B-( 0% #"9;$-) 9;$-(: werden. Denn zuerst muss die Wahrheit des Seyns selbst gegründet werden und für dieses Aufgegebene alles Schaffen einen anderen Anfang nehmen» (Heidegger 1989, 416). 31 «Hier geschieht keine Er-lösung, d. h. im Grunde Niederwerfung des Menschen, sondern die Einsetzung des ursprünglicheren Wesens (Da-seinsgründung) in das Seyn selbst: die Anerkennung der Zugehörigkeit des Menschen in das Seyn durch den Gott» (Heidegger 1989, 413). 32 «Die Vorbereitung des Erscheinens des letzten Gottes ist das äußerste Wagnis der Wahrheit des Seyns, kraft deren allein die Wiederbringung des Seienden dem Menschen glückt. Die größte Nähe des letzten Gottes ereignet sich dann, wenn das Ereignis als das zögernde Sichversagen zur Steigerung in die Verweigerung kommt» ($%. 7), 411). 33 «Der letzte Gott ist der Anfang der längsten Geschichte in ihrer kürzesten Bahn. Langer Vorbereitung bedarf es für den großen Augenblick seines Vorbeigangs. Und zu seiner Bereitung sind Völker und Staaten zu klein» ($%. 7), 414). 34 «Was ist aber hier mit Historie gemeint? Das feststellende Erklären des Vergangenen [ ] Verewigung ist immer als Strebnis die Folge der Herrschaft der Historie» (Heidegger 1989, 493).
220 226!. "#$%&#'()*!"#"$ %&"'(%)*+, '-*#)#." /&0'1$-*/"$ %- &/2*'&"*'3' &/2.&"4'4#*%5 6+- "%5 % 4 "' 7. 4(.,5 '&"#"$&5 4.3' 8'9)%*.*%%, *' *. '-*#)#." 8.(.:"% 4 8(';1'. % %&"'(%).&0% -#4.(;.**'..35 <#0 % =#:9.33.(, 6#>"%* (#&&,#"(%4#." &'?+"%. 0#0 &1#3#.,'. %&"'(%%, 0'"'(#5 '?1#9#." 0#).&"4', *.-#4.(;.**'&"% 8'1'7%".1$*/@ A.*- *'&"$ 915 *.3' %,..", 3'4'(5 *# =#:9.33.(#, %&"'(%5-Geschichte %1%, 0#0,'7*'?+1'?+.. '8(.9.1%"$ '*"'%&"'(%)*'&"$. B*"'%&"'- (%)*'&"% 8('"%4'&"'%" %&"'(%5. =#:9.33.( 8+"#."&5 (#&&,'"(."$ *.-#- 4.(;%,'&"$ '*"'%&"'(%)*'&"% 0#0 *.'?>'9%,'. /&1'4%. '&/2.&"41.- *%5 &'?+"%5, 8'93'"#41%4#@2.3' 541.*%. «8'&1.9*.3' 6'3#», C"',/ &'?+"%@ 6+"%5 8('"%4'&"'%" %&"'(%5-Historie, *. '"0(+4#@2#5?/9/- 2.3'. D.79/ "., 6#>"%* 8('"%4'8'&"#415." «'"0(+"':» 4?/9/2.. &'-?+"%:*'&"% C&"."%).&0/@ 9.5".1$*'&"$, &"(.,52/@&5 (?.-/&8.;*') «-#4.(;%"$» '8%&+4#.,+:,%(: [ ] E C&"."%).&0#5 9.5".1$*'&"$?.&&%1$*# '41#9."$,',.*"', 8('>'79.- *%5 % '"0(+"': &'?+"%:*'&"%?+"%5, %.. 8('9/0" 4 &4'., &,+&1. *..&"$ 9.:&"4%".1$*' &"#*'452..&5?+"%. % 8(%'?2#."&5 0 *.,/ 4 &4'.,?+"%% ).(.- %&"'(%).&0%: #0" 9.:&"4.**'3' C&"."%).&0'3' %*"/%('4#*%5. E C&".- "%).&0#5 %*"/%A%5 *. /1'415.".9%*&"4.**': &'?+"%:*'&"%, %?' '?