ORCHESTRA ETHICS. A. Joining the orchestra. B. Membership in the orchestra. Membership in the orchestra implies: Orchestra representation implies:

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1 ORCHESTRA ETHICS It is our aim to encourage the continuity of the instrumentation, which is necessary for the orchestra s development. To steadily improve the discipline and thereby also the performance within the orchestra, the management has, in agreement with the orchestra representatives, prepared the following guidelines: A. Joining the orchestra Requirement: auditions for all participants A personal tryout can be replaced through the sending in of a DVD or a youtube-link. Application details and information on the individual project phases can be found on the internet ( Discipline throughout the rehearsals and during the concert tours B. Membership in the orchestra The first phase of a new musician is seen as a probation time. Together, the conductor, the orchestra representatives and the management decide whether the respective musician has passed his probationary period. After successfully passing his/her trial period, the musician becomes a member of the NPhM. However, there is no claim on a permanent position in the orchestra. Membership in the orchestra implies: The right to vote and be voted as orchestra representative The Musikwerkstatt Jugend e.v. is endeavouring to make participation for members free of charge, or else paid for on journeys. Participation in the periodical online-surveys and thereby the possibility to take part in decisionmaking (e.g. choice of program) In case of cancellation of participation due to force majeure, the musician has to provide an adequate substitute. Orchestra representation implies: Orchestra representatives are elected for one legislation period (=1 year: from spring to spring). In order to be elected, the respective musician must take part in at least two of the three projects within the period. At least three and at most five members can be elected (if possible from different musical sections). Among the elected representatives a spokesperson is to be chosen, who will present the orchestra s whishes and concerns to the management (currently: Florian Huber, viola). Advisory role in musical and organizational issues Support during the composition of the best possible instrumentation Commitment to special tasks such as publicity, setting up the stage etc.

2 C. Rehearsal discipline The participants are obligated to prepare conscientiously, which they acknowledge in the application form (see All musicians should be present 15 minutes before the rehearsal. The tuning is to take place 5 minutes before the beginning of the rehearsal, to ensure a punctual start. The conductor has the right to ask individual musicians and stands to play on their own. The musicians must leave the rehearsal room in a tidy state. D. General guidelines INSTRUMENTATION: o As soon as the list of participants is complete, the musicians will be allocated their roles (strings: stands; winds: 1 st or 2 nd etc.) o This order is determined in agreement with the instructors, the management and the orchestra representatives and is to be accepted by all musicians. o The same rules apply to everyone. REIMBURSEMENT FOR TRAVEL EXPENSES: o Travel expenses within the MVV network area cannot be reimbursed. o Musicians living outside the MVV network area will receive a reimbursement for travel expenses for every rehearsal block i.e. once only the journey there and back after presentation of the receipts. The least expensive travel alternative must be chosen in case of train rides, only the BahnCard-50-tariff or the budget price will be reimbursed (within Germany max. 100, within Europe according to consultation) Accommodation to external musicians can be provided during the rehearsal periods and the concerts. (Contact: Franz Deutsch, Tel: , deutsch@nphm.info) Car drivers will receive a reimbursement of 0,15 per kilometer. o Please note: the claim on reimbursement for travel expenses expires 6 weeks after the last concert of the respective project. INSURANCE: o The Musikwerkstatt only provides liability insurance. The participants must take care of their health, accident and instrument insurance themselves. CONCERT DRESSCODE: o Ladies: black dress, black skirt (both not too short) or black trousers (no jeans), black top (no plunging neckline), black concert shoes (no boots) o Gentlemen: dark suit (preferably black), white shirt, bow-tie (if announced), black shoes and socks

3 E. Requirements for audition-videos High Audio Quality Repertoire: First movement (without cadenza) of one of the following solo-concertos plus one of the following orchestral repertoire options (Please contact us if you want to prepare something else.) Violin Op. 61 Brahms: Op. 77 Bruch: Op. 26 Mendelssohn-Bartholdy: Op. 64 Mozart: KV 218, 219 Sibelius: Op. 47 Tschaikowskij: Op. 35 Symphonie Nr. 9 d-moll Adagio J. S. Bach: Matthäuspassion Nr. 39 Aria, "Erbarme Dich" Mendelssohn-Bartholdy: Ein Sommernachtstraum Ouverture (Allegro di molto) Mozart: Symphonie Nr. 39 Es-Dur KV Satz Finale (Allegro) Schumann: Symphonie Nr. 2 C-Dur op Satz Scherzo (Allegro vivace) Viola Bartók: Op. posth. Hindemith: Der Schwanendreher Hoffmeister: D-Dur Stamitz: Op. 1 Symphonie Nr. 5 c-moll op Satz (Andante con moto) Brahms: Symphonie Nr. 4 e-moll 1. Satz, Takt 107 bis 123 Symphonie Nr. 4 Es-Dur "Romantische"

