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19 14. B!%!7!+1 A.F.!'10'-% 0*.") +.+'0<,-.+, &'"1'$*.'0'+ 1,0+'; 1'/'+*(% OO +,&). S.: S#$%&), /1G2'1..A. R'(?,1?*5 "#$%&)/2('; :/*.,/2('-.* (() 10*",0, *(-.0#",(.)/2('- 4'.+'0<,-.+) R/':) :*-. &)(:. *-&.: EH7., H$'-$0 D. E+'7':(', 1*-2"'.! 2.. / 1,0. I. H/'.(*&'+). P. 1. R0)-('50-&: RQWS*P, Appleton J. Tone-Relation, Time-Displacement and Timbre. An approach to XX-th century music // Musical Review Z 1 (27). Febr. P Burkhart Ch. The Phrase Rhythm of Chopin s A-flat Mazurka, Op. 59, Z 2 // Engaging Music: Essays in Music Analysis / ed. by D. Stein. New York: Oxford University Press, P Burkhart Ch. Schenker s Motivic Parallelisms // Journal of Music Theory Z 22. P Clayton M.R.L. Free rhythm: ethnomusicology and the study of music without metre // Bulletin of the School of Oriental and African Studies Z 59 (2). P Cooper G.W., Meyer L.B. The rhythmic Structure of Music. Chicago: Univ. of Chicago press, p. 22. Friedheim Ph. Rhythmic Structure in Schönberg s Atonal Compositions // Journal of the American Musicological Society Z 1 (19). P Friedheim Ph. Berlioz and rhythm // Musical Review Z 37. P Hauptmann M. Die Natur der Harmonik und der Metrik. Leipzig: Breitkopf und Härtel, S. URL: (:).) '70)K,(*5: ). 25. Heininchen J.D. Der General-Bass in der Composition. Dresden, URL: (:).) '70)K,(*5: ). 26. Koch H. Versuch einer Anleitung zur Composition. In 3 B-den. Rudolstadt; Leipzig: Böhme, URL: (:).) '70)K,(*5: ). 27. LaRue J. Guidelines for Style Analysis. Expanded 2-nd ed. Michigan: Harmonic Park Press, p. 19

20 28. LaRue J. Harmonic Rhythm in the Beethoven Symphonies // Musical Review Vol. 1, Z 1. P Reprinted: The Journal of Musicology Vol. 18, Z 2. P Lerdahl F., Jackendoff R.S. A Generative Theory of Tonal Music. 2-nd printing. Cambridge: MIT Press, p. 30. London J. Rhythm // The New Grove Dictionary of Music and Musicians: [in 29 vol.] / ed. by Stanley Sadie; execut. ed. John Tyrrell. New York: Oxford univ. press, cop Vol. 21. P London J. Rhythm in Twentieth-Century Theory // The Cambridge History of Western Music Theory / ed. by Th. Christensen. Cambridge: Cambridge University Press, P Momigny J.-J. Cours complet d_harmonie et de composition d_apres une theorie n,uv, et generale de la musique. En 3 Vol. Paris, URL: bs_ge_summary_r&cad=0#v=onepage&q&f=false (:).) '70)K,(*5: ). 33. Piston W. Harmony. London: Lowe and Brighton LTD, p. 34. Piston W. Principles of Harmonic Analysis. Boston: E.C. Schirmer, p. 35. Rameau J.-Ph. Traité de l harmonie réduite à ses principes naturels. Paris: J.B.C. Ballard, p. URL: (:).) '70)K,- (*5: ). 36. Randall J.K. Two lectures for scientists // Perspectives on Contemporary Music Theory / ed. by B. Boretz and E.T. Cone. New York: Norton, P Riemann F. Geschichte der Musiktheorie im XI XIX. Jahrhundert. Leipzig: Hesse, S. 38. Riemann F. Musikalische Dynamik und Agogik. Hamburg: Verlag von D. Rachter, S. URL: (:).) '70)K,(*5: ). 39. Riemann F. Rhythm, Art of // Dictionary of Music by Dr. Hugo Riemann / translated by J.S. Shedlock. 4-th ed. London: Augener Ltd, P Riemann H. System der musikalischen Rhythmik und Metrik. Leipzig: Druck: Breitkopf und Härtel, S. 20

21 41. Riepel J. Anfangsgründe zur musikalischen Setzkunst. In 2 B-den. Bd. 1. Augsburg: Johann Jacob Lotter, 1752; Bd. 2. Ulm: Christian Ulrich Wagner, URL: eph) (:).) '70)K,(*5: ). 42. Rothstein W. Phrase Rhythm in Tonal Music. New York: Schirmer Books, 1989 (2-nd reprint: Ann Arbor: Musicalia Press, 2007). 349 p. 43. Sachs C. Rhythm and Tempo. A Study in music history. New York: Norton and Co, p. 44. Schachter C. Rhythm and Linear Analysis (a preliminary study) // Music Forum. Vol. 4. New York: Columbia University press, P Schachter C. Rhythm and Linear Analysis: Aspects of meter // Music Forum. Vol P Schachter C. Rhythm and Linear Analysis: Durational reductions // Music Forum. Vol P Swain J. Demensions of Harmonic rhythm // Music Theory Spectrum. Vol. 20, Z P Swain J. Harmonic Rhythm: Analysis and Interpretation. New York: Oxford University Press, p. 49. Westergaard P. Some problems in Rhythmic Theory and Analysis // Perspectives on contemporary music Theory / ed. by B. Boretz and E.T. Cone. New York: Norton, P Westphal R.G. Allgemeine Theorie der musikalischen Rhythmik seit J.S. Bach. Auf Grundlage der Antiken und unter Besugnahme auf ihren historischen Anschluss an die Mitterlalterliche Leipzig: Breitkopf und Härtel, S. 51. Yeston M. The stratification of musical Rhythm. New Haven; London: Yale University Press, p. 21