(#-+.. '?F.0"%4%('4#*+, "... 4 &4'., &'9.(7#*%% %-F5"+ %- 9.:&"4%".1$*'3'.9%*- &"4.**'3' &"#*'41.*%5, *. 8(%)#&"*+.,/. (6#>"%* 2003, 7) «B?F.0"%4%('4#**'&"$» %&0/&&"4# 8('"%4'&"'%" &'?+"%:*'&"%, "#0 7. 0#0 / =#:9.33.(#,*%,#5 «'?F.0"%4*'&"$» %&"'(%%-Historie 8('"%4'8'- 1'7*# %&"'(%%-Geschichte, 8'*5"': 0#0 &'?+"%.. 6#>"%* 8('"%4'8'&"#4-15." %&"'(%% %&0/&&"4', 0'"'('., 0#0 % %&"'(%5-Historie / =#:9.33.(#, «&>4#"+4#."» '?F.0"+ 4 %> *.8'94%7*': G'(,., G%0&%(/5 %> (#- % *#- 4&.39#. H (#?'". «< G%1'&'G%% 8'&"/80#» 6#>"%* /0#-+4#." *# «(#&- 0'1»,.79/ 94/,5 "%8#,% ('"*';.*%5 0) %&"'(%% «&'9.(7#*%.,- &,+&1', [ ] #0"#-9.5".1$*'&"%» % «%&"'(%).&0': 9.:&"4%".1$*'&"[email protected]'?+"%5»: H&. *#-4#**+. 9.5".1$*'&"% /&"#*#41%4#@" 8(%*A%8%#1$*+: (#&0'1,.79/ &'9.(7#*%.,-&,+&1', 9#**'3' #0"#-9.5".1$*'&"% % %&"'(%).&0': 9.:&"4%- ".1$*'&"[email protected]'?+"%5,.3' 9.:&"4%".1$*':.9%*&"4.**': 8.(.7%4#.,'&"$@, 4&1.9&"4%. ).3' C"'" #0" % ".(5." &4'@ A.**'&"*'&"$ %.9%*&"4' 7%4'3' &"#- *'41.*%5 % &#,''8(.9.1.*%5. E&"%**' (.#1.*, 8(%)#&".*.9%*&"4.**',/?+"%@-&'?+"%@ "'1$0' C"'" #0" 4 (%& +(,&-, "'1$0' '* 7%4, 8'1*'&"$@ [?] %?.-+&>'9*'.&"$ &"#*'4%"&5, &4.(;#."&5, '* 9.:&"4%".1$*+: 7%4': /)#&"*%0 &'?+"%5-?+"%5. (6#>"%* 2003, 7) 35 «Geschichtlich werden heißt: aus dem Wesen des Seyns entspringen und deshalb ihm zugehörig bleiben; meint nicht: in das Vergangene und historisch Feststellbare überwiesen werden» ("#, 7., 456).
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224 230!. "#$%&#'()* «!"#$%"&» (Mensch),!'$ (%#("')( )*+")'%",,-. /0.",",/". 1$ )23%,"-,/4 ) «5-'/". / %2".",".», 67" 8/6*2/2$%3#$ #/9: ;"0#/&$" $;$0,3-!",/" «man». <12$!"., %$0,/&34+/= «!"#$%"&» * >3=7"66"23?323&'"- 2/0*"')( $'2/@3'"#:,-./ 12/0,3&3./: $, )*+")'%*"' % )3.$$'2/@3,//,!'$;-.$6#3 12$7$#A3':)( /)'$2/( ;-'/(. B'3 7/,3./&3 230C(),("')( >3=7"66"2$. ) 1$.$+:4 '"2./,$%, &3& ;- «,37)'23/%34+/?» 7/)&*2) «5-'/( / %2".",/». <.")'$ 1$,('/( «Dasein» % 031/)&3? «D )$;-'//» %$0,/&3"' 1$,('/" «Wegsein», ;#36$732( &$'$2$.* %$0.$A,$ $)*+")'- %#",/" /)'$2//. >3=7"66"2 %-)'23/%3"' '2/37* «12";-%3,/(»!"#$%"&3 )#"7*4+/. $;230$.: 07"):-;-'/" / '3.-;-'/" / 12$!:-;-'/" (Da-sein / Fort-sein / Weg-sein; Heidegger 1989, 301). < 8/#$)$8// )$;-'/(!"#$- %"& $&30-%3"')( )%(03,,-.," )'$#:&$ )$ 07"):-;-'/"., )&$#:&$ ) 12$!:-;-'/".: E3& &3& 12";-%3,/" (07"):-;-'/") *0,3"')( &3& '%$2(+3( $),$%3!"#$%"!")- &$6$ ;-'/( / 12/ F'$. /0%")',$,!'$ 12"+,)*-$( (07"):-+,.