4 2. Satz (Andante quasi Allegretto) Symphonie Nr Satz (Adagio) Mendelssohn-Bartholdy: Ein Sommernachtstraum 1. Satz Scherzo (Allegro vivace) Mozart: Le nozze di Figaro KV 492 Ouverture (Presto) Schubert: Symphonie Nr. 4 c-moll "Die Tragische" Smetana: 4. Satz, Takt 85 bis 113 Die verkaufte Braut Ouverture (Vivacissimo) Violoncello Dvorak: op. 104 Haydn: C-Dur, D-Dur Schumann: op. 129 Symphonie Nr. 5 c-moll op Satz (Andante con moto) Brahms: Symphonie Nr. 2 D-Dur 2. Satz, Beginn bis Takt 15 Symphonie Nr. 7 E-Dur 1. Satz (Allegro moderato) Symphonie Nr. 4 G-Dur 1. Satz (con molto comodo) Mozart: Le nozze di Figaro KV 492 Ouverture (Presto) Smetana: Die verkaufte Braut Ouverture (Vivacissimo) Double-bass Bottesini: b-moll Dittersdorf: E-Dur, Es-Dur Koussevitzky: op. 3

5 Symphonie Nr. 9 d-moll op Satz (Presto) Symphonie Nr. 4 Es-Dur "Romantische" 4. Satz (Finale) Symphonie Nr. 1 D-Dur 3. Satz (Feierlich und gemessen, ohne zu schleppen) Mozart: Le nozze di Figaro KV 492 Ouverture (Presto) Smetana: Die verkaufte Braut Ouverture (Vivacissimo) Strauss: Ein Heldenleben op. 40 Lebhaft bewegt Verdi: Otello 4. Akt (Poco più mosso) Die Walküre 1. Akt Vorspiel und 1. Szene (langsam) Flute Mozart: Mozart: D-Dur G-Dur Bizet: Carmen 3. Akt 1. Szene (Prélude) Brahms: Symphonie Nr. 1 c-moll 4.Satz (Più Andante) Debussy: Prélude à l'après midi d'un faune (Très modéré) J. S. Bach: Matthäuspassion Aria: "Aus Liebe soll mein Heiland sterben" Symphonie Nr. 9 D-Dur 1. Satz (Lento, Misterioso) Mendelssohn-Bartholdy: Ein Sommernachtstraum op. 61 Scherzo (Allegro vivace) Ravel: Daphnis et Chloé, 2ème Suite Très lent Strauss: Tod und Verklärung op. 24 Largo

6 Oboe Mozart: KV 314 Strauss: D Dur Symphonie Nr. 3 Es-Dur "Eroica" op Satz - Marcia funebre (Adagio assai) 3. Satz - Scherzo (Allegro vivace und Trio) Brahms: Violinkonzert D-Dur op Satz (Adagio) Rossini: La scala di seta/die seidene Leiter Ouverture Schubert: Symphonie Nr. 9 C-Dur "Große C-Dur Sinfonie" D Satz (Andante) a tempo, ma tranquillo Strawinskij: Pulcinella Suite 2. Serenata (Larghetto) Tschaikowskij: Symphonie Nr. 4 f-moll 2. Satz (Andantino) Parsifal 3. Aufzug: Karfreitagszauber Clarinet Mozart: KV 622 Weber: op. 73, 74 Symphonie Nr. 4 B-Dur op Satz (Adagio) Symphonie Nr. 6 F-Dur op. 68 "Pastorale" 1. Satz - Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Allegro ma non troppo) Symphonie Nr. 6 F-Dur op. 68 "Pastorale" 2. Satz - Szene am Bache (Andante molto moto) Symphonie Nr. 7 e-moll 2. Satz Nachtmusik (Allegro) Mendelssohn-Bartholdy: Ein Sommernachtstraum op. 61 Scherzo (Allegro vivace) Prokofjew: Peter und der Wolf op. 67 (Nervoso)

7 Puccini: Tosca 3. Akt (Andante lento appassionato molto) Schostakowitsch: Symphonie Nr. 9 Es-Dur op Satz (Presto) Schubert: Symphonie Nr. 7 h-moll D Satz (Andante con moto) Bassoon Mozart: KV 186e Weber: op. 75 Symphonie Nr. 4 b-moll 4. Satz (Allegro ma non troppo) Donizetti: L'elisir d'amore 2. Akt Nr. 19 (Larghetto) Haydn: Symphonie Nr. 88 G-Dur 1. Satz (Allegro) Mozart: Le nozze di Figaro Ouverture Ravel: Boléro Strawinskij: Le Sacre du Printemps Introduzione (Lento) Tschaikowskij: Symphonie Nr. 4 f-moll op Satz (Andantino in modo di canzone) Horn Neuling: Bagatelle Strauss: Nr. 1 High Horn Symphonie Nr. 4 Es-Dur 1. Satz (Bewegt, nicht zu schnell) Symphonie Nr. 4 G-Dur 1. Satz (Bedächtig nicht eilen)