$() F'$ /%-&- )(-$( / /)'$2/(, $;-!,$"!"#$%"!")&$" ;-'/" 7$#A,$ ;-': $12"7"#",$ &3& ;-'/"-12$!:. D,$ $01(2*(. 3#&1' /0 12$!,$)'/ «07"):», '$#:&$ 12/ ;-'*4+". 4*4 -*5$1-&/ (03;%",/" ;-'/(). G"#$%"& F'$ 1*': 12$!:. 37 < F'$ ",'" )*+")'%/'"#:,$".*A)&$6$ 2$73 der Weg 12"%23- +3"')( % das Weg )2"7,"6$ 2$73,!'$.$A,$ 1"2"%")'/ &3& «12$!:». H*- +")'%/'"#:,$" )2"7,"6$ 2$73, $;$0,3!34+"" *)'23,",/" $';23)-- %3,/", '3&$%$ &.#$6*.(5'-&( $12"7"#",/"!"#$%"&3, &$'$2$" 73"' >3=7"66"2. I)#/ ;-!"#$%"& ;-# '$#:&$ 1*)'$= %"#/!/,$=,," /."#$ ;- ).-)#3 %!3': "6$ % &$,'"&)' 23))*A7",/=, $',$)(+/?)( & 5-'/4. J2$;#".3 $,'$#$6// >3=7"66"23 )$)'$/' % '$.,!'$ 5-'/4 '2";*"')(!"#$%"&, &$- '$2-= );-%3"')( % 5-'//!"2"0 ;$2:;* (Der Kampf der Ereignung des Menschen durch das Seyn; Heidegger 1989, 309). < /'$6"!"#$%"& $12"7"- #("')( >3=7"66"2$. &3& '$', &'$ '2";*"')( 5-'/4 7#( %-)'3%#",/( /)- '/,- 5-'/(,38 $, )1"@/8/@/2*"' 5-'/", 1$7$;,$ '$.*, &3& $, 7$1$#-,/'"#", 5$6* % '"$7/@"", % 8/#$)$8)'%*4+"= '"$#$6//. K"63'/%,3( 3,'2$1$#$6/( >3=7"66"23 12"7)'3%#("' /,'"2") % &$,- '"&)'" "" 2"@"1@// 1$)'.$7"2,/)')&/./ '"$2"'/&3./, 23))*A73%9/./ $ )$;-'//. «J2$'/%$;-'/=,$"» )$;-'/" * L#",3 537:4 )*;%"2)/%,$ 1$ $',$9",/4 & &$,@"1@// )$;-'/( * >3=7"66"23, /;$ 2"3#/0*"' $),$%- 37 M"#")$$;230,$ 12/%")'/ % $2/6/,3#": «Ist nämlich das Da-sein als der schaffende Grund des Menschseins erfahren und damit zum Wissen gebracht, dass das Da-sein nur Augenblick und Geschichte ist, dann muss das gewöhnliche Menschsein von hier aus als Weg-sein bestimmt werden. Es ist weg aus dem Beständnis des Da und ganz nur beim Seienden als dem Vorhandenen (Seinsvergessenheit). Der Mensch ist das Weg» (Heidegger 1989, 323). 38 «Wer ist der Mensch? Jener, der gebraucht wird vom Seyn zum Ausstehen der Wesung der Wahrheit des Seyns» (Ebd., 318).
225 !"#$%&'() *&+,#() y -".#(/" ( 0"12$%%$'" 231!"# $%%$&'('# )*+,-..-/$012$+ 3'4$1$312$+ *!5/$%$4$.'' 6-4$0-2/ 785'-. 914',4: ;*+,-..-/* %/$5'0$<85'-! 6-4$0-2 (das Seyn für den Menschen wie ein Gegenüber; Heidegger 1989, 256), 5$,4: 7*,=# %/$- 5'0$<85'+!$ 1$<85'-, %$,/*&">-0*#?--!- $5,-4=!$.$ 6-4$0-2*, * «>!$@-150$» 4#,-+: /-4-0*!5!$!- *!5/$%$4$.'6-12$-, * 1$('*4=!$- 1"?-150$, 024#6-!!$- 0 /:,, 0 «>!$@-150$». 7*,=# «%-/-0$/*6'0*-5» 5*2@- 5-&'1 ;*+,-..-/*, 1$.4*1!$ 2$5$/$>" 6-4$0-2!- 0)$,' '-,!$ %/'2/-%4-! 2!->" %$1/-,150$> $5!$A-!': 2 %/-<80*!'# ' 1$<8-5'#.39 B-15$ )*+,-..-/$012$.$ 6-4$0-2* " 7*,=# &*)0*6-!$ 2*2 <8 «>!$@-150$>» 1$<85':. C-215 $!*6* <-& 2$!(* C-$/': «,/".$.$!*6*4*» ' 2$!(-%(':!-&*0-/A-!!$15' 2*2 <",5$ %$04':4'!* 1*>" 3$/>" 5-215$0 ;*+,-..-/* ' 7*)5'!*. D8A-"%$>:-!"58-1$6'!-!':,.,- /-6= A4* $ 3'4$1$312$> $1>814-!'' 1$<85':, 4'<$!- <84' &*0-/A-!8 («E 3'4$1$3'' %$15"%2*» ' «F05$/ '.-/$+ 0 G15-5'6-12$+,-:5-4=!$15'» " 7*)5'!*), 4'<$ 1$15$:4' '& <-12$!-6!$.$!*<$/* 3/*.>-!5$0 (" ;*+,-..-/*). D 14"6*- ;*+,-..-/* «!-&*0-/A-!-!$15=» 2!'.' «H 1$<85''» (* 5*2@- 2!'.' «H!*6*4-») <84*!- %/$15$ 14"6*+!$15=#,!$ 14"@'4*,4: *05$/* $,!'> '& 0*@!-+A') 3'4$1$3-39 «Aber der Mensch wird als Da-sein von Seyn als dem Ereignis er-eignet und so zugehörig zum Ereignis selbst» (Heidegger 1989, 256). I$0>-?*: $!5$4$.'# ;*+,-..-/* 1 5-$/'-+ >!$@-150, 7*,=# 0815/*'0*-5 1$<150-!!"# 2$!(-%('# 1$<85':. I$.4*1!$ 7*,=#, 1$- <85'- :04:-51: >!$@-150$>, 2$5$/$-!- "6'580*-5 %/*0'4!*4'6!$+ 1'5"*('' '4', '!*6-.$0$/:, <85':. J5$ $&!*6*-5, 65$ 1$<85'-!- <85'+!$,!$ 2*2 <8 %/$5'0$15$'5 <85'# $!$ *!$>*4=!$, *!5'-%/'/$,!$ (Badiou 2005, 199). D1:2$- 1$<85'- &!*>-!" $/@-!'-,/".$.$-6->-<85'-. F!5'-%/'/$," 7*,=#!*&80*-5 '15$/'-+ $>!'- %/-&-!('-+ 1'!."4:/!$15', 0 %/$5'0$0-1 %/'/$,-, 2$5$/*: -15= $>!'%/-&-!(':!$/- >*4=!$15'. F!$>*4=!$- *!5'-%/'/$,!$- >!$@-150$ 7*,=# %/-,4*.*-5!*&80*5= «$6*-.$> 1$<85'+!$15'» (site événmentiel). I*> $6*. %/'!*,4-@'5 1'5"*('', $,!*2$ -.$ G4->-!58!- :04:#51: 6*15=# 1'5"*('': $6*. 1$<85'+!$15' /*1%$4*.*-51: «!* 2/*# %"15$58» 201). (I/. &*>-6*!'- 7*)5'!* $ 5$>, 65$ %$15"%$2 «%/',0'!"5» 2 «2/*:>» <85':-1$<85':: «B-@," 5-> 2*2,-+150'5-4=!8+ %$15"%$2 >$+!* $1!$0- >$-.$!--*4'<' 0 <85'', ' %$15"%$2->814=, ' %$15"%$2-6"0150$, ' %$15"%$2-,-4$,-+150'5-4=!$ %/',0'!"58 2 %$14-,!'> 2/*:> <85':-1$<85':, $/'-!5'/$0*!8 0!-> 2*2 -,'!$> ' -,'!150-!!$> (-4$>, 2*2 <8!' <84* 1$,-/@*5-4=!* >814= ' 2$!2/-5!$- '!,'0',"*4-! %$15"%$2, 0 10$-> >*4$>,!$,-+150'5-4=!$> $!' %/'6*15!8 <-12$!-6-!$>" (-4$>"» [E 3'4$1$3'' %$15"%2*]). D 2* '44#15/*('' $6*.* 1$<85'+!$15' 7*,=# %/'0$,'5 1->=#, !8 2$5$/$+!*)$,:51:!*!-4-.*4=!$> %$4$@-!'' ' %$2*&80*#51: 0 $<?-150-4'A= 0 3$/>- «1->='»!-,-4'>$.$ 2$44-25'0*. D %$,$<-!$+ 1'5"*('' 64-!8 1->='!- :04:#51: $<?-150-!!8>' «-,'!'(*>'»: «-,'!'("» %/-,15*04:-5 1$<$+ 4'A= >!$@-150$. K$ 64-!8 %$,$<!$+ 1->=' %/-,- 15*04:#5 1$<$+ «!'65$». «H6*.*>'» >$."5 <85= ' /*<$6'+ 24*11, ' A2$4* 0 '12"115-0-, '!*%/*04-!'- 0!*"2- (Badiou 2005, 206). H6*. G5$ 4'A= "14$0'-, 2$5$/$- %$- &0$4:-5 *!$>*4=!$>", 0!-<85'+!$>" 1$<85'# %/$:04:5=1: 0 <85''.