8 Symphonie Nr. 9 D-Dur 1. Satz (Plötzlich bewegend langsamer) Schubert: Symphonie Nr. 8 C-Dur 1. Satz (Andante) Strauss: Ein Heldenleben op. 40 Lebhaft bewegt Strauss: Till Eulenspiegels lustige Streiche op. 28 Gemächlich Tschaikowskij: Symphonie Nr. 5 e-moll op Satz (Andante cantabile) Low Horn Fidelio Ouverture Symphonie Nr. 9 d-moll op Satz (Adagio molto e cantabile) Symphonie Nr. 9 D-Dur 1. Satz (Andante comodo) Schostakowitsch: Symphonie Nr. 5 op Satz (Moderato) Schubert: Symphonie Nr. 8 C-Dur 1. Satz (Andante) Das Rheingold Vorspiel Parsifal 3. Akt (Gurnemanz - sehr langsam) Rienzi 1. Akt 4. Szene (Finale) Trumpet Haydn: Hummel: Es-Dur Es-Dur Bizet: Signal aus der Ouverture zu Leonore Nr. 2 op.72 Allegro Signal aus der Ouverture zu Leonore Nr. 3 op.72a Allegro Carmen Prélude Schicksalsmotiv (Andante moderato)

9 Symphonie Nr. 5 cis-moll 1. Satz (Trauermarsch) Symphonie Nr.9 D-Dur 3.Satz Takt (Nummer 36 bis 38) Ravel: Klavierkonzert G-Dur 1. Satz Strauss: Don Juan Strawinskij: Petrouchka (Version 1947) Trombone Bozza: Ballade David: op. 4 Groendahl: 1924 Martin: Ballade Wagenseil: Concerto Tenor Trombone Berg: 3 Stücke für Orchester op. 6 Nr. 3 (Marsch) - Tenor Posaune Berg: Lulu 1. Akt 1. Szene (Einleitung zum Kanon) 2. Akt 1. Szene (Lento) Symphonie Nr. 3 d-moll 1. Satz Mozart: Missa in C, "Waisenhausmesse" Agnus Dei Mozart: Requiem KV 626 Tuba mirum (Andante) Ravel: Boléro Strawinskij: L oiseau de feu/der Feuervogel (Suite 1945 Version) Dance infernale Bass Trombone Delibes: Coppélia 1. Akt Nr. 4 (Tempo di mazurka) Haydn: Die Schöpfung Nr. 26 Chor (Vivace) J. S. Bach: Suite in c-moll BWV 1011 Sarabande

10 J. S. Bach: Suite in G-Dur BWV 1007 Menuet I Janacek: Sinfonietta 3. Satz (Con moto) Strauss: Der Bürger als Edelmann op Aufzug Nr. 5 (Szene des Fechtmeisters) Strauss: Der Bürger als Edelmann op Aufzug Nr. 10 (Das Diner) Strauss: Till Eulenspiegels lustige Streiche op. 28 Siegfried 2. Akt 1. Szene Tuba Vaughan Williams : 1. Satz mit Kadenz Symphonie Nr. 4 Es-Dur 1. Satz Symphonie Nr. 8 c-moll 1. Satz (Allegro moderato) Symphonie Nr. 8 c-moll 2. Satz Scherzo (Allegro moderato) Hindemith: Sinfonische Metamorphosen Scherzo (Lebhaft) Symphonie Nr. 1 D-Dur 3. Satz (Feierlich und gemessen) Mussorgski: Bilder einer Ausstellung IV. Bydlo Prokofjew: Symphonie Nr. 5 B-Dur op Satz (Andante) Strauss: Elektra Die Meistersinger von Nürnberg 2. Akt 7. Szene (Prügelszene) Timpani Béla Bartók: Violin Konzert Nr.2: 2. Satz: Takt 11 bis Takt Satz: Takt 202 bis Takt 214 Ludwig van Symphonie Nr. 5: 3./4.Satz: Takt 366 bis Takt 395 Richard Hochrainer: Aus: "Etüden für Timpani": Etüde Nr. 59

11 Harp Händel: Konzert in B-Dur, op.4 Nr.6 Andante allegro (ohne Wiederholungen) Bartók: Tschaikowsky: Verdi: Konzert für Orchester, 4.Satz Der Nußknacker 2.Akt Nr.12: Blumenwalzer Die Macht des Schicksals (Ouverture)