226 232!. "#$%&#'()*!"#$ %&'()*+,-.. /%0#!"# «1!-23,##»!&%.+#.%4,!5 6%78*''*&-)! «9('-7», "-,-&%5 «*!,: +*;,- #+-*, ;*)!#!,*)%» (Heidegger 1989, 81). <,- -,&#=%+#*!#!,*)3 0&#+=#0#%>:+- 8>5 %.,-&%:!#!,*)% 5.>5>%!: 9-&)-7 )*,%9#?#;*!"-'- )*A8(,*).!.-*) «+-.-) +%;%- >*» 9#>-!-9#5 "%" -2 #!,-&## 23,#5 (das seinsgeschichtliche Denken) 8->A+% -,"%?%,:!5 -,!#!,*)+-!,#.40 B-?)-A+-,. 0-#!"%$ %8*".%,+-'-.3&%A*+#5 8>5 «23,#7+--#!,-&#;*!"-7» 9#>-!-9## 6%7-8*''*& # 0&#$-8#, " 9-&)* 8#!"(&!#.+--)*8#%>:+-'-!#+,*?%,. "-,-- &-)!)3"%4,!5 9#>-!-9#5, )(?3"% # 0-C?#5. «D('%» 6%78*''*&%!--!,-#, #? 8 ;%!,*7: «B?'>58.0*&*8» (Vorblick), «E-?.(;#*» (Der Anklang), «F-83'&3.%+#*» (Das Zuspiel), «E"%;-"» (Der Sprung), «1!+-.%- +#*» (Die Gründung), «G&58(H#*» (Die Zu-künftigen), «F-!>*8+#7 I-'» (Der letzte Gott), «I3,#*» (Das Seyn). J# -8+% #? C,#$ ;%!,*7 +* 5.>5*,!5?%.*&@*++3),*"!,-), +- "%A8%5 0&*8!,%.>5*,!-2-7 +%2-& 0&-+()*&--.%++3$ 9&%')*+,-. (.!*' &%')*+,),?%;%!,(4 %9-&#!,#;*!"-'- $%&%",*&%, +%0-)#+%4H#$ >#@: +%2&-!-" "?%8()%++-)(!-;#+*+#4.41 F-03,"% +%7,# 5?3", "-,-&3) )-'>- 23.*H%,:!%)- 23,#*, 0&#.*>% 6%78*''*&% "!-?8%+#4 9#>-!-9!"-7 «9('#», -!+-.%++-7 +% )+-'-'-- >-!:*,%"#) -2&%?-), ;,-!-;*,%+#* &%?>#;+3$ '->-!-. +* =*+,&#&-.%- +-, % 0&*8!,%.>5*,!-2-7 #$ 0*&*0>*,*+#*.42 E-23,#* 0&#?+%*,!5 6%7-8*''*&-). "-+*;+-)!;*,* +*!"%?(*)3) 9('% +%=*>*+% +% «+*.-?- )-A+-*»: +* )-A*, 23,: «5?3"% 8>5 I3,#5» (Sprache für das Seyn; 78),.+5,+-'- ;*>-.*"(, ;,-!2>#A%*, $%78*''*&-.!"-* I3,#*! I-'-) +*'%-,#.+-7,*->-'##.43 F-03,"% 0%,: &*;# %8*".%,+-!,: I3,#4 +%0-)#- +%*, (!#>#5 )#!,#"-., 03,%.@#$!5.3&%?#,: +*!"%?(*)-*.44 K*!,- %&- 40 L42-03,+-, ;,-. +%;%>* 1940-$ ''. M-&A I%,%7 &%2-,%*, +%8 «B+(,&*++#) -03,-)», >-?(+'-) "-,-&-'- 5.>5*,!5 -,"%? -, «0&-*",%», ;,-,-A*.3!,(0%*, "%" 9-&)% -,"%?% -,!#!,*)3, -, )*,%9#?#"#, -, «?%"-+;*++-'-»,*"!,%. 41 1!,&(",(&* $%78*''*&-.!"#$ 9&%')*+,-. # #$ -,+-@*+## " «9('*»!). 0-8&-2+**: Hermann 1994, E). -2 C,-): Ullrich 1996, %"- 8>5 6%78*''*&% I3,#* 2->:@*, ;*) I-': I-'.">4;*+. I3,#*,.!,&*;% ;*>--.*"%! I-'-) 0&-#!$-8#,. &%)"%$ I3,#5. 44 N48#'*& E%9&%+!"# (.#8*>. "+#'* «1!-23,##» 0-03,"( C&-,#;*!"-7 9#>-!-9##, -!+-.%++-7 +% C"!,%?*: «O#,%5 P 8*>( 9#>-!-9##, )3!>-.+-!,%+-.#)!5!.#8*,*- >5)#,-'-, "%" 6%78*''*& 0-!&*8!,.-) '-&5;*;+3$ 0-+5,#7 # >#,%+## #? -,&3.-;+3$ 9&%? 0*&*.-8#,!*25. #+-*!-!,-5+#*. <,#?%)*,"# >%2-&%,-, '8* #?-2&*,%*,-! !0-!-2 '-.-&*+#5 - I-'*. 6%78*''*&!,%.#, C"!0*&#)*+,3 +%8!%)#)!-2-7, ;,-23.35!+#,:,.-?)-A+- >#!-?8%,: &*>#'#4, +* #)*4H(4 0->-A#,*>:+-'- (;*- +#5» (E%9&%+!"# 2005, 410). <,# C"!,%?3!-!,%.>54,!.-*'- &-8% 9#>-!-9!"#7 8+*.- +#",!,#>: "-,-&-'- E%9&%+!"# $%&%",*&#?(*, "%" «)*,%9#?#;*!"#7 8%8%#?)»: «J- "%" #)*++- '-.-&#, I3,#*? B!5 C,%,-&A*!,.*++%5 >#,%+#5 '-.-&*+#5, C,- +*.+5,+-* 2-&)-,%+#* - 9('* #!,#+3 I3,#5, # -,&*0*,%+## *'-!(H+-!,#, # )5'"-!,#, -2(!>-.>*++-7 +*0-!&*8!,.*++-7 2>#?-!,:4 2-A*!,.-.%+#5 I-'% 2-- '-. (GA 65, 4).*!: C,-, )*,%9#?#;*!"#7 8%8%#?),!,-;"#?&*+#5!*)%+,#;*!"-'-
227 !"#$%&'() *&+,#() y -".#(/" ( 0"12$%%$'" 233!"#$%&'( ( )'*'+%'#,-.'/',/0'# *-/0"1/$ 23%-#34&, /0'1$$, «300'1- *5», «/'2("6-7», «2("63%-7»: «/'2("6-$ 85&-7», «/'2("6-$ -/&-%5 85- &-7» - $!' «/"9%'/&%'!' /"9$/&('(3%-7» - &. *.45 :'.-,'%-6$/0'$ #5;.$%-$ <3=*$!!$13 %3)'#-%3$& ' )'.-,'%-6$/- 0'# >3130&$1$,-.'/',/0'!' 1'#3%3?'/&'$(/0'!' ( -%&$1)1$&3@-- 83>&-%3. A'+/&($%%', $9$ ( /('$= 13%%$= 13+'&$ «B,-.'/',-- )'- /&")03» 83>&-% "0323. %3 #"2503.C%'/&C /'+5&-=%'/&- &. $. «*$=/&- (-&$.C%'!' )'/&")349$!' #5;.$%-7»:?$=/&(-&$.C%'$ )'/&")349$$ #5;.$%-$ $/&C D#'@-'%3.C%'-('.$('$ #5;-.$%-$, -%&'%-1"49$$ #5;.$%-$, - D&3 -%&'%3@-7 /"9$/&($%%' )1'%-03$& (' (/$ /'*$1E3&$.C%5$ #'#$%&5 #5/.-. F#'@-'%3.C%'-('.$('= &'% '+&$03- $& (/$ /#5/.'('$ /'*$1E3%-$ #5/.- ( )'/&")0$ - '&%'/-& $!' 0 $*-%/&($%- %'#" +5&-4-/'+5&-4. (83>&-% 2003, 33) G 0'%@$ 1920->!!. «-%&'%-1"49$$ #5;.$%-$» +5&-7-/'+5&-7 )1$- (1393$&/7 ( )'.-,'%-4. H2*3%%37 ( 1929!. 0%-!3 «:1'+.$#5 &('1-6$/&(3?'/&'$(/0'!'»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» (A3,13%/0-2005, 412). A&'-& 23#$&-&C, 6&' /13(%$%-$ / *3*3-2#'# /&'.C E$ +1'/0', /0'.C %$&'6%': «23"#%5$»,'1- #".-1'(0- <3=*$!!$13 /+.-E34& $!',-.'/',-4 /.-&$13&"1'= %$ )$1('!', %' (&'1'-!' 3(3%!31*3. L'& E$ A3,13%/0- %$ /."63=%' /13(%-. 0%-!" «M /'+5&--» / 3+/"1*-/&- /0'= )C$/'= 8$00$&3 «G 'E-*3%-- N'*'». O/.- )'*'+13&C 3%3.'! -2 1"//0'7256%'=.-&$13&"15, &' #'E%' +5.' +5 %32(3&C «B1"!'# ('2#'E%' 8'!» G($*$%/0'!'. «P3"#- %5$»,1325 /''&($&/&("4& 2*$/C %$('2#'E%'/&- )1'15(3 ( &13%/@$%*$%&%'$, 6&' %$ "#$%C;3$& /&1$#.$%-7 ('=&- ( 0'%&30& / %$*'/&-E-#5# )'&"/&'1'%%-#. P3!3*'6%5$ &3(&'.'!-- <3=*$!!$13 /(723%5 / $!' %$!3&-(%'= 3%&1')'.'!-$=, *'>'*79$= " D&'!' 3(&'13 *' '&1-@3%-7 6$.'($03. Q250 6$.'($03 %$/'($1;$%$%, )'D&'#" 7250, 0'&'15# )'.C2"$&/7 <3=*$!!$1, /&313&$.C%' «'6-93$&/7» '& 6$.'($6$/0'!': -#$%%' &30 *'.E%' +5.' +5 ($93&C 85&-$. 45 «Der Anklang des Seyns als Verweigerung in der Seinsverlassenheit des Seienden» (Heidegger 1989, 108); «Der Anklang der Wahrheit des Seyns und seiner Wesung selbst aus der Not der Seinsvergessenheit» (Heidegger 1989, 114).
228 234!. "#$%&#'()*! "#$#$%&'(%))*+ «,$'&-#.%+ "'/(010 2'3('#431'5'» 6%+(0) #7# &'- -## 8%'3($9#( /(: ;'$.:-0$'41:, '('<=#3(4-99 3'&*(0# 0 "'-0;')0>: «+:='<#3(4#))%9 4'-9 "'-0;')00 #3(? 4'-9 1 3'@#(%)0>.)'50+ 4'-?, 4'-9 1 3'&*(0>» (6%+(0) 2002, 29). A%1->@#)0# B'(9 4 ($%1(%(# B%C=#55#$% «D 3'&*(00» "$%1(0@#310 '(3:(3(4:>( 33*-10 )% =$:50+ ;0-'3';'4, % (#. &'-## :"'.0)%)09 3'4$#.#))01'4, 1')(#13( 4('$'C "'-'40)* # <# "$'3-#<04%#(39 4 +'=# $%33:<=#)0C /('5' %4('$%.! $%&'(# "$03:(3(4:>( (#$.0)*, +%$%1- (#$)*# =-9 $%=01%-?)'-;0-'3';31'C "%$%=05.* ('C /"'+0: «=#E080'- )08.» (F.0(()46, «('(%-?)%9.'&0-08%E09» (G)5#$)47, «08&*('1» 0 «($%(%»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«:@%3(09»: :@%3(09 6'5% 4 6'5#, 4 6*(00 0 (. =. 0 (. ". 2$:5'C 4%<)*C.'.#)(, '&70C =-9 /(0+ =4:+.*- 46,')9(0# «$#I#)09» : B%C=#55#$% '(3*-%#( 1 «$#I#)0>» 30(:%E00: «Die Entscheidung fällt dadurch, dass die Notwendigkeit des äußersten Auftrags aus der innersten Not der Seinsverlassenheit erfahren und zur bestandhaften Macht ermächtigt wird. Der Auftrag aber im Lichte und in der Bahn der Entscheidung ist: die Bergung der Wahrheit des Ereignisses aus der Verhaltenheit des Daseins in die große Stille des Seyns» (Heidegger 1989, 96). «L%C)%9 03('$09 6*(09», "' B%C=#55#$:, 3'3(%4-9#( 3:..: '3(%- -'3? $#I#))*., )#$#I#))*. 0 $#I%>70.: «Am Riesenhaften wird erkennbar, dass jede Art von Größe in der Geschichte der unausgesprochen metaphysischen Deutung des Geschehens entspringt (Ideale, Taten, Schöpfungen, Opfer) und deshalb nicht eigentlich geschichtlichen, sondern historischen Wesens ist. Die verborgene Geschichte des Seyns kennt nicht das Rechenhafte von Groß und Klein, sondern nur das Seynsmäßige des Entschieden, Unentschieden und Entscheidungslos» ((%. <#, 443). 47 M'&*(0# : B%C=#55#$% 3498%)' 3 «('(%-?)'C.'&0-08%E0#C» 1%1 3-#=3(40#. '&=#-#)- )'3(0 &*(0#. («Die totale Mobilmachung als Folge der ursprünglichen Seinsverlassenheit»; Heidegger 1989, 143). 48 M.. $%33:<=#)09 B%C=#55#$% '& 08&*(1# 4 3:7)'3()'. 3:7#3(4'4%)00 6*(09 («Das Übermaß im Wesen des Seyns»; Heidegger 1989, 249), % (%1<# #5' 3($'97:>39 )% "')9(00 4-%=##( 34'0. 3:7)'3()*. 3:7#3(- 4'4%)0#. 1%1 3'&3(4#))'3(?>, ') 3('0( "#$#= '"%3)'3(?> #5' :($%(*» («Dass der Mensch sein Wesen zum Eigentum hat, sagt: es steht in der steten Gefahr des Verlustes»; Heidegger 1989, 489); «Der Mensch ist [ ] verlustig» ((%. <#, 490).
229 !"#$%&'() *&+,#() y -".#(/" ( 0"12$%%$'" 235!"#$%"%&,!'!$'#$ ( #!$')#*+,## -+)$#./ 0#)+, 1)%21'"+3+45%& -+- #!$')#*+,#4 6/$#7, $+- # #!$')#*+,#4 '6)+*+ 8%"'(%-+. 9 #!$')#*+,#- %&!(7*+. # #.$%)%! -.+8+": -' «($')'0:.+8+":»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emento nasci: 9''65%!$(' # 3%.%)+$#(./& '1/$. B#.!-. Badiou A. 2005: Das Sein und das Ereignis. Aus dem Franz. von G. Kamecke. Berlin. Bataille G. 1978: Die psychologische Struktur des Faschismus. Die Souveränität. Aus dem Franz. von R. Bischof, E. Lenk, X. Rajewsky. München. Casper B. 2001: «Ereignis». Bemerkungen zu Franz Rosenzweig und Martin Heidegger // J. Mattern u. a. (Hgg.): Jüdisches Denken in einer Welt ohne Gott. Festschrift für Stéphane Mosès. Berlin, : Transzendentale Phänomenalität und ereignetes Ereignis // Rosenzweig 2002, V XVI. Coriando P.-L. 1998: Der letzte Gott als Anfang. Zur ab-gründigen Zeit-Räumlichkeit des Übergangs in Heideggers «Beiträgen zur Philosophie (Vom Ereignis)». München. Frank M. 1982: Der kommende Gott. Vorlesungen über die neue Mythologie. I. Teil. Frankfurt a. M. Heidegger M. 1989: Beiträge zur Philosophie (Vom Ereignis) ( ) // Gesamtausgabe. Bd. 65. Frankfurt a. M.
230 236!. "#$%&#'()* 2005: Über den Anfang (1941) // Gesamtausgabe. Bd. 70. Frankfurt a. M. Herrmann W.-F. 1994: Wege ins Ereignis. Zu Heideggers «Beiträgen zur Philosophie». Frankfurt a. M. Jauss H. R. 1973: Versuch einer Ehrenrettung des Ereignisbegriffs // R. Koselleck, W.-D. Stempel (Hgg.): Geschichte Ereignis und Erzählung. München, Löwith K. M. 1984: Heidegger und F. Rosenzweig. Ein Nachtrag zu Sein und Zeit (1942/43) // Sämtliche Schriften. Bd. 8. Stuttgart, Rosenzweig F. 2002: Der Stern der Erlösung. Freiburg im Breisgau. Solla G. 2003: «Alles, was der Fall ist». Der Messias als Ereignis überhaupt // N. Müller-Schöll (Hg.): Ereignis. Eine fundamentale Kategorie der Zeiterfahrung. Anspruch und Aporien. Bielefeld, Theunissen M. 1965: Der Andere: Studien zur Sozialontologie der Gegenwart. Berlin. Trawny P. 2004: Heidegger und Hölderlin oder der europäische Morgen. Würzburg. Ullrich W. 1996: Der Garten der Wildnis. Eine Studie zu Martin Heideggers Ereignis- Denken. München